Henry Slesar

Ron Miller 

John Glasby

J.S. Fletcher

Frank Belknap

Veronica Leigh 

Anna Scotti 

Richard A. McMahan

Philip Jose Farmer 

Donald A. Wollheim 

Long Henry Slesar

Welcome to Black Cat Weekly. On the mystery side of things, we have original tales by Veronica Leigh (one that looks to be the start of a new series) and Richard A. McMahon (courtesy of Acquiring Editor Michael Bracken). Acquiring Editor Barb Goffman has selected a great tale by Anna Scotti, and our novel is The Talleyrand Maxim, by Golden Age author J.S. Fletcher. Plus, of course, a solve-it-yourself puzzler from Hal Charles. On the science fiction and fantasy side, our lead item is a new feature—a portfolio by artist Ron Miller. Ron has joined our staff as art director and will be providing covers from his vast body of work. But I wanted our readers to know how great an artist he is, so here is a collection of some of his best covers. As for the fiction, we have a monster-in-the-mist story by British master John Glasby, plus an all-star lineup of classic authors: Frank Belknap Long, Donald A. Wollheim, Henry Slesar, and Philip Jose Farmer. Great stuff. Here’s the complete lineup— Cover Art: Ron Miller Mysteries / Suspense / Adventure: “Mr. George,” by Richard A. McMahan [Michael Bracken Presents short story] “An Open and Shut Case,” by Hal Charles [Solve-It-Yourself Mystery] “That Which We Call Patience,” by Anna Scotti [Barb Goffman Presents short story] “The Lighthouse Keeper’s Daughters,” by Veronica Leigh [short story] The Talleyrand Maxim, by J.S. Flextcher [novel] Special Feature: “Cover Portfolio,” by Ron Miller Science Fiction & Fantasy: “The Thing in the Mist,” by John Glasby [short story] “Mr. Caxton Draws a Martian Bird,” by Frank Belknap Long [short story] “Saknarth,” by Donald A. Wollheim [short story] “Mr. Loneliness,” by Henry Slesar [short story] “The Celestial Blueprint,” by Philip José Farmer [short story]

Black Cat Weekly #137

Watching the screen version of a classic mystery novel can be disappointing. By necessity or artistic license (or possibly just ego) changes are often made by the filmmakers--many of them ineffective or even detrimental. This book focuses on the screen adaptations of 65 famous mysteries and examines how the filmmakers either succeeded or failed in the telling of the story. Interviews with several famous mystery writers are included, with their comments on how filmmakers treated their work.

The Adaptation of 65 Novels and Stories

Mystery Classics on Film

Ron Miller

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