Steve Nicholson

Winner of the Society for Theatre Research Book Prize - 2016 This is the final volume in a new paperback edition of Steve Nicholson's definitive four-volume survey of British theatre censorship from 1900-1968, based on previously undocumented material, covering the period 1960-1968. This brings to its conclusion the first comprehensive research on the Lord Chamberlain's Correspondence Archives for the 20th century. The 1960s was a significant decade in social and political spheres in Britain, especially in the theatre. As certainties shifted and social divisions widened, a new generation of theatre makers arrived, ready to sweep away yesterday's conventions and challenge the establishment. Analysis exposes the political and cultural implications of a powerful elite exerting pressure in an attempt to preserve the veneer of a polite, unquestioning society. This new edition includes a contextualising timeline for those readers who are unfamiliar with the period, and a new preface.

The Sixties

The Censorship of British Drama 1900-1968 Volume 4

Miriam Handley

Dominic Shellard

The authors contextualize this material within the political and moral issues of the time, and reveal the fascinating processes and debates that occurred in and around the Lord Chamberlain's Office." "Among the playwrights whose work provokes fierce arguments and reactions are Pirandello, Strindberg, Coward, Shaw, Osborne, Beckett, Tennessee Williams, Pinter and Bond. Featured plays include Mrs Warren's Profession, Miss Julie, The Lesson, Waiting for Godot, Look Back in Anger, The Birthday Party, Cat on a Hot Tin Roof, A Patriot for Me and Saved."--Jacket.

A History of British Theatre Censorship

The Lord Chamberlain Regrets...

Premiered at the National Theatre and winner of both the Olivier and Tony Awards for Best Play, Alan Bennett's The History Boys confronts issues of education, sexuality, and peer pressure through a group of boys preparing for their Oxbridge exams. Written specifically for Key Stage 4 students, this GCSE Student Guide offers a critical commentary on the text through an overview of the play and extensive analysis of themes, characters, contexts, dramatic technique, critical reception and related works. In addition, there is a section on how to write about the play, a glossary of dramatic terms and new interviews with Alan Bennett and the play's original director, Sir Nicholas Hytner. Throughout the guide are suggestions for activities and exercises pitched at the GSCE student, making this an indispensable resource for anyone studying the play at this level.

Steve Nicholson

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