Rosalind C. Morris

Acknowledgments p. ix Introduction Rosalind C. Morris p. 1 Part 1 Text "Can the Subaltern Speak?" revised edition, from the "History" chapter of Critique of Postcolonial Reason Gayatri Chakravorty Spivak p. 21 Part 2 Contexts and Trajectories Reflections on "Can the Subaltern Speak?": Subaltern Studies After Spivak Partha Chatterjee p. 81 Postcolonial Studies: Now That's History Ritu Birla p. 87 The Ethical Affirmation of Human Rights: Gayatri Spivak's Intervention Drucilla Cornell p. 100 Part 3 Speaking of (Not) Hearing Death and the Subaltern Rajeswari Sunder Rajan p. 117 Between Speaking and Dying: Some Imperatives in the Emergence of the Subaltern in the Context of U.S. Slavery Abdul Janmohamed p. 139 Subalterns at War: First World War Colonial Forces and the Politics of the Imperial War Graves Commission Michèle Barrett p. 156 Part 4 Contemporaneities and Possible Futures: (Not) Speaking and Hearing Biopower and the New International Division of Reproductive Labor Pheng Cheah p. 179 Moving from Subalternity: Indigenous Women in Guatemala and Mexico Jean Franco p. 213 Part 5 In Response In Response: Looking Back, Looking Forward Gayatri Chakravorty Spivak p. 227 Appendix: Can the Subaltern Speak? From Marxism and the Interpretation of History Gayatri Chakravorty Spivak p. 237 Bibliography p. 293 Contributors p. 309 Index p. 313.

Reflections on the History of an Idea

Can the Subaltern Speak?

William Kentridge

For more than three decades, artist William Kentridge has explored in his work the nature of subjectivity, the possibilities of revolution, the Enlightenment's legacy in Africa, and the nature of time itself. At the same time, his creative work has stretched the boundaries of the very media he employs. Though his pieces have allowed viewers to encounter the traditions of landscape and self-portraiture, the limits of representation and the possibilities for animated drawing, and the labor of art, a guide to understanding the full scope of his art has been available until now. For five days, Kentridge sat with Rosalind C. Morris to talk about his work. The result—That Which Is Not Drawn—is a wide-ranging conversation and deep investigation into the artist's techniques and into the psychic and philosophical underpinnings of his body of work. In these pages, Kentridge explains the key concerns of his art, including the virtues of bastardy, the ethics of provisionality, the nature of translation and the activity of the viewer. And together, Kentridge and Morris trace the migration of images across his works and consider the possibilities for a revolutionary art that remains committed to its own transformation. “That's the thing about a conversation,” Kentridge reflects. “The activity and the performance, whether it's the performance of drawing or the performance of speech and conversation, is also the engine for new thoughts to happen. It's not just a report of something you know.” And here, in this engaging dialogue, we at last have a guide to the continually exciting, continually changing work of one of our greatest living artists.

William Kentridge & Rosalind C. Morris : Conversations

That which is Not Drawn

Collection of essays on the history of photography in Southeast Asia and East Asia that emphasize the ethnographic uses of the medium.

The Camera and Its Histories in East and Southeast Asia

Photographies East

A sophisticated, wide-ranging, theoretical account of how spirit mediums mediate the Thai experience of capitalist modernity.

Modernity and Its Mediums in Northern Thailand

In the Place of Origins

Charles de Brosses

Daniel H. Leonard

"Fetishism (supposing that it existed)": a preface to the translation of Charles de Brosses's Transgression / Rosalind C. Morris -- Introduction: fetishism, figurism, and myths of enlightenment / Daniel H. Leonard -- A note on the translation / Daniel H. Leonard -- On the worship of fetish gods; or, a parallel of the ancient religion of Egypt with the present religion of Nigritia / Charles de Brosses ; translated by Daniel H. Leonard -- After De Brosses: fetishism, translation, comparativism, critique / Rosalind C. Morris -- A fetiche is a fetiche: no knowledge without difference of the word: rereading De Brosses -- Excursus: recontextualizing De Brosses, with Pietz in and out of Africa -- Re Kant and the good fetishists among us -- Hegel: back to the heart of darkness -- Fetishism against itself; or, Marx's two fetishisms -- The great fetish; or, the fetishism of the one -- Freud and the return to the dark continent: the other fetish -- Conjuncture: Freud and Marx, via Lacan -- Anthropology's fetishism: the custodianship of reality -- Fetishism reanimated: surrealism, ethnography, and the war against decay -- Deconstruction's fetish: undecidable, or the mark of Hegel -- Rehistoricizing generalized fetishism: the era of objects -- Anthropological redux: the reality of fetishism -- The fetish is dead, long live fetishism

Rosalind C. Morris

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