Robert G. Weiner

Shelley E. Barba

The award-winning television series Mystery Science Theater 3000 (1988–1999) has been described as “the smartest, funniest show in America,” and forever changed the way we watch movies. The series featured a human host and a pair of robotic puppets who, while being subjected to some of the worst films ever made, provided ongoing hilarious and insightful commentary in a style popularly known as “riffing.” These essays represent the first full-length scholarly analysis of Mystery Science Theater 3000—MST3K—which blossomed from humble beginnings as a Minnesota public-access television show into a cultural phenomenon on two major cable networks. The book includes interviews with series creator Joel Hodgson and cast members Kevin Murphy and Trace Beaulieu.

Essays on Film, Fandom, Technology and the Culture of Riffing

In the Peanut Gallery with Mystery Science Theater 3000

Joy M. Perrin

Since her first appearance in 1992, Harley Quinn--eccentric female sidekick to the Joker--has captured the attention of readers like few new characters have in eight decades of Batman comics. Her bubbly yet malicious persona has earned her a loyal and growing fan base as she has crossed over into television, theater, video games, and film. In this collection of new essays, contributors explore her various iterations, focusing on her origin and contexts, the implications of her abusive relationship with the Joker, her relationships with other characters, her representations across media, and the philosophic basis of her character.

Essays on DC's Enigmatic Villain

The Ascendance of Harley Quinn

﻿ Since her first appearance in 1992, Harley Quinn—eccentric sidekick to the Joker—has captured the attention of readers like few new characters have in eight decades of Batman comics. Her bubbly yet malicious persona has earned her a loyal and growing fan base as she has crossed over into television, theater, video games, and film. In this collection of new essays, contributors explore her various iterations, focusing on her origin and contexts, the implications of her abusive relationship with the Joker, her relationships with other characters, her representations across media, and the philosophic basis of her character.

Shelley E. Barba

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