Stefan Sperl

Yorgos Dedes

Neoplatonism forms part of the common heritage of the Christian, Jewish, and Muslim cultures of the greater Mediterranean and left its mark on the region's poets. The verses composed from Late Antiquity to the modern period, in the seven languages which were representative of the region, confirm the cross-cultural relevance of Neoplatonic thought.

Neoplatonism and Poetry at the Confluence of Africa, Asia and Europe

Faces of the Infinite

C. Shackle

Eulogy's bounty, meaning's abundance an anthology. vol.2

Qasida poetry in Islamic Asia and Africa

Classical Traditions and Modern Meanings

Philip G. Kreyenbroek

The position of the 19 million Kurds is an extremely complex one. Their territory is divided between 5 sovereign states, none of which have a Kurdish majority. They speak widely divergent dialects, and are also divided by religious affiliations and social factors. It has taken the tragic and horrifying events in Iraq this year to bring the Kurds to the centre of the world stage, but their particular problems, and their considerable geo-political importance, have been the source of growing concern and interest during the last two to three decades. There is a remarkable dearth of reliable and up-to-date information about the Kurds, which this book remedies. Its contributors cover social and political issues, legal questions, religion, language, and the modern history of Kurds in Turkey, Iraq, Iran, Syria and the Soviet Union. The Kurds will be an invaluable source of reference for students and specialists in Middle East studies, and those concerned with wider questions of nationalism and cultural identity. It also offers extremely useful background information for those with a professional concern for the numerous Kurdish immigrants and asylum seekers in Western Europe and North America.

A Contemporary Overview

The Kurds

Sperl's study questions whether mannerism and classicism can be applied to the analysis of Arabic poetry. While mannerism in Arabic literature has traditionally been associated with an excessive use of rhetorical devices and illustrated with reference to poetic fragments and extracts, Sperl approaches the question through a structuralist examination of poems as a whole. The texts selected range from the 9th to the 11th centuries AD and are drawn from the works of Abu l-Atahiya, Buhturi, Mihyar al-Daylami and Maarri. The poems which are studied in detail in successive chapters exhibit profound stylistic differences in sound, imagery, and composition. In the light of structuralist analysis, these differences do indeed appear to conform to a characteristic classicist/mannerist continuum also observed in other literatures. The structuralist approach moreover leads to a broader reevaluation of these terms in the final chapter.

A Structural Analysis of Selected Texts (3rd Century AH/9th Century AD - 5th Century AH/11th Century AD)

Mannerism in Arabic Poetry

Stefan Sperl

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