Sheila L. Cavanagh

The intersection of public washrooms and gender has become increasingly politicized in recent years: queer and trans folk have been harassed for allegedly using the 'wrong' washroom, while widespread campaigns have advocated for more gender-neutral facilities. In Queering Bathrooms, Sheila L. Cavanagh explores how public toilets demarcate the masculine and the feminine and condition ideas of gender and sexuality. Based on 100 interviews with GLBT and/or intersex peoples in major North American cities, Cavanagh delves into the ways that queer and trans communities challenge the rigid gendering and heteronormative composition of public washrooms. Incorporating theories from queer studies, trans studies, psychoanalysis, and the work of Michel Foucault, Cavanagh argues that the cultural politics of excretion is intimately related to the regulation of gender and sexuality. Public toilets house the illicit and act as repositories for the social unconscious. Also offering suggestions for imagining a more inclusive public washroom, Queering Bathrooms asserts that although toilets are not typically considered within traditional scholarly bounds, they form a crucial part of our modern understanding of sex and gender.

Gender, Sexuality, and the Hygienic Imagination

Queering Bathrooms

Angela Failler

Rachel Alpha Johnston Hurst

Skin, Culture and Psychoanalysis sets out to query the intersection of cultural and psychical meanings of skin in the contemporary moment as skin responds to new (and old) pressures and articulations. A variety of topics are herein addressed including the symbolic dominance of white skin, racialization, tattooing, cosmetic surgery, fabric skins, skin eruptions, second skins, the skin in self-harm, and skin as a site of psychic repair. The authors engage an array of objects and approaches from the clinical domain, literary fiction, television, film, video art, photography, fashion design, and poetry. In doing so, they highlight the situation of skin as a socially and culturally mediated exterior simultaneously negotiated at the interior or psychical level. This collection locates skin at the centre of inquiry, rather than as a jumping-off point from which to explore 'deeper' or 'thicker' issues, which tends to happen when skin is treated synecdochically as a stand-in for the body itself. Here, skin is a cultural object, and a psychical object, in its own right.

Sheila L. Cavanagh

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