Mario Dunkel

Sina A. Nitzsche

In the early years of the Cold War, Western nations increasingly adopted strategies of public diplomacy involving popular music. While the diplomatic use of popular music was initially limited to such genres as jazz, the second half of the 20th century saw a growing presence of various popular genres in diplomatic contexts, including rock, pop, bluegrass, flamenco, funk, disco, and hip-hop, among others. This volume illuminates the interrelation of popular music and public diplomacy from a transnational and transdisciplinary angle. The contributions argue that, as popular music has been a crucial factor in international relations, its diplomatic use has substantially impacted the global musical landscape of the 20th and 21st centuries.

Transnational and Transdisciplinary Perspectives

Popular Music and Public Diplomacy

This study of the Bronx in American popular culture traces a complex dialogue on its past, present, and future. Sina Nitzsche argues that popular culture functioned as a poetic resurrection of the Bronx, which preceded, promoted, and facilitated the spatial revival of the borough and inspired other distressed communities across the U.S.

The Bronx in American Popular Culture

Poetic Resurrection

While many Americans dismissed the borough of The Bronx in the late 1970s through the belief that »The Bronx is burning,« this study challenges that assumption. As the first explicit study on The Bronx in American popular culture, this book shows how a wide variety of cultural representations engaged in a complex dialogue on its past, present, and future. Sina A. Nitzsche argues that popular culture ushered in the poetic resurrection of The Bronx, an artistic and imaginative rebirth, that preceded, promoted, and facilitated the spatial revival of the borough.

Walter Grünzweig

This is the first collection of essays to take a pan-European perspective in the study of hip-hop. How has it traveled to Europe? How has it developed in the various cultural contexts? How does it reference the American cultures of origin? The book's 21 authors and artists provide a comprehensive overview of hip-hop cultures in Europe, from the fringes to the centers. They address hip-hop in a variety of contexts, such as class, ethnicity, gender, history, pedagogy, performance, and (post-) communism. (Series: Transnational and Transatlantic American Studies - Vol. 13)

Sina A. Nitzsche

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