S. Dorman

S. Dorman began Maine Metaphor with The Green and Blue House. She continued her explorations in the Western Mountains of Maine, studying Maine's characteristic ways and natural realm, possessing the experience, studies, and journaling of rural life and creation. And she wanted to learn about the character of the people who sometimes must live a hardscrabble life. Her quest began thirty some years ago merely in living the life on moving to Maine with her family. This state of New England, once a District of Massachusetts, greatly appealed to her for its peculiar beauty and quiet, but also for its hard-working ethic. Maine flows with metaphors helpful in understanding our right relation to creation and its Maker. Maine's people, landscape, history, geology, weather, and writers tell of this reciprocity of life. Her spouse Allen supported the family, as you'll see in the book. Not, as she says, in order that she might write, but that she might eat! After their brief familial confrontation with homelessness on moving to Maine, Allen struggled to earn a living, but now is retired, with a fixed income; yet work here is seasonal and difficult still for others making a living in the Western Mountains of Maine. Walk these back roads with her, meet some back roads folk, climb these high wooded hills and low stone mountains. Consider and dream over the telling, and come back to yourself from Maine, refreshed.

Experience in the Western Mountains

Maine Metaphor: Experience in the Western Mountains

Donald T. Williams

Annie Crawford

Donald W. Catchings, Jr.

Seth Myers

Annie Nardone

Josiah Peterson

Zak Schmoll

Clark Weidner

C.M. Alvarez

Karise Gililland

Korine Martinez

George Scondras

J.R.R. Tolkien was the British author who fired the imagination of a generation with his beloved works: The Hobbit and The Lord of the Rings. In this collection of essays, short stories, and poems, we explore the magic of Tolkien’s works that defined high fantasy and illustrate the underlying Christian themes that are so essential to the joy his work brings. Contributors: C.M. Alvarez: "Melchizedek, Bombadil, and the Numinous in The Lord of the Rings," an essay on the parallels between the mysterious figures found in the Bible and The Lord of the Rings and what they represent. Donald W. Catchings, Jr.: "The Hero from Bagshot Row," a poem dedicated to the heroism of Sam in The Lord of the Rings. Annie Crawford: "Courage at the Crossroads" on how the journey of the Fellowship illustrates the truth of the Gospel message. S. Dorman: "The Common Good in Tolkien's Rural Communities," an essay on the importance of community drawing from illustrations in The Lord of the Rings by Tolkien and In Search of the Common Good: Christian Fidelity in a Fractured World by Jake Meador. Karise Gililland: "One Theme to Rule Them All," an essay on a collection of Catholic essays in Tolkien's The Lord of the Rings. Korine Martinez: "Awakening Joy," an essay on the Christ-inspired joy which infuses The Lord of the Rings Seth Myers: "Tolkien and Miyazaki: Princess Mononoke and The Lord of the Rings in Conversation," an essay on the fight against evil in The Lord of the Rings by Tolkien and the animated film, Princess Mononoke. Annie Nardone: "Finishing Well," an essay on purpose as illustrated in "Leaf by Niggle;" "The Finished Work," a sonnet based on "Leaf by Niggle;" and "A Passage to Something Better," an essay on death in The Lord of the Rings. Josiah Peterson: "Supernatural Words" on the importance of language in the creation of Tolkien's Middle-earth. George Scondras: "Melkor and Illuvatar" on the Christian hope in The Silmarillion. Zak Schmoll: "The Beauty of a Growing Friendship," an essay on the importance of fellowship and community illustrated in The Lord of the Rings and a book review on An Encouraging Thought Clark Weidner: "Tom Bombadil: The Value of an Enigma," an essay on the importance of mystery. Donald T. Williams: "Loth Lorien" and "To J.R.R. Tolkien, poems inspired by Tolkien's work. About An Unexpected Journal An Unexpected Journal is a quarterly publication that presents the truth of Christianity using reason and imagination. Spring 2020, Volume 3, Issue 1

Explore the imagination and joy in the worlds created by J.R.R. Tolkien

An Unexpected Journal: The Worlds of Tolkien

How to live in rural Maine? How--in the 1980s, when descendants of Maine's settlers wonder about our coming out of the Rust Belt in search of work, in search of a life? They were not bitter about our coming here, where jobs were already scarce--they were incredulous. Why did we come? Sometimes I answered, "God." God brought us, the formerly middle-class inept, to live among these most hardy and canny of make-do people. God brought us to experience life in Maine, where my spouse sometimes worked turning and trimming four thousand boards a night, waking to drive one hundred miles round-trip to finish our undergraduate educations with the aid of loans and grants. So I studied the place where we came to live. And I forgot where we came from. Rural Maine was ragged, rugged, hardscrabble, and wild--but full of the most visible, vital, natural creation. I've tried to express that aspect of Maine life in The Green and Blue House. And there is the metaphor, also.

The Green and Blue House

Maine Metaphor: The Green and Blue House

Gott'im's Monster 1808

An alternate future? An insecure past? Another present made of dense woodlands and waterways ... or of streets and buildings and crowds? Are its populations living beside one another in a welter of frequencies or wavelengths not generally experienced in Place and Time? What is FIVE POINTS AKROPOLIS? A particular place called Five Points Akropolis -- This is what Anno Domine 1769, 1900 A.D., and 2017 CE have in common. But what influence does the dwarf-wanderer Pluto have on its fortunes? One of many characters, Willie the grave-digger would like to know, and too Gregoff the Grak. So would True People's scouts Red Fox and Quick Claws. Jayrai, HBBBAH, and Tu are wondering--they want to get back to 2017, their own time. And little Quadri, whose flashing gaze is the pulse of the gamescape. But ""the girl,"" who seems somehow responsible for all this, isn't saying anything. Three gangs of kids living on the same spot in different times, meeting up for the first time as Pluto descends.

Five Points Akropolis

S. Dorman

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