Stephen Shore

Stephan Schmidt-Wulffen

Lynne Tillman

Stephen Shore took colour photography beyond the domain of advertising and fashion, and his large-format American landscapes have become a vital photographic tradition over the past three decades. This book contains previously unpublished work that has never been exhibited.

The Complete Works

Uncommon Places

Uncommon Places : the Complete Works

German A. Duarte

How does artistic practice lead to the production of knowledge? How does, in turn, artistic knowledge relate to its material base? How does contingent materiality guide the artist towards finding form and developing a statement? This volume is dedicated to the object as a process in order to offer new insights into the ways the object – broadly construed, comprising digital and other non-classical objects – becomes an active element in artistic practice.

Essays Situating Artistic Practice

The Object as a Process

Hans van Houwelingen

Bram Kempers

Sjoukje van der Meulen

Max Bruinsma

Hans van Houwelingen is known for his versatile and critical look at art in public space, public life, and cultural politics. This monograph documents more than 20 of his works, and provides a careful analysis of the contexts from which they were derived. A selection of critical texts by the artist summarizes his decade-long provocative and inquisitive practice.

Stiff

Hans Van Houwelingen Vs. Public Art

Originally published in 1982, Stephen Shore's legendary "Uncommon Places" has influenced more than a generation of photographers. Shore was among the first artists to take color beyond the domain of advertising and fashion photography, and his large-format color work on the American vernacular landscape inaugurated a vital photographic tradition. "Uncommon Places: The Complete Works," published by Aperture in 2005, presented a definitive collection of the landmark series, and in the span of a decade has become a contemporary classic. Now, for this lushly produced reissue, the artist has added nearly 20 rediscovered images and a statement explaining what it means to expand a classic series. Like Robert Frank and Walker Evans before him, Shore discovered a hitherto unarticulated vision of America via highway and camera. Approaching his subjects with cool objectivity, Shore retains precise systems of gestures in composition and light through which a hotel bedroom or a building on a side street assumes both an archetypal aura and an ambiguously personal importance. An essay by critic and curator Stephan Schmidt-Wulffen and a conversation with Shore by writer Lynne Tillman examine his methodology and elucidate his roots in Pop and Conceptual art. The texts are illustrated with reproductions from Shore's earlier series "American Surfaces" and "Amarillo: Tall in Texas." At age 14 Stephen Shore (born 1947) had his work purchased by Edward Steichen for The Museum of Modern Art, New York. At 17 Shore was a regular at Andy Warhol's Factory, producing an important photographic document of the scene, and in 1971 at the age of 23 he became the first living photographer since Alfred Stieglitz 40 years earlier to have a one-man show at the Met. He has had numerous one-man shows, among others at The Museum of Modern Art, New York; George Eastman House, Rochester; Hammer Museum, Los Angeles; and The Art Institute of Chicago. Since 1982 he has been Director of the Photography Program at Bard College, Annandale-on-Hudson, New York.

Stephen Shore: Uncommon Places

Stephan Schmidt-Wulffen

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