Stephen McBride

Simon Lee

This book explores the relationship between neo-liberalism, state power and global governance, exploring national differences in the exercise of state power in a variety of industrialized and developing economies. Among the strengths of this volume are its detailed global scope, its range of case studies in diverse policy areas, its analysis and critique of neo-liberalism, in theory and practice, and its impact upon state power and global governance.

Neo-Liberalism, State Power and Global Governance

More than any other artist, Jacques-Louis David (1748-1825) is identified with the dramatic upheaval of the French Revolution. As a liberal politician, he welcomed the promise of social change; as an artist he used his brush to glorify the Revolution's heroes and martyrs. When the political tide changed, David became Napoleon's chief painter, capturing the imperial pomp and contributing to the cult of military heroism. In this engrossing account Simon Lee argues that David was the single most important European painter of the age, perfecting a style of dramatic and noble painting that matched exactly the contemporary desire for morally elevating images. A leading exponent of what was to be termed Neoclassicism, he was, however, capable of departing considerably from its ideals of understatement and restraint. Lee's account is the first to trace all aspects of David's career, from his intellectual interests to his entrepreneurial skills and his relationships with patrons. Drawing on the most recent research, he analyses David's stylistic innovations, his political engagement, his search for new audiences, and his changing attitudes to the depiction of virtue and patriotism.

David A&i

Locating Classed Subjectivities explores representations of social class in British fiction through the lens of spatial theory and analysis. By analyzing a range of class-conscious texts from the nineteenth-, twentieth-, and twenty-first centuries, the collection provides an overview of the way British writers mobilized spatial aesthetics as a means to comment on the intricacies of social class. In doing so, the collection delineates aesthetic strategies of representation in British writing, tracing the development of literary forms while considering how authors mobilized innovative spatial metaphors to better express contingent social and economic realities. Ranging in coverage from early-nineteenth-century narratives of disease to contemporary writing on the working-class millennial, Locating Classed Subjectivities offers new perspectives on literary techniques and political intentions, exploring the way class is parsed and critiqued through British writing across three centuries. As such, the project responds to Nigel Thrift and Peter Williams’s claim that literary and cultural production serves as a particularly rich yet unexamined access point by which to comprehend the way space and social class intersect.

Intersections of Space and Working-Class Life in Nineteenth-, Twentieth-, and Twenty-First-Century British Writing

Locating Classed Subjectivities

Andrew W. Cox

Joe Sanderson

Describing key political and economic decisions or events, this book discusses Britain's economic decline in the post war period. It offers an alternative approach to improving its performance, known as the strategic alignment of national and corporate competitiveness.

The Political Economy of Modern Britain

Matt Beech

The Brown Government provides an interim evaluation of Gordon Brown’s Labour administration through identifying continuities and discontinuities with the Blair governments from 1997. By focusing on key ideas and areas of public policy it presents an analysis of the first 18 months of Brown’s government. This book is notable for its topicality particularly for the discussions of the credit crunch, the British banking crises and the interconnectedness of these events with the global economic downturn. A study of Brown’s handling of these crises in the economy is important as it is arguable that the present recession and credit crunch will reach unprecedented proportions and therefore define the character and content of British politics in the coming years. By conducting an examination of the Brown Government’s public policy priorities one can begin to decipher its aims and values and, by so doing, begin to understand the next phase of the New Labour project. In this sense the book is a contribution to the ongoing study of contemporary British social democracy. This book was published as a special issue of Policy Studies.

A Policy Evaluation

The Brown Government

A newly updated edition of the critically acclaimed biography which examines Gordon Brown's politics over the last decade of Labour power. Assessing his recent catastrophic fall in popularity, Lee argues that ideological wavering and economic mismanagement are at the root of his troubles. Invaluable to anyone interested in politics today.

The Politics and Legacy of Gordon Brown

Boom and Bust

Lesley Johnstone

Jeff Wood

Eve Sussman

Jonathan T. D. Neil

Publication accompanying the first solo exhibition in Canada of Brooklyn-based artist Eve Sussman and her collaborative team Rufus Corporation. Together they produce interrelated films and videos, photographs and installations developed on numerous journeys through Russia and Central Asia. The focus here is the film installation whiteonwhite: algorithmicnoir, which draws on the radial abstractions and reflections on transcendence of Kasimir Malevich, and the fate of Russian astronaut Yuri Gagarin, seen through the lens of science fiction and film noir cinematography. Generated by algorithm, edited in real time and heavily informed by such twentieth-century filmmakers as Jean-Luc Godard and Wim Wenders, the work is a fascinating investigation into space and time, utopia and dystopia, fractured narration and landscapes marked by economic and ecological upheaval. Also featured is a photo series by Simon Lee created during the production. In English and French. Eve Sussman founded the Rufus Corporation in 2003. Rufus Corporation's works have been exhibited and screened internationally and are included in the collections of the Museum of Modern Art and the Whitney Museum of American Art.Throughout 2012 Whiteonwhite: algorithmicnoir was exhibited at the Sundance Film Festival, Berlinale, and Site Santa Fe.

Simon Lee

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