Simon Grennan

This book offers an original new conception of visual story telling, proposing that drawing, depictive drawing and narrative drawing are produced in an encompassing dialogic system of embodied social behavior. It refigures the existing descriptions of visual story-telling that pause with theorizations of perception and the articulation of form. The book identifies and examines key issues in the field, including: the relationships between vision, visualization and imagination; the theoretical remediation of linguistic and narratological concepts; the systematization of discourse; the production of the subject; idea and institution; and the significance of resources of the body in depiction, representation and narrative. It then tests this new conception in practice: two original visual demonstrations clarify the particular dialectic relationships between subjects and media, in an examination of drawing style and genre, social consensus and self-conscious constraint. The book’s originality derives from its clear articulation of a wide range of sources in proposing a conception of narrative drawing, and the extrapolation of this new conception in two new visual demonstrations.

A Theory of Narrative Drawing

Christopher Sperandio

Stories by People who Work at Night

The Invisible City

Everyone in Farnham

Simon Grennan & Christopher Sperandio

Erin La Cour

Rik Spanjers

Key Terms in Comics Studies is a glossary of over 300 terms and critical concepts currently used in the Anglophone academic study of comics, including those from other languages that are currently adopted and used in English. Written by nearly 100 international and contemporary experts from the field, the entries are succinctly defined, exemplified, and referenced. The entries are 250 words or fewer, placed in alphabetical order, and explicitly cross-referenced to others in the book. Key Terms in Comics Studies is an invaluable tool for both students and established researchers alike.

Key Terms in Comics Studies

A stunning 'Victorian' graphic novel based on a little-known novel by Anthony Trollope. England, 1873. John Caldigate, a young gentleman, gets into debt gambling and decides to try his luck in the gold fields of New South Wales. On the outward journey, he promises to marry Mrs Smith, a divorced actress who is travelling in the same ship. Returning home a rich man, John marries Hester, the sweetheart he left behind. Soon, Mrs Smith also returns from Australia, penniless, and claims that she is already his wife. Inspired by Anthony Trollope's 1879 novel John Caldigate, Dispossession embeds the reader in a uniquely wrought experience of the mid nineteenth century, including the first ever appearance of the Aboriginal Wiradjuri language in a graphic novel. Taking unique advantage of the graphic form to conjure the material world of the Victorian era in a glittering waltz of intense colour and deep shadow, Dispossession is a virtuoso and intensely affecting graphic novel by a master visual storyteller.

A Novel of Few Words

Dispossession

And Other Stories ; a New Work

The Peasant and the Devil

Julian White

Roger Sabin

Marie Duval: maverick Victorian cartoonist offers the first critical appraisal of the work of Marie Duval (Isabelle Émilie de Tessier [1847-1890]), one of the most unusual, pioneering and visionary cartoonists of the later nineteenth century.It discusses key themes and practices of Duval's vision and production, relative to the wider historic social, cultural and economic environments in which her work was made, distributed and read, identifing Duval as an exemplary radical practitioner.The book interrogates the relationships between the practices and the forms of print, story-telling, drawing and stage performance.It focuses on the creation of new types of cultural work by women and highlights the style of Duval's drawings relative to both the visual conventions of theatre production and the significance of the visualisation of amateurism and vulgarity.Marie Duval: maverick Victorian cartoonist establishes Duval as a unique but exemplary figure in a transformational period of the nineteenth century.

Maverick Victorian Cartoonist

Marie Duval

Simon Grennan

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