Stephen Watson

Patrick Cullinan

Dante in South Africa

Juris Steprāns

The Set Theory and Applications meeting at York University, Ontario, featured both contributed talks and a series of invited lectures on topics central to set theory and to general topology. These proceedings contain a selection of the resulting papers, mostly announcing new unpublished results.

Proceedings of a Conference Held at York University, Ontario, Canada, Aug. 10-21, 1987

Set Theory and Its Applications

In A city imagined, the editor has asked a number of South Africa's writers to produce a piece of writing in which they express their relationship to Cape Town and, above all, their sense of the unique genius or spirit of this city.

A City Imagined

Juris Steprans

Proceedings of a Conference held at York University, Ontario, Canada, Aug. 10-21, 1987

Set Theory and its Applications

Nineteen writers, nineteen views of Cape Town. Each recreate the city that has shaped them, going beyond the iconic picture postcard image of Cape Town. They explore, often with startling honesty, the complex personal relationship that each writer has with the city.

Cape Town - A City Imagined

Les Bushmen /Xam étaient un peuple de chasseurs-cueilleurs qui vivaient depuis près de cinq mille ans en Afrique du Sud, dans l'actuelle province du Cap. Dès le début du XXe siècle, ils avaient complètement disparu, exterminés à la longue par la colonisation européenne. Dans les années 1860, le grand linguiste allemand W.H. Bleek, conscient du génocide en cours, prit à son service trois Bushmen /Xam, condamnés aux travaux forcés, et entreprit avec eux de sauver ce qui pouvait encore l'être de leur langue et de leur patrimoine oral. Les douze mille pages qu'il a ainsi recueillies, avec le concours de sa belle-sœur Lucy Lloyd, sont tout ce qui subsiste aujourd'hui de ce peuple et de sa langue. Ce n'est pas sans une grande émotion et un infini respect que Stephen Watson, poète sud-africain contemporain, a décidé de redonner vie à quelques-uns de ces textes d'une beauté fulgurante.

poèms d'un monde disparu (Afrique du Sud)

Le chant des bushmen /Xam

In this collection of essays, Stephen Watson turns to the writers who have endured for him; to the places that have formed him; and always to the nature of writing and literature itself. The range is remarkable: he moves from Leonard Cohen to Dante, from Albert Camus to Allen Ginsberg, not excepting Czeslaw Milosz and T.S. Eliot. Closer to home, there are essays on Robben Island and the meaning of the Cedarberg. More personally, movingly, a final section of the book returns to the site of a love affair, the birth of a daughter, and what it is that defines his native city, Cape Town. Whatever Watson touches on, he gives substance to the line from Pasternak that provides this collection with its title: 'the music in the ice'. In Watson's hands the essay form itself becomes an instance of that music. Here is a book that demonstrates again why Justin Cartwright has called Stephen Watson 'South Africa's foremost essayist'.

On Writers, Writing and Other Things

The Music in the Ice

The /Xam Bushmen, hunters, gatherers, some poets among them, were a stone age people who survived nearly 5,000 years in the region now known as the Cape Province of South Africa. By the turn of this century they had completely disappeared, destroyed finally by the murderous European settlement of the interior. Song of the Broken String has its provenance in the oral tradition of this ancient culture. In the 1860s, a German linguist named W. H. Bleek become aware of the genocide in progress. Taking into his service three /Xam Bushmen he found working as convict laborers in a chain gang, he set about preserving a small part of their heritage. After devising a phonetic notation of the /Xam's language, he transcribed the personal narratives, songs, and folktales of these three men and translated them into English. Housed in an archive at the University of Cape Town, the 12,000 pages of the Bleek and Lloyd Collection are all that remains of this people and their language. Stephen Watson, a contemporary South African poet, has explored this archive, "re-translating" Bleek's word-for-word English prose into poems in which something of the power of those original voices lives on, however filtered through the 19th century ethnographer and the 20th century writer. The results not only offer a path into a powerful oral tradition, but also raise questions about the ways in which we listen to and "translate" cultures that are distant or lost. Song of the Broken String does not bring back the /Xam, it is not a collection of artifacts. Something survives here that is almost monumental, certainly beautiful. Stephen Watson, a contemporary South African poet and writer, has explored this archive, "re-translating" Bleek's word- for- word English prose into poems in which the power of these original voices would live on. However filtered through the 19th century ethnographer and the 20th century writer, poetry seemed the obvious form for this dialogue. The results not only offer a way into a powerful oral tradition but also raise questions about the ways in which we listen to and "translate" cultures that are distant or lost, cultures in whose fate we are somehow complicit. Song of the Broken String does not bring back the /Xam, but it makes their ghosts vital presences in our own literary tradition.

After the /Xam Bushmen—Poems from a Lost Oral Tradition

Song of the Broken String

A Writer's Diary

This work reveals an evolving theoretical constellation of interpretations and their questions that address and continually renew Klee's rich legacies.

Philosophical Interpretations of Paul Klee

Crescent Moon Over the Rational

Graham Huggan

Critical Perspectives on J.M. Coetzee is one of the first collections of critical essays on this major contemporary writer. The essays, written by an international cast of contributors, adopt a variety of approaches to Coetzee's often controversial work, taking care to place that work within its wider cultural context. Contributions include essays of more general import, ranging across Coetzee's oeuvre, as well as essays that analyse in more detail individual Coetzee novels. The collection also includes a preface by Coetzee's fellow South African, the internationally acclaimed writer Nadine Gordimer.

Stephen Watson

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