Elazar Barkan

Ronald Bush

Examining the emergence of modernism from the fin-de-siecle primitivist project this volume shows how ethnographic materials shaped a variety of high and low discourses (ethnology, social theory, gender construction, classical scholarship, as well as travel photography) at the turn of the century. Illustrated with 98 photographs and drawings."

The Primitivist Project and the Culture of Modernism

Prehistories of the Future

In this major new study, Ronald Bush probes the complex relationship between the life and work of T.S. Eliot, "one of the most subjective and daemonic poets who ever lived, the victim and helpless beneficiary of his own inexorable compulsions and obsessions."(Randall Jarrell) Bush demonstrates how Eliot's character was torn by the same conflict that charged his greatest poetry: an almost unbearable tension between romantic yearning and intellectual detachment. Skillfully combining biography and literary analysis, he examines all the factors that contributed to Eliot's personal development and explains why these elements were necessary to the production of his poems. From "Prufrock" and The Waste Land through Four Quarters, Bush traces Eliot's journey of artistic development and relates how his work set the standard for all of twentieth-century writing. An indispensable and beautifully crafted work,T.S. Eliot: A Study in Character and Style makes a major contribution to the scholarship on one of this century's most significant artists.

A Study in Character and Style

T.S. Eliot

These fourteen essays address controversies over a variety of cultural properties, exploring them from perspectives of law, archeology, physical anthropology, ethnobiology, ethnomusicology, history, and cultural and literary study. The book divides cultural property into three types: Tangible, unique property like the Parthenon marbles; intangible property such as folktales, music, and folk remedies; and communal "representations," which have lead groups to censor both outsiders and insiders as cultural traitors.

Ronald Bush

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