John K. Papadopoulos

Sarah P. Morris

Lorenc Bejko

Lynne A. Schepartz

The burial tumulus of Lofkend lies in one of the richest archaeological areas of Albania (ancient "Illyria"), home to a number of burial tumuli spanning the Bronze and Iron Ages of later prehistory. Some were robbed long ago, others were reused for modern burials; few were excavated under scientific conditions. Modern understanding of the pre- and protohistory of Illyria has largely been shaped by the contents of such burial mounds. What inspired the systematic exploration of Lofkend by UCLA was more than the promise of an unplundered necropolis; it was also a chance to revisit the significance of this tumulus and its fellows for the emergence of urbanism and complexity in ancient Illyria. In addition to artifacts, the recovery of surviving plant remains, bones, and other organic material contribute insights into the environmental and ecological history of the region.

The Excavation of the Prehistoric Burial Tumulus at Lofkend, Albania

John K Papadopoulos

Excavations at ancient Methone since 2003 by the Greek Ministry of Culture have uncovered remains from the Late Neolithic period through the fourth-century B.C. destruction by Philip II of Macedon. These discoveries extend the history of the city, a colony of Eretria (Euboia) since the late eighth century B.C., by nearly three thousand years into Greek prehistory. This volume presents results of the project in selected artefacts, burials, and structures representing the chief phases of the city, in chronological order. An introduction covers historical sources, excavations from 2003 to 2013, and the unique location of Methone. Part I details the prehistoric settlement at Methone, from the fourth millennium to 1000 B.C., and the Bronze Age burials. Part II focuses on the copious artifacts and ecofacts from the Early Iron Age "Hypogeion" shaft. Part III presents artifacts and architecture from the Archaic and Classical periods, through the final daysof the siege of the city in 354 B.C. The significance of this work lies in its interdisciplinary methods, combining stylistic analysis of artifacts and source-critical philology with natural history, bioarchaeology, materials analysis, and geochemistry, whose results reveal the long-term history of a site crucial to the economic and political history of Classical Greece and the north Aegean.

Excavations by Matthaios Bessios, Athena Athanassiadou, and Konstantinos Noulas

Ancient Methone, 2003-2013

In a major revisionary approach to ancient Greek culture, Sarah Morris invokes as a paradigm the myths surrounding Daidalos to describe the profound influence of the Near East on Greece's artistic and literary origins.

Daidalos and the Origins of Greek Art

This book uses the myths surrounding Daidalos as an example to describe the profound influence of the Near East on ancient Greece's artistic and literary origins.

Jane B. Carter

"This is the most exciting and diverse collection of essays on Homer to emerge in the past twenty-five years.... There is no other volume like this in scope or ambition or in the erudition of its contributors. It is one of a kind." —Richard P. Martin, Professor of Classics, Princeton University "Dedicated to the...archaeologist and classical scholar Emily Vermeule, this splendidly illustrated volume takes a special place among the numerous studies devoted to the Homeric past.... To sum it up, this is a valuable collection of penetrating studies about Homer, with interesting insights into early Greek art." —Journal of Indo-European Studies "By any standard an outstanding [collection], and among its thirty-one articles are nearly a dozen that will be appreciated as real advances in the discussion of one Homeric problema or another—perhaps an unprecedented percentage.... The University of Texas Press has produced a volume worthy of its ceremonial function in the career of a tremendously influential scholar and educator. It is lavish, and very attractive." —Bryn Mawr Classical Review "Will be required reading for serious students of the Iliad, the Odyssey, and the Homeric world." —Choice Homer's Iliad and Odyssey have fascinated listeners and readers for over twenty-five centuries. In this volume of original essays, collected to honor the distinguished career of Emily T. Vermeule, thirty-four leading experts in Homeric studies and related fields provide up-to-date, multidisciplinary accounts of the most current issues in the study of Homer. The book is divided into three sections. The first section treats the Bronze Age setting of the poems (around 1200 B.C.), using archaeological evidence to reveal how poetic memory preserves, distorts, and invents the past. The second section explores the early Iron Age, in which the poems were written (c. 800-500 B.C.), using the strategies of comparative philology and mythology, literary theory, historical linguistics, anthropology, and iconography to determine how the poems took shape. The final section traces the use of Homer for literary and artistic inspiration by classical Greece and Rome.

A Tribute to Emily Townsend Vermeule

The Ages of Homer

Homer’s Iliad and Odyssey have fascinated listeners and readers for over twenty-five centuries. In this volume of original essays, collected to honor the distinguished career of Emily T. Vermeule, thirty-four leading experts in Homeric studies and related fields provide up-to-date, multidisciplinary accounts of the most current issues in the study of Homer. The book is divided into three sections. The first section treats the Bronze Age setting of the poems (around 1200 B.C.), using archaeological evidence to reveal how poetic memory preserves, distorts, and invents the past. The second section explores the early Iron Age, in which the poems were written (c. 800-500 B.C.), using the strategies of comparative philology and mythology, literary theory, historical linguistics, anthropology, and iconography to determine how the poems took shape. The final section traces the use of Homer for literary and artistic inspiration by classical Greece and Rome.

Sarah P. Morris

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