Coralie Bickford-Smith

Thomas Hardy

Rosemarie Morgan

Shannon Russell

Far from the Madding Crowd

Bringing together eminent Hardy scholars, The Ashgate Research Companion to Thomas Hardy offers an overview of Hardy scholarship and suggests new directions in Hardy studies. While several collections have surveyed the Hardy landscape, no previous volume has been composed specifically for scholars and advanced graduate students. This companion is specially designed to aid original research on Hardy and serve as the critical basis for Hardy studies in the new millennium.

The Ashgate Research Companion to Thomas Hardy

First published in 1988. Routledge is an imprint of Taylor & Francis, an informa company.

Women and Sexuality in the Novels of Thomas Hardy

In The Ashgate Research Companion to Thomas Hardy, some of the most prominent Hardy specialists working today offer an overview of Hardy scholarship and suggest new directions in Hardy studies. The contributors cover virtually every area relevant to Hardy's fiction and poetry, including philosophy, palaeontology, biography, science, film, popular culture, beliefs, gender, music, masculinity, tragedy, topography, psychology, metaphysics, illustration, bibliographical studies and contemporary response. While several collections have surveyed the Hardy landscape, no previous volume has been composed especially for scholars and advanced graduate students. This companion is specially designed to aid original research on Hardy and serve as the critical basis for Hardy studies in the new millennium. Among the features are a comprehensive bibliography that includes not only works in English but, in acknowledgment of Hardy's explosion in popularity around the world, also works in languages other than English.

The manuscript of Hardy's first great novel Far From the Madding Crowd vanished shortly after its first publication. Rediscovered in 1918 it sheds remarkable new light on the whole of Hardy's work. The manuscript pages, some of which are reproduced here in facsimile, reveal Hardy's original composition in the novel, and the reluctantly `cancelled words' which were the result of a long struggle with Sir Leslie Stephen, Hardy's editor. Cancelled Words reveals the manner in which Hardy worked, his resistance to censorship, his obsessive attention to detail and precision, and the often concealed processes underlying his authorship. Ultimately, it serves to shape our understanding of the development of the modern novel.

Rosemarie Morgan

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