Sophie Mackintosh

Jacqueline Harpman

Ros Schwartz

I Who Have Never Known Men

Ciruelo Cabral

Montserrat Sant

Our fascination with dragons has a long history, but what do we really know about these breathtaking creatures? Despite our growing curiosity, dragons have remained over the years mysterious, relegated to an accesory role to the knights who battled them. Now, however, dragon expert Montse Sant dispels the mystery surrounding dragons, and with the consummate skill of illustrator Ciruelo Cabral, brings us into a secret world which seems both fantastic and familiar.In The Book of the Dragon, you'll find every aspect of the dragon's history explored, from its physical and psychological traits, to its social organization and its manifestations in art and literature. Sant expertly catalogues the different types of dragons, together with their physical attributes and patterns of existence, and also provides a tour of the creature's trail in literature, from the ancient Greek legends of the Golden Apples and Jason and Medea to the more recent legends created by J.R.R. Tolkien and Ursula K. LeGuin. Throughout the book, Ciruelo Cabral's outstanding illustrations vividly capture the dragon's perilously enticing and multifaceted nature.The Book of the Dragon allows you to enter more fully than ever before the fascinating world of ancient and recent mythologies. It will appeal to everyone who admires and is interested in these beautiful beasts.

The Book of the Dragon

Brigitte Le Juez

Investigating the themes and ideas that sparked Samuel Beckett’s writing career, this valuable guide explores one of the least known periods in Beckett’s early life. Having just returned from Paris where he had met James Joyce, Beckett’s brief academic career at Trinity College is detailed through a student’s extensive notes from modern French lectures delivered in 1930 and 1931. Outlining Beckett’s opinions and thoughts during a formative intellectual period, many important questions are explored, such as How did he define the modern novel of his day? What should literature strive to achieve? and What should literature avoid? Revealing the authors that he studied, praised, and criticized—including Racine, Flaubert, Balzac, Gide, Stendahl, and Dostoyevsky—this informative study of his early teachings examine his preferences as a reader and the literary theories he was developing that later influenced his novels and drama. The many arguments discussed in this perceptive history provide an understanding of the intellectual basis of modernism and spotlight a previously unstudied stage in life of one of the greatest writers of the 20th century.

Ros Schwartz

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