Scott L. Baugh

Mediating Chicana/o Culture: Multicultural American Vernacular covers an unconventional array of topics—from handkerchiefs, votives, and graffiti to food, fútbol, and the Internet—as well as cutting edge literature, cinema, photography, and more. In its cross-disciplinary approach, this collection makes an invaluable contribution to the scholarship on Chicana and Chicano culture and provides engaging readings for courses in race/ethnic studies, media studies, and American studies. Collected chapters critically interrogate the underlying tensions between personal expressions and public demonstrations in their on-going negotiation of Chicana and Chicano identity. Drawing on the revolutionary work of Gloria Anzaldúa, Tómas Ybarra-Frausto, Emma Pérez, Alfred Arteaga, Chela Sandoval, Julia Watson and Sidonie Smith, the Latina Feminist Group, among others, chapters in this collection closely read the processes that seem built into the actions and behaviors, the products, the art, the literature, and the discourse surrounding the search for identity in the rush of our diverse 21st-century existence. Mediating Chicana/o Culture lays bare the methods by which we define ourselves as individuals and as members of communities, examining not only the message, but also the medium and the methods of mediating identity and culture.

Multicultural American Vernacular

Mediating Chicana/o Culture

Charting production, distribution, censorship, and reception, this book examines Y Tu Mamá También in its presentation as a journey of self-discoveries. Three young adults enjoy a road trip together in search of a legendary beach. Behind their stories are mythologies of youth, a network of ideas in the film that reflects life outside the theaters. The deceptively complex film leaves the characters and its viewers with, instead of oversimplified and hollow answers, provocative questions and existential concerns. Made independently in Mexico, the film crosses over transnational issues, global markets, and mainstream and alternative aesthetics. It transforms road movie and youth film genres and shows a ‘musical, magical’ Mexico to the world. This book synthesizes several approaches in order to extensively examine Y Tu Mamá También. Covering the film’s production history, its distribution and censorship, and larger industrial, political, and cultural contexts, this book analyzes the too-often overlooked aspects of youthful sexuality alongside figurations of maturity, rites of passage, and covenants—made, broken, and remade—that not only inform representations of identity but also complicate the processes of identity formation themselves.

Mythologies of Youth

Y Tu Mamá También

Latino American cinema is a provocative, complex, and definitively American topic of study. This book examines key mainstream commercial films while also spotlighting often-underappreciated documentaries, avant-garde and experimental projects, independent productions, features and shorts, and more. * Nearly 300 entries on movies, actors and actresses, concepts, and trends * A resource guide and bibliography provides listings of online references and databases, research centers, and media distributors * Sidebar discussions that elaborate on key points within the entry, spotlight historical and social contexts, and offer examples

An Encyclopedia of Movies, Stars, Concepts, and Trends

Latino American Cinema

Victor A. Sorell

"This collection of essays gives voice to a diversity of perspectives involved in the production, exhibition, documentation, and interpretation of landmark Chicana/o visual cultural expression since the 1960s, exploring the idea of resistance, with a unifying theme that all art is political; artwork discussed includes etching, lithography, digital retablos, wooden sculpture, photography, painting, video installation, and documentary film"--Provided by publisher.

Cara a Cara Encounters with Chicana/o Visual Culture

Born of Resistance

Latino American cinema is a provocative, complex, and definitively American topic of study. This book examines key mainstream commercial films while also spotlighting often-underappreciated documentaries, avant-garde and experimental projects, independent productions, features and shorts, and more. • Nearly 300 entries on movies, actors and actresses, concepts, and trends • A resource guide and bibliography provides listings of online references and databases, research centers, and media distributors • Sidebar discussions that elaborate on key points within the entry, spotlight historical and social contexts, and offer examples

Scott L. Baugh

Books

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