Sara Maitland

A magical exploration of the ancient landscape of forests and the ancient genre of fairytales, drawing fascinating and surprising connections between the two, by the author of the bestselling A Book Of Silence.

The Tangled Roots of Our Forests and Fairytales

Gossip from the Forest

IN THIS AGE OF CONSTANT CONNECTIVITY, LEARN HOW TO ENJOY SOLITUDE AND FIND HAPPINESS WITHOUT OTHERS. Our fast-paced society does not approve of solitude; being alone is antisocial and some even find it sinister. Why is this so when autonomy, personal freedom, and individualism are more highly prized than ever before? In How to Be Alone, Sara Maitland answers this question by exploring changing attitudes throughout history. Offering experiments and strategies for overturning our fear of solitude, she helps us practice it without anxiety and encourages us to see the benefits of spending time by ourselves. By indulging in the experience of being alone, we can be inspired to find our own rewards and ultimately lead more enriched, fuller lives.

How to Be Alone

A deeply thoughtful, honest and illuminating memoir about a phenomenon too often neglected in the contemporary world.

A Book of Silence

A bryologist enters an ancient piece of British woodland to research a rare strain of moss, only to discover an even more exotic specimen; a geologist explains the failures of the feminist movement to her teenage niece in terms of tectonic subduction; two Old Testament newlyweds scheme to make the most of their tightly negotiated dowry by applying 21st-century genetic engineering techniques--each story in this collection of short fiction fuses together specific pieces of scientific research with an ancient myth or folkloric archetype. In these stories, readers will encounter witches that can outwit botanists, religious soothsayers that read evolutionary biology in feverish dreams, and scientists who fall in love with the birds that they study. A specially written afterword penned by a scientist follows each story, expanding upon the theory within the story, be it quantum mechanics, planetary physics, game theory, or nanotechnology.

And Other Stories

Moss Witch

A book of silence

The School of Life

Our fast-paced society does not approve of solitude; being alone is literally anti-social and some even find it sinister. Why is this so when autonomy, personal freedom and individualism are more highly prized than ever before? Sara Maitland answers this question by exploring changing attitudes throughout history. Offering experiments and strategies for overturning our fear of solitude, she helps us to practise it without anxiety and encourages us to see the benefits of spending time by ourselves. By indulging in the experience of being alone, we can be inspired to find our own rewards and ultimately lead more enriched, fuller lives. One in the new series of books from The School of Life, launched January 2014: How to Age by Anne Karpf How to Develop Emotional Health by Oliver James How to Be Alone by Sara Maitland How to Deal with Adversity by Christopher Hamilton How to Think About Exercise by Damon Young How to Connect with Nature by Tristan Gooley

Women's lives are at the center of this stunning collection of short stories. By turns elegant and simple, erotic and elegiac, these stories draw on classical mythology, folk stories, inexplicable accidents of history, and disquieting experiences of the supernatural. Copyright © Libri GmbH. All rights reserved.

The Short Stories of Sara Maitland

Angel Maker

Daughter of Jerusalem

Simon Ings

Sarah Schofield

Toby Litt

Gregory Norminton

Sean O'Brien

Justina Robson

Jane Rogers

Jane Feaver

Adam Marek

Dilys Rose

K.J. Orr

Annie Kirby

Simon van Booy

Programmable memories, fatherless reproduction, nano-tech implants, amphibian-powered scar treatment, full body modification, brain-scanning lie-detectors, inter-species reproduction, self-determining synthetic ‘green goo’… Which of these would you wager is pure science fiction, and which currently being developed in the lab? Such is the speed and excitement of today’s bio-medical research – sprinting from the starting gun that was the Human Genome Project – it’s sometimes hard to tell. In a unique collaboration, fourteen short story writers have been invited to explore the increasingly grey area between the fantastical and that which is already within our reach. Closely collaborating with scientists and ethicists working at the forefronts of their respective fields, each writer has been tasked with predicting some of the potential ‘ethical side-effects’ of this ground-breaking work. Not all progress, after all, is progressive. And dark forces are afoot that threaten to hi-jack what many declared would be ‘the century of biology’. 'Fascinating reading.' - Financial Times 'An exhilarating read.' - The Short Review Toby Litt's Bio-Punk story 'Call it ''The Bug'' Because I Have No Time to Think of a Better Title' short-listed for the 2013 Sunday Times EFG Private Bank Short Story Award.

Bio-Punk

Ramsey Campbell

Christopher Priest

Hanif Kureishi

Nicholas Royle

Etgar Keret

Alison MacLeod

Frank Cottrell Boyce

Ian Duhig

Gerard Woodward

A.S. Byatt

Mathew Holness

** Winner of the 2008 Shirley Jackson Award for Best Anthology** In 1919 Sigmund Freud published an essay that delved deep into the tradition of horror writing and claimed to understand one of its darkest tricks. Like a mad scientist, he performed literary vivisection on a still-breathing body of work, exploring its inner anatomy, and pulling out mysterious organs for classification. His aim: to present to the world a complete theory of ‘das unheimliche’, the uncanny. In the spirit of this great experiment, 14 leading authors have here been challenged to write fresh fictional interpretations of what the uncanny might mean in the 21st century, to update Freud’s famous checklist of what gives us the creeps, and to give the hulking canon of uncanny fiction a shot in the arm, a shock to the neck-bolts... 'It’s not too great a stretch to see Comma as the literary equivalent of Factory Records.' - The Herald, 2 Dec. 'Delightful and disturbing' - The Independent on Sunday, 14 Dec. 'A masterclass in understated creepiness... a deliciously macabre collection that the old Austrian might well have enjoyed.' - Book of the Week, Time Out, 12 Jan. 'If we need the uncanny – and I suspect we do – then we also need it updating... laudable.' - Book of the Week, The Independent, 2 Jan. 'A bold idea.' - The Guardian, 3 Jan.

The New Uncanny

Tony Allan

Greek and Roman myth is a popular subject and signs of this mythology still exist in modern products and in advertisements. This volume explores some of these early myths, including the rise and fall of the Titans, and how beliefs changed with the influence of Christianity. Readers also learn how these myths continue to influence our lives today.

Ancient Greece and Rome

Looking Back at the 1960's

Very Heaven

Unable to recall the accident in which two other hikers were lost and she lost her hand on Mount Nyangani, Clare returns to Scotland, where her large, loving, and nosy family becomes unbearable. By the author of Three Times Table.

Ancestral Truths

‘It seems probable that there are no more moss witches; the times are cast against them. But you can never be certain. In that sense they are like their mosses; they vanish from sites they are known to have flourished in, they are even declared extinct – and then they are there again, there or somewhere else, small, delicate but triumphant, alive. Moss Witches, like mosses, do not compete; they retreat….’ Each story in Sara Maitland’s new collection enacts a daring kind of alchemy, fusing together raw elements of scientific theory with ancient myth, folkloric archetype and contemporary storytelling. As the laboratory smoke settles, we are treated to a new strain of narrative: a hybrid of fiction and non-fiction, the atavistic and the futuristic. We’re also introduced to a weird and wonderful cast of characters: identical twins who fight bitterly day and night for purely quantum mechanical reasons; an expert on bird migration awaiting the homecoming of her lover on the windswept shores of the Hebrides. All the more remarkable is that each of these stories sprang from a conversation with a scientist and grew directly out of cutting-edge research. As befits their hybrid nature, each is also accompanied by an afterword, specially written by the consulting scientist to introduce us to the wonder behind the weirdness. Featuring: SCIENTISTS: Prof. Jim Al-Khalili, Dr. Rob Appleby, Dr. Melissa Baxter, Dr. Jamie Davies, Prof. Robin Dunbar, Dr. Charles Fernyhough, Prof. Robert Furness, Dr. Linda Kirstein, Gemma Lewis, Prof. Tim O’Brien, Dr. Neil Roberts, Dr. Jennifer Rowntree, Dr. Tara Shears, Prof. Ian Stewart.

Women's lives are at the center of this stunning collection of short stories by the writer The New Yorker says "provides unexpected delights....Questions and answers alike shine with intelligence and an almost ninteenth-century concern for ideals." Though Sara Maitland's interests are as varied as the people who inhabit her stories, there is a common theme to this work that extols risk taking over safety. Acrobats, women warriors, a girl who wants to become a garden, a long-distance runner, housewives and mothers, and a reformed sixteenth-century conquistador are among the characters revealed in this dazzling collection. By turns elegant and simple, erotic and elegiac, the stories draw on classical mythology, folktales, inexplicable accidents of history, and disquieting experiences of the supernatural. And, as Ann Beattie has writen of Sara Maitland's wise and magical fiction, "it speaks to today's reader in a voice that is irresistible." Familiar names from literature--Gretel, Eurydice of the green fields, the shepherd Prince Endymion, Lady Artemis-commingle with contemporary characters called David, Meg, and Liz, who desperately seek love and fulfillment and frequently have babies when they can't get what they want. Close by is the echo of Mary Magdalene, teaching us about endurance and perserverance in a voice rich with the experiences of the sex object and the "true-love dichotomy." The author suggests: "She must have thought the crucifixion a bit mad too." Sara Maitland never holds back; instead, she invites us again and again to a place of risks, and we enter, "not because we must, but because we will." And when you are about to lose heart, you meet Caroline, who has learned what it is to be strong, how it feels to be free of fear, how it feels to be totally herself: "Then she looked at Richard and he was smiling, not pityingly, not even kindly, but with open admiration."

The Short Stories Of Sara Maitland

Fairy tales are one of our earliest cultural forms, and forests one of our most ancient landscapes. Both evoke similar sensations: At times they are beautiful and magical, at others spooky and sometimes horrifying. Maitland argues that the terrain of these fairy tales are intimately connected to the mysterious secrets and silences, gifts and perils. With each chapter focusing on a different story and a different forest visit, Maitland offers a complex history of forests and how they shape the themes of fairy tales we know best. She offers a unique analysis of famous stories including Rapunzel, Hansel and Gretal, Snow White, Little Red Riding Hood, Rumplestiltskin, and Sleeping Beauty. Maitland uses fairy tales to explore how nature itself informs our imagination, and she guides the reader on a series of walks through northern Europe's best forests to explore both the ecological history of forests and the roots of fairy tales. In addition to the twelve modern re–tellings of these traditional fairy tales, she includes beautiful landscape photographs taken by her son as he joined her on these long walks. Beautifully written and impeccably researched, Maitland has infused new life into tales we've always thought we've known.

A Search for the Hidden Roots of Our Fairy Tales

From the Forest

Chris Gollon

Sara Maitland's compelling human stories give voice to Chris Gollon's powerful contemporary sequence of Stations of the Cross (painted from life and reproduced in the book in high-res colour images): a unique and potent collaboration. The Stations were commissioned for St John on Bethnal Green, a visually prominent London Anglican church designed by Sir John Soane, the neo-classical architect who also created the Bank of England and the Dulwich Picture Gallery. The church stands on the boundary between Hackney and Tower Hamlets and is therefore in one of the more deprived and multi-cultural areas of the UK. In 2001 the congregation made the extraordinary decision to commission a site-specific Stations of the Cross, the traditional 14 pictures of the last day of Jesus' human life, used from the Middle Ages onwards for meditation and prayer (and established in their usual form by St Francis of Assisi, who is also credited with introducing the better-known Christmas crib scene - the two come out of the same spiritual tradition). Perhaps unexpectedly, they chose a contemporary artist not best known for his religious works: Chris Gollon (see www.chrisgollon.com). The Rector described the reasoning: "The church of St John on Bethnal Green has had a long-standing involvement with people on the fringes of our society, the sort of people who often figure in Chris' paintings. His work contains many religious allusions and forms, which do not suggest conformity but challenge. These are the themes we wish to explore in this series of the Stations of the Cross and it is vital to have an artist who is not "safe" but perceptive and unsettling in interpreting the traditions. Chris has our confidence on all these counts." It was a risky commission for everyone involved because at the time there was no money to pay Gollon, and the stations have been paid for one by one by an odd variety of sponsors, including the parishioners themselves, public art bodies and various private donors. By Easter 2008 the whole series was completed; the sequence was first used on Good Friday when the pictures gained considerable media attention. The commission for the Stations has taken 8 years to fulfil and they have been widely featured in national broadsheets, arts press and all denominations of religious arts press. The paintings are now reflected in a sequence of stories: first-person narratives by a well-known author who has been closely involved with the project.

Stations of the Cross

A personal and cultural exploration of silence and its value in our lives—“[an] artful book, mixing autobiography, travel writing, meditation, and essay” (Independent, UK). In her late forties, after a noisy upbringing as one of six children and adulthood as a vocal feminist and mother, Sara Maitland found herself living alone in the country and, to her surprise, falling in love with silence. In this fascinating, intelligent, and beautifully written book, Maitland describes how she began to explore this new love, spending periods of silence in the Sinai desert, the Scottish hills, and a remote cottage on the Isle of Skye. Maitland also delves deep into the rich cultural history of silence, exploring its significance in fairy tale and myth, its importance to the Western and Eastern religious traditions, and its use in psychoanalysis and artistic expression. Her story culminates in her building a hermitage on an isolated moor in Galloway. “Her book is probably unique in its subject, and timely, because good, healing silence is becoming hard to find, and we may not know we need it” (Guardian, UK).

A woman finds solace in silence and solitude in the Scottish hills, a remote cottage on the Island of Skye, and the Sinai desert.

Sara Maitland

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