Stephen D. Moore

Kent L. Brintnall

Joseph A. Marchal

Queer Temporalities, Affects, Theologies

Sexual Disorientations

God's Beauty Parlor opens the Bible to the contested body of critical commentary on sex and sexuality known as queer theory and to masculinity studies. The author pursues the themes of homoeroticism, masculinity, beauty, and violence through such texts as the Song of Songs, the Gospels, the Letter to the Romans, and the Book of Revelation.

And Other Queer Spaces in and Around the Bible

God's Beauty Parlor

Moore offers a reading of the Gospels of Mark and Luke, applying the poststructuralist techniques of Derrida, Lacan and Foucault. He argues that whereas the language of the Gospels is concrete, pictorial and often startling, the language of modern scholarship tends to be propositional and abstract.

Jesus Begins to Write

Mark and Luke in Poststructuralist Perspectives

An interlinked collection of essays representing the best of Stephen D. Moore’s groundbreaking scholarship This collection of previously published essays is a companion to The Bible in Theory: Critical and Postcritical Essays (2010). Chapters engage postcolonial studies, cultural studies, deconstruction, autobiographical criticism, masculinity studies, queer theory, affect theory, and animality studies—methods Moore believes present unprecedented challenges to the monochrome model of Revelation scholarship based on traditional historical-critical methods. Features: Nine essays on biblical literary criticism including two co-written with Jennifer A. Glancy and Catherine Keller Contextual introductions for each essay Annotated bibliographies

Sex and Gender, Empire, and Ecology

Untold Tales from the Book of Revelation

Yvonne Sherwood

In this "tale of two disciplines," Stephen D. Moore and Yvonne Sherwood invite the reader into a paradox: just as the wider field of literary studies has now come to operate "after theory," biblical scholars continue their long search for an elusive Holy Grail?a definitive literary-critical theory. Understanding that paradox requires revisiting the peculiar history by which the curious figure of the biblical scholar was invented during the Enlightenment, and how contemporary biblical scholarship continues?however unwittingly?to pursue Enlightenment goals.

A Critical Manifesto

The Invention of the Biblical Scholar

Janice Capel Anderson

* New chapters on Post-colonial Criticism and Cultural Criticism, including Ideological Criticism * Ideal text in courses on New Testament interpretation and the Gospels * Includes a glossary and indexes of ancient sources, topics, and names

New Approaches in Biblical Studies

Mark & Method

Edmund S Janes Professor of New Testament Studies Stephen D Moore

The impact of Gilles Deleuze on critical thought in the opening decades of the twenty-first century rivals that of Jacques Derrida or Michel Foucault on critical thought in the closing decades of the twentieth. The Deleuze and... industry is in overdrive in the humanities, the social sciences, and beyond, busily connecting Deleuzian philosophy to everything from literature to architecture, metaphysics to mathematics, ethics to physics, sexuality to technology, and ecology to theology. What of Deleuze and the Bible? What does the Bible become when it is plugged into the Deleuzian corpus? An immense affective assemblage, among other things. And what does biblical criticism become in the process? A practice of close reading that is other than interpretation and renounces the concept of representation. Not just for those already familiar with the work of Deleuze, the book begins with an extended introduction to Deleuzian thought. It then proceeds to unexegetical explorations of five successive themes: Text (how to make yourself a Bible without Organs, and why); Body (why there are no bodies in the Bible, and how to read them anyway); Sex (a thousand tiny sexes, a trillion tiny Jesuses); Race (Jesus and the white faciality machine); and Politics (democracy, despots, pandemics, ancient prophets). Cumulatively, these explorations limn the fluid contours of a Bible after Deleuze.

Affects, Assemblages, Bodies Without Organs

The Bible After Deleuze

J. Cheryl Exum

Based on an international colloquium held at the University of Sheffield, this collection represents the first book-length encounter between biblical studies and the proliferating and controversial field of cultural studies. A multidisciplinary team of contributors engage in a multifaceted examination of the Bible's place in culture, ancient and modern, 'high' and 'low'. Contributors include Alice Bach, Fiona Black, Athalya Brenner, Robert Carroll, David Clines, Margaret Davies, Philip Davies, Philip Esler, Cheryl Exum, Yael Feldman, Jennifer Glancy, Jan Willem van Henten, David Jasper, Francis Landy, Barry Matlock, Stephen Moore, Hugh Pyper, John Rogerson, Regina Schwartz, William Scott, and Erich Zenger.

The Third Sheffield Colloquium

Biblical Studies/Cultural Studies

A turn to the animal is underway in the humanities, most obviously in such fields as philosophy, literary studies, cultural studies, and religious studies. One important catalyst for this development has been the remarkable body of animal theory issuing from such thinkers as Jacques Derrida and Donna Haraway. What might the resulting interdisciplinary field, commonly termed animality studies, mean for theology, biblical studies, and other cognate disciplines? Is it possible to move from animal theory to creaturely theology? This volume is the first full-length attempt to grapple centrally with these questions. It attempts to triangulate philosophical and theoretical reflections on animality and humanity with theological reflections on divinity. If the animal–human distinction is being rethought and retheorized as never before, then the animal–human–divine distinctions need to be rethought, retheorized, and retheologized along with it. This is the task that the multidisciplinary team of theologians, biblical scholars, philosophers, and historians assembled in this volume collectively undertakes. They do so frequently with recourse to Derrida’s animal philosophy and also with recourse to an eclectic range of other relevant thinkers, such as Haraway, Giorgio Agamben, Emmanuel Levinas, Gloria Anzaldua, Helene Cixous, A. N. Whitehead, and Lynn White Jr. The result is a volume that will be essential reading for religious studies audiences interested in ecological issues, animality studies, and posthumanism, as well as for animality studies audiences interested in how constructions of the divine have informed constructions of the nonhuman animal through history.

Animal Theory, Creaturely Theology

Divinanimality

Sexual Disorientations brings some of the most recent and significant works of queer theory into conversation with the overlapping fields of biblical, theological and religious studies to explore the deep theological resonances of questions about the social and cultural construction of time, memory, and futurity. Apocalyptic, eschatological and apophatic languages, frameworks, and orientations pervade both queer theorizing and theologizing about time, affect, history and desire. The volume fosters a more explicit engagement between theories of queer temporality and affectivity and religious texts and discourses.

The sixteen essays assembled in this volume, four of them co-authored, chart the successive phases of a professional life lived in the interstices of Bible and “theory.” Engaging such texts as the Song of Songs, 4 Maccabees, Mark, Luke-Acts, John, and Romans, and such themes as the quest for the historical Jesus, the essays simultaneously traverse postmodernism, deconstruction, New Historicism, autobiographical criticism, cultural studies, postcolonial studies, masculinity studies, queer theory, and “posttheory.” Individual essay introductions and periodic annotated bibliographies make the volume an advanced introduction to biblical literary criticism.

Critical and Postcritical Essays

The Bible in Theory

Tom Thatcher

Reflecting on the twenty-fifth anniversary of Alan Culpepper's milestone Anatomy of the Fourth Gospel (1983), Anatomies of Narrative Criticism explores current trends in the study of the Gospel of John as literature. The contributors to the volume represent a wide range of methodological approaches that all explore ways that contemporary readers generate meaning from John's story of Jesus. The book includes an introduction to narrative-critical studies of John; essays on specific themes and passages that focus on interpretation of the text, history of research, hermeneutical approaches, and future trends in research; and a reflective response from Alan Culpepper. Overall, the book seeks to trace the history and project the future of the study of the Bible as narrative. The contributors are Paul N. Anderson, Colleen M. Conway, R. Alan Culpepper, Robert Kysar, Tat-siong Benny Liew, Francis J. Moloney, S.D.B., Stephen D. Moore, Adele Reinhartz, Jeffrey L. Staley, Mark Stibbe, Tom Thatcher, Ruben Zimmermann, and Jean Zumstein.

Stephen D. Moore

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