Darrell J. Steffensmeier

Jeffery T. Ulmer

Sam Goodman

**Recipient of the American Society of Criminology's 2006 Michael J. Hindelang Award for a book, published within the past three calendar years, that makes "the most outstanding contribution to research in criminology." **Nominated for the 2007 Outstanding Book award of the Academy of Criminal Justice Sciences. Sam Goodman, was a long-time thief, fence, and quasi-legitimate businessman. He had a criminal career that spanned fifty years, beginning in his mid-teens and ending with his death when he was in his mid-sixties. Confessions of a Dying Thief is an in-depth ethnographic study of Sam and his world based on continuous contact with him for many years, on multiple interviews with his network of associates in crime and business, and on a series of interviews with him shortly before he died. The book updates and greatly expands the case study of Sam Goodman's fencing activity found in Steffensmeier's award-winning 1986 book The Fence: In the Shadow of Two Worlds. The book combines Sam's colorful narrative accounts with substantive commentary by the authors to provide a more nuanced portrayal of criminal careers, illegal enterprise, and the broad landscape comprising the entity called "crime." To more fully understand pathways into and out of crime as well as the social organization of illegal enterprise, the authors propose an integrative learning-opportunity-commitment framework that combines differential association/social learning theory and an extended conceptualization of criminal opportunity with a three-fold theory of commitment to crime. This framework offers an integrated and more complete way of understanding mechanisms that underlie criminal offending and criminal careers. It also recognizes the complexity and scope of the criminal landscape and its embeddedness in the fabric of the larger society, including its criminal justice system. Sam's illness and death are a sobering backdrop throughout the whole book. However, Confessions is not just a dying thief's intimate confessions. Rather, it is a rare and penetrating journey into the dynamics of criminal careers and the social organization of criminal enterprise, as experienced by a veteran thief and fence and his network of key associates.

Understanding Criminal Careers And Illegal Enterprise

Confessions Of A Dying Thief

The position of spy fiction is largely synonymous in popular culture with ideas of patriotism and national security, with the spy himself indicative of the defence of British interests and the preservation of British power around the globe. This book reveals a more complicated side to these assumptions than typically perceived, arguing that the representation of space and power within spy fiction is more complex than commonly assumed. Instead of the British spy tirelessly maintaining the integrity of Empire, this volume illustrates how spy fiction contains disunities and disjunctions in its representation of space, and the relationship between the individual and the state in an era of declining British power. Focusing primarily on the work of Graham Greene, Ian Fleming, Len Deighton, and John le Carre, the volume brings a fresh methodological approach to the study of spy fiction and Cold War culture. It presents close textual analysis within a framework of spatial and sovereign theory as a means of examining the cultural impact of decolonization and the shifting geopolitics of the Cold War. Adopting a thematic approach to the analysis of space in spy fiction, the text explores the reciprocal process by which contextual history intersects with literature throughout the period in question, arguing that spy fiction is responsible for reflecting, strengthening and, in some cases, precipitating cultural anxieties over decolonization and the end of Empire. This study promises to be a welcome addition to the developing field of spy fiction criticism and popular culture studies. Both engaging and original in its approach, it will be important reading for students and academics engaged in the study of Cold War culture, popular literature, and the changing state of British identity over the course of the latter twentieth century.

British Spy Fiction and the End of Empire

Alan Bleakley

Victoria Bates

In recent decades, both medical humanities and medical history have emerged as rich and varied sub-disciplines. Medicine, Health and the Arts is a collection of specially commissioned essays designed to bring together different approaches to these complex fields. Written by a selection of established and emerging scholars, this volume embraces a breadth and range of methodological approaches to highlight not only developments in well-established areas of debate, but also newly emerging areas of investigation, new methodological approaches to the medical humanities and the value of the humanities in medical education. Divided into five sections, this text begins by offering an overview and analysis of the British and North American context. It then addresses in-depth the historical and contemporary relationship between visual art, literature and writing, performance and music. There are three chapters on each art form, which consider how history can illuminate current challenges and potential future directions. Each section contains an introductory overview, addressing broad themes and methodological concerns; a case study of the impact of medicine, health and well-being on an art form; and a case study of the impact of that art form on medicine, health and wellbeing. The underlining theme of the book is that the relationship between medicine, health and the arts can only be understood by examining the reciprocal relationship and processes of exchange between them. This volume promises to be a welcome and refreshing addition to the developing field of medical humanities. Both informative and thought provoking, it will be important reading for students, academics and practitioners in the medical humanities and arts in health, as well as health professionals, and all scholars and practitioners interested in the questions and debates surrounding medicine, health and the arts.

Sam Goodman

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