Silvia Ferrara

Silvia Ferrara's The Greatest Invention is a code-cracking tour around the globe, sifting through our cultural and social behavior in search of the origins of our greatest invention—writing. The L where a tabletop meets the legs, the T between double doors, the D of an armchair’s oval backrest—all around us is an alphabet in things. But how did these shapes make it onto the page, never mind form such complex structures as this sentence? In The Greatest Invention, Silvia Ferrara takes a profound look at how—and how many times—human beings have managed to produce the miracle of written language, taking us back in time to Mesopotamia, Crete, China, Egypt, Central America, Easter Island, and beyond. With Ferrara as our guide, we examine the enigmas of undeciphered scripts, including famous cases like the Phaistos disk and the Voynich Manuscript; we touch the knotted, colored strings of the Incan khipu; we study the turtle shells and ox scapulae that bear the earliest Chinese inscriptions; we watch in awe as Sequoyah invents a script all on his own; and we venture to the cutting edge of decipherment, where high-powered laser scanners bring tears to an engineer’s eye. As Ferrara demonstrates, in the shadows and swirls of these ancient inscriptions, not only are we able to decipher the stories these peoples sought to record, but we can also tease out the timeless truths of human nature, of our ceaseless drive to connect, create, and be remembered. An exhilarating celebration of human ingenuity and perseverance, The Greatest Invention chronicles an uncharted journey, one filled with past flashes of brilliance, present-day scientific research, and the faint, fleeting echo of writing’s future. Includes Black-and-White Images

A History of the World in Nine Mysterious Scripts

The Greatest Invention

« Ce livre n’est pas un livre sur le grec ancien, ni sur l’alphabet. C’est un récit, qui parle d’une invention, la plus grande du monde » Silvia Ferrara Pourquoi l’homme s’est-il mis à écrire ? Comment et où cette révolution a-t-elle eu lieu ? Voilà les mystères sur lesquels Silvia Ferrara lève le voile. Pour cela, elle nous fait voyager dans le temps et l’espace comme dans les méandres de l’esprit humain. Ici, elle dresse le fascinant inventaire des graphies non encore élucidées ; là, elle retrace les multiples apparitions de l’écriture dans l’histoire. Car tout laisse penser qu’elle a été découverte et s’est effacée, sans laisser de traces, à plusieurs reprises. Sa naissance en Mésopotamie au quatrième millénaire avant notre ère n’aurait été qu’une occurrence parmi tant d’autres. Pris par un récit vertigineux, qui nous transporte du Mexique aux pourtours de la mer Égée, de la Chine aux Îles de Pâques, nous suivons pas à pas les progrès d’une recherche qui a considérablement progressé dans les dernières décennies. Enrichie d’illustrations, cette Fabuleuse Histoire... nous instruit autant qu’elle nous fait rêver.

La Fabuleuse Histoire de l’invention de l’écriture

'Ferrara’s book is an introduction to writing as a process of revelation, but it’s also a celebration of these things still undeciphered, and many other tantalising mysteries besides.' Spectator This book tells the story of our greatest invention. Or, it almost does. Almost, because while the story has a beginning – in fact, it has many beginnings, not only in Mesopotamia, 3,100 years before the birth of Christ, but also in China, Egypt and Central America – and it certainly has a middle, one that snakes through the painted petroglyphs of Easter Island, through the great machines of empires and across the desks of inspired, brilliant scholars, the end of the story remains to be written. The invention of writing allowed humans to create a record of their lives and to persist past the limits of their lifetimes. In the shadows and swirls of ancient inscriptions, we can decipher the stories they sought to record, but we can also tease out the timeless truths of human nature, of our ceaseless drive to connect, create and be remembered. The Greatest Invention chronicles an uncharted journey, one filled with past flashes of brilliance, present-day scientific research and the faint, fleeting echo of writing’s future. Professor Silvia Ferrara, a modern-day adventurer who travels the world studying ancient texts, takes us along with her; we touch the knotted, coloured strings of the Incan khipu and consider the case of the Phaistos disk. Ferrara takes us to the cutting edge of decipherment, where high-powered laser scanners bring tears to an engineer’s eye, and further still, to gaze at the outline of writing’s future. The Greatest Invention lifts the words off every page and changes the contours of the world around us – just keep reading. 'The Greatest Invention is a celebration not of achievements, but of moments of illumination and "the most important thing in the world: our desire to be understood."' TLS

In this exhilarating celebration of human ingenuity and perseverance—published all around the world—a trailblazing Italian scholar sifts through our cultural and social behavior in search of the origins of our greatest invention: writing. The L where a tabletop meets the legs, the T between double doors, the D of an armchair’s oval backrest—all around us is an alphabet in things. But how did these shapes make it onto the page, never mind form complex structures such as this sentence? In The Greatest Invention, Silvia Ferrara takes a profound look at how—and how many times—human beings have managed to produce the miracle of written language, traveling back and forth in time and all across the globe to Mesopotamia, Crete, China, Egypt, Central America, Easter Island, and beyond. With Ferrara as our guide, we examine the enigmas of undeciphered scripts, including famous cases like the Phaistos Disk and the Voynich Manuscript; we touch the knotted, colored strings of the Inca quipu; we study the turtle shells and ox scapulae that bear the earliest Chinese inscriptions; we watch in awe as Sequoyah single-handedly invents a script for the Cherokee language; and we venture to the cutting edge of decipherment, in which high-powered laser scanners bring tears to an engineer’s eye. A code-cracking tour around the globe, The Greatest Invention chronicles a previously uncharted journey, one filled with past flashes of brilliance, present-day scientific research, and a faint, fleeting glimpse of writing’s future.

A revised, updated verson of the author's thesis (doctoral)--University College London, 2005.

Volume 1: Analysis

Cypro-Minoan Inscriptions

Judith Weingarten

Anna Margherita Jasink

This volume is intended to be the first in a series that will focus on the origin of script and the boundaries of non-scribal communication media in proto-literate and literate societies of the ancient Aegean. Over the last 30 years, the domain of scribes and bureaucrats has become much better known. Our goal now is to reach below the élite and scribal levels to interface with non-scribal operations conducted by people of the ‘middling’ sort. Who made these marks and to what purpose? Did they serve private or (semi-) official roles in Bronze Age Aegean society? The comparative study of such practices in the contemporary East (Cyprus, Anatolia, the Levant, and Egypt) can shed light on sub-elite activities in the Aegean and also provide evidence for cultural and economic exchange networks.

The semantics of a-literate and proto-literate media (seals, potmarks, mason’s marks, seal-impressed pottery, ideograms and logograms, and related systems)

Silvia Ferrara

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