Sherrill Grace

Patrick Imbert

Tiffany Johnstone

As the centenary of the Great War approaches, citizens worldwide are reflecting on the history, trauma, and losses of a war-torn twentieth century. It is in remembering past wars that we are at once confronted with the profound horror and suffering of armed conflict and the increasing elusiveness of peace. The contributors to Bearing Witness do not presume to resolve these troubling questions, but provoke new kinds of reflection. They explore literature, the arts, history, language, and popular culture to move beyond the language of rhetoric and commemoration provided by politicians and the military. Adding nuance to discussions of war and peace, this collection probes the understanding and insight created in the works of musicians, dramatists, poets, painters, photographers, and novelists, to provide a complex view of the ways in which war is waged, witnessed, and remembered. A compelling and informative collection, Bearing Witness sheds new light on the impact of war and the power of suffering, heroism and memory, to expose the human roots of violence and compassion. Contributors include Heribert Adam (Simon Fraser University), Laura Brandon (Carleton University), Mireille Calle-Gruber (Université La Sorbonne Nouvelle), Janet Danielson (Simon Fraser University), Sandra Djwa (emeritus, Simon Fraser University), Alan Filewod (University of Guelph), Sherrill Grace (University of British Columbia), Patrick Imbert (University of Ottawa), Tiffany Johnstone (PhD Candidate, University of British Columbia), Martin Löschnigg (Graz University), Lauren Lydic (PhD, University of Toronto), Conny Steenman Marcusse (Netherlands), Jonathan Vance (University of Western Ontario), Aritha van Herk (University of Calgary), Peter C. van Wyck (Concordia University), Christl Verduyn (Mount Allison University), and Anne Wheeler (filmmaker).

Perspectives on War and Peace from the Arts and Humanities

Bearing Witness

Veronica Jane Strong-Boag

Joan Anderson

Avigail Eisenberg

Painting the Maple explores the critical interplay of raceand gender in shaping Canadian culture, history, politics and healthcare. These interdisciplinary essays draw on feminist, postcolonial,and critical theory in a wide-ranging discussion that encompasses bothhigh and popular forms of culture, the deliberation of policy and itsexecution, and social movements as well as individual authors andtexts. The contributors, who come from many fields, establish connectionsamong discourses of race, gender, and nation-building that haveconditioned the formation of Canada for more than one hundred years.They analyze ways in which these elements have participated in andcontributed to exclusionary practices and policies, such asmarginalization of women and racialized groups. Together, their essayspaint a picture of a nation that privileges whiteness, masculinity, andChristianity. This book gathers many insights on the construction of Canada,hitherto scattered in the literature. It will be of interest tofeminist scholars and others concerned with issues of race and gender.At times provocative, Painting the Maple illuminates thechallenges that lie ahead for all Canadians who aspire to create abetter future in a reimagined nation.

Essays on Race, Gender, and the Construction of Canada

Painting the Maple

Albert-Reiner Glaap

A collection of 18 original essays on contemporary Canadian theatre by drama specialists in Belgium, Finland, Germany, Hungary and elsewhere.

International Perspectives on Contemporary Canadian Theatre

Performing National Identities

Swinging the Maelstrom is a collection of new critical essays on the work and life of Malcolm Lowry (1909-1957). An international group of literary critics and artists examines a wide range of Lowry's work from the diverse perspectives of biography, correspondence, translation, manuscript editing, poetry, and inter-artistic comparison, including a number of investigations of his masterpiece, Under the Volcano, and his post-Volcano fiction.

New Perspectives on Malcolm Lowry

Swinging the Maelstrom

Timothy Findley (1930-2002) was one of Canada’s foremost writers—an award-winning novelist, playwright, and short-story writer who began his career as an actor in London, England. Findley was instrumental in the development of Canadian literature and publishing in the 1970s and 80s. During those years, he became a vocal advocate for human rights and the anti-war movement. His writing and interviews reveal a man concerned with the state of the world, a man who believed in the importance of not giving in to despair, despite his constant struggle with depression. Findley believed in the power of imagination and creativity to save us. Tiff: A Life of Timothy Findley is the first full biography of this eminent Canadian writer. Sherrill Grace provides insight into Findley’s life and struggles through an exploration of his private journals and his relationships with family, his beloved partner, Bill Whitehead, and his close friends, including Alec Guinness, William Hutt, and Margaret Laurence. Based on many interviews and exhaustive archival research, this biography explores Findley’s life and work, the issues that consumed him, and his often profound depression over the evils of the twentieth-century. Shining through his darkness are Findley’s generous humour, his unforgettable characters, and his hope for the future. These qualities inform canonic works like The Wars (1977), Famous Last Words (1981), Not Wanted on the Voyage (1984), and The Piano Man’s Daughter (1995).

A Life of Timothy Findley

Tiff

An examination of Canadian identity through our cultural obsession with iconic painter Tom Thomson.

Sherrill Grace

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