Sissy Helff

Stefanie Michels

How is photography connected to global practices? This is a first edited collection to trace the relationship between history, photography and memory in a global perspective on three interrelated levels: firstly, in the artistic and cultural production of pictures, secondly, in the decoding of colonial and contemporary photography, and thirdly, in collecting photographs in picture archives dealing with colonial, anthropological and family photography. The contributions sketch the contested field of global photography and trace the manifold intertwinements between historical and contemporary photographs.

Memory - History - Archives

Global Photographies

This study shows how power was constructed, enacted, and contested by discursive and non-discursive strategies and practices. It emphasizes the local and historic divergence of these processes and illustrates how Germans and Africans were able to produce exclusive power arenas but also engaged in a reciprocal extraversion of the respective power of the other. Stefanie Michels teaches at the University of Cologne, Germany.

Stefanie Michels

Books

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