Robert S. Levine

Amy Hungerford

Mary Loeffelholz

Michael A. Elliott

Sandra M. Gustafson

The most-trusted anthology for complete works, balanced selections, and helpful editorial apparatus, The Norton Anthology of American Literature features a cover-to-cover revision. The Ninth Edition introduces new General Editor Robert Levine and three new-generation editors who have reenergized the volume across the centuries. Fresh scholarship, new authors--with an emphasis on contemporary writers--new topical clusters, and a new ebook make the Norton Anthology an even better teaching tool and an unmatched value for students.

The Norton Anthology of American Literature

Peace in the US Republic of Letters, 1840-1900 explores the early peace movement as it captured the imagination of leading writers. The book charts the rise of the peace cause from its sources in the works of William Penn and John Woolman, through the founding of the first peace societies in 1815 and the mid-century peace congresses, to the postbellum movement's consequential emphasis on arbitration. The Civil War is the central axis for the book, with three chapters organized around readings of novels by James Fenimore Cooper, Harriet Beecher Stowe, and Nathaniel Hawthorne spanning the period from 1840 to 1865. Cooper had personal connections to the movement and thought deeply about the issues it addressed. Literary interest in peace at times overlapped with abolitionism, as was true for Stowe. And, in the case of Hawthorne, attention to peace advocacy arose out of a mixture of skepticism regarding perfectionist impulses, a desire to explore the nature and limits of violence, and fear of civil conflict. The volume also explores fiction engaged with problems that arose in the aftermath of that war, including novels by Henry Adams and John Hay on political corruption and class conflict; works on the failures of Reconstruction by Albion Tourgée and Charles Chesnutt; and the varied treatments of Indigenous experience in Helen Hunt Jackson's Ramona and Simon Pokagon's Queen of the Woods. All of these writers focused on issues related to the cause of peace, expanding its thematic reach and anticipating key insights of twentieth-century peace scholars.

Peace in the US Republic of Letters, 1840-1900

Oratory emerged as the first major form of verbal art in early America because, as John Quincy Adams observed in 1805, "eloquence was POWER." In this book, Sandra Gustafson examines the multiple traditions of sacred, diplomatic, and political speech that flourished in British America and the early republic from colonization through 1800. She demonstrates that, in the American crucible of cultures, contact and conflict among Europeans, native Americans, and Africans gave particular significance and complexity to the uses of the spoken word. Gustafson develops what she calls the performance semiotic of speech and text as a tool for comprehending the rich traditions of early American oratory. Embodied in the delivery of speeches, she argues, were complex projections of power and authenticity that were rooted in or challenged text-based claims of authority. Examining oratorical performances as varied as treaty negotiations between native and British Americans, the eloquence of evangelical women during the Great Awakening, and the founding fathers' debates over the Constitution, Gustafson explores how orators employed the shifting symbolism of speech and text to imbue their voices with power.

Sandra M. Gustafson

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