Samuel Jay Keyser

Andrea Moro

Vice Rector of the Institute Andrea Moro

An exploration of what research at the intersection of contemporary theoretical linguistics and the cognitive neurosciences can reveal about the constraints on the apparently chaotic variation in human languages. In The Boundaries of Babel, Andrea Moro tells the story of an encounter between two cultures: contemporary theoretical linguistics and the cognitive neurosciences. The study of language within a biological context has been ongoing for more than fifty years. The development of neuroimaging technology offers new opportunities to enrich the "biolinguistic perspective" and extend it beyond an abstract framework for inquiry. As a leading theoretical linguist in the generative tradition and also a cognitive scientist schooled in the new imaging technology, Moro is uniquely equipped to explore this. Moro examines what he calls the "hidden" revolution in contemporary science: the discovery that the number of possible grammars is not infinite and that their number is biologically limited. This radical but little-discussed change in the way we look at language, he claims, will require us to rethink not just the fundamentals of linguistics and neurosciences but also our view of the human mind. Moro searches for neurobiological correlates of "the boundaries of Babel"--the constraints on the apparent chaotic variation in human languages--by using an original experimental design based on artificial languages. He offers a critical overview of some of the fundamental results from linguistics over the last fifty years, in particular regarding syntax, then uses these essential aspects of language to examine two neuroimaging experiments in which he took part. He describes the two neuroimaging techniques used (positron emission topography, or PET, and functional magnetic resonance imaging, or fMRI), but makes it clear that techniques and machines do not provide interesting data without a sound theoretical framework. Finally, he discusses some speculative aspects of modern research in biolinguistics regarding the impact of the linear structure of linguistics expression on grammar, and more generally, some core aspects of language acquisition, genetics, and evolution.

The Brain and the Enigma of Impossible Languages

The Boundaries of Babel

Noam Chomsky

Institute Professor & Professor of Linguistics (Emeritus) Noam Chomsky

Noam (Laureate Professor Chomsky, Roam Agency)

am Chomsky

Contains the text to five lectures given by Noam Chomsky about the nature, origins, and current concerns of the field of linguistics.

The Managua Lectures

Language and Problems of Knowledge

An argument that Modernism is a cognitive phenomenon rather than a cultural one. At the beginning of the twentieth century, poetry, music, and painting all underwent a sea change. Poetry abandoned rhyme and meter; music ceased to be tonally centered; and painting no longer aimed at faithful representation. These artistic developments have been attributed to cultural factors ranging from the Industrial Revolution and the technical innovation of photography to Freudian psychoanalysis. In this book, Samuel Jay Keyser argues that the stylistic innovations of Western modernism reflect not a cultural shift but a cognitive one. Behind modernism is the same cognitive phenomenon that led to the scientific revolution of the seventeenth century: the brain coming up against its natural limitations. Keyser argues that the transformation in poetry, music, and painting (the so-called sister arts) is the result of the abandonment of a natural aesthetic based on a set of rules shared between artist and audience, and that this is virtually the same cognitive shift that occurred when scientists abandoned the mechanical philosophy of the Galilean revolution. The cultural explanations for Modernism may still be relevant, but they are epiphenomenal rather than causal. Artists felt that traditional forms of art had been exhausted, and they began to resort to private formats—Easter eggs with hidden and often inaccessible meaning. Keyser proposes that when artists discarded their natural rule-governed aesthetic, it marked a cognitive shift; general intelligence took over from hardwired proclivity. Artists used a different part of the brain to create, and audiences were forced to play catch up.

Why Poetry, Painting, and Music Changed at the Turn of the Twentieth Century

The Mental Life of Modernism

Juan Uriagereka

David Michaels

Roger Martin

This collection of essays presents an up-to-date overview of research in the minimalist program of linguistic theory. The book includes a new essay by Noam Chomsky as well as original contributions from other renowned linguists. This collection of essays presents an up-to-date overview of research in the minimalist program of linguistic theory. The book includes a new essay by Noam Chomsky as well as original contributions from other renowned linguists. Contributors Andrew Barss, Zeljko Boskovic, Noam Chomsky, Hamida Demirdache, Hiroto Hoshi, Kyle Johnson, Roger Martin, Keiko Murasugi, Javier Ormazabal, Mamoru Saito, Daiko Takahashi, Juan Uriagereka, Myriam Uribe-Extebarria, Ewa Willim

Essays on Minimalist Syntax in Honor of Howard Lasnik

Step by Step

A memoir of MIT life, from being Noam Chomsky's boss to negotiating with student protesters. When Jay Keyser arrived at MIT in 1977 to head the Department of Linguistics and Philosophy, he writes, he "felt like a fish that had been introduced to water for the first time." At MIT, a colleague grabbed him by the lapels to discuss dark matter; Noam Chomsky called him "boss" (double SOB spelled backward?); and engaging in conflict resolution made him feel like "a marriage counselor trying to reconcile a union between a Jehovah's witness and a vampire." In Mens et Mania, Keyser recounts his academic and administrative adventures during a career of more than thirty years. Keyser describes the administrative side of his MIT life, not only as department head but also as Associate Provost and Special Assistant to the Chancellor. Keyser had to run a department ("budgets were like horoscopes") and negotiate student grievances—from the legality of showing Deep Throat in a dormitory to the uproar caused by the arrests of students for anti-apartheid demonstrations. Keyser also describes a visiting Japanese delegation horrified by the disrepair of the linguistics department offices (Chomsky tells them "Our motto is: Physically shabby. Intellectually first class."); convincing a student not to jump off the roof of the Green Building; and recent attempts to look at MIT through a corporate lens. And he explains the special faculty-student bond at MIT: the faculty sees the students as themselves thirty years earlier. Keyser observes that MIT is hard to get into and even harder to leave, for faculty as well as for students. Writing about retirement, Keyser quotes the song Groucho Marx sang in Animal Crackers as he was leaving a party—"Hello, I must be going." Students famously say "Tech is hell." Keyser says,"It's been a helluva party." This entertaining and thought-provoking memoir will make readers glad that Keyser hasn't quite left.

The MIT Nobody Knows

Mens et Mania

Kenneth Locke Hale

These seven original essays commissioned in tribute to MIT Philosophy Professor Sylvain Bromberger present some of the most exciting research being conducted today in linguistics. Each essay is informed by Bromberger's ongoing inquiry into how we "come to know that there are things in the world that we don't know." Included in the collection is the edited version of Noam Chomsky's minimalist paper.

Essays in Linguistics in Honor of Sylvain Bromberger

The View from Building 20

Beth Levin

Malka Rappaport Hovav

Besides providing extensive support for David Perlmutter's hypothesis that unaccusativity is syntactically represented but semantically determined, this monograph contributes significantly to the development of a theory of lexical semantic representation and to the elucidation of the mapping from lexical semantics to syntax. Unaccusativity is an extended investigation into a set of linguistic phenomena that have received much attention over the last fifteen years. Besides providing extensive support for David Perlmutter's hypothesis that unaccusativity is syntactically represented but semantically determined, this monograph contributes significantly to the development of a theory of lexical semantic representation and to the elucidation of the mapping from lexical semantics to syntax. Perlmutter's Unaccusative Hypothesis proposes that there are two classes of intransitive verbs - unergatives and unaccusatives - each associated with a distinct syntactic configuration. Unaccusativity begins by isolating the semantic factors that determine whether a verb will be unaccusative or unergative through a careful examination of the behavior of intransitive verbs from a range of semantic classes in diverse syntactic constructions. Notable are the extensive discussions of verbs of motion, verbs of emission, and various types of verbs of change of state. The authors then introduce rules that determine the syntactic expression of the arguments of the verbs investigated and examine the interactions among them. The proper treatment of verbs that systematically show multiple meanings - and hence variable classification as unaccusative or unergative - is also considered. In the final chapter, the authors argue that the distribution of locative inversion, a purported unaccusative diagnostic, is determined instead by discourse considerations. Linguistic Inquiry Monograph No. 26

At the Syntax-lexical Semantics Interface

Unaccusativity

Morris Halle

Its Form, Its Growth, and Its Role in Verse

English Stress

Paul D. Elbourne

An argument that pronouns, definite descriptions, and proper names have a common syntax and semantics, that of definite descriptions as construed in the tradition of Frege.

Situations and Individuals

Joseph Aoun Yen-Hui, Audrey

These essays by an outstanding group of linguists present case studies in contemporary comparative grammar, illustrating the rich and varied ways in which the principles and parameters framework of generative grammar can provide explanations for both the underlying universal properties of the world's languages and the ways in which they differ. The final essay by Noam Chomsky offers a new perspective on the principles and parameters approach to comparative grammar. In his introduction, Freidin describes the historical background of current work in comparative grammar and compares this work to the comparative studies of the nineteenth century. He notes how the current approach traces the fundamental unity of all languages to the language faculty, in contrast to that of the nineteenth century which was primarily concerned with the ancestral relations among languages. The essays that follow convey the wide scope of the interaction between current theory and crosslinguistic studies. Topics include the relevance of binding theory for crosslinguistic studies; the interaction between the syntax/lexical semantics interface and the theory of UG; the role of phrase structure and levels of representation in accounting or syntactic variation; crosslinguistic variation in word order phenomena; and the ways in which the study of comparative grammar can itself contribute to the understanding of UG. Contributors Joseph Aoun. Adriana Belletti. Noam Chomsky. Robert Freidin. Wayne Harbert. Norbert Hornstein. C.-T. James Huang. Anthony S. Kroch. Howard Lasnik. Yen-hui Audrey Li. David Lightfoot. Luigi Rizzi. Ken Safir. Beatrice Santorini. Rex A. Sprouse. Timothy Stowell. Tarald Taraldsen. Lisa deMena Travis. Edwin Williams

Samuel Jay Keyser

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