Philip Tew

Steven Barfield

Matthew Feldman

A collection of research by leading international scholars on Beckett, as well as younger academics, analysing a number of Beckett's poems, plays and short stories through consideration of mortality and death.

Beckett and Death

Death is indisputably central to Beckett's writing and reception. This collection of research considers a number of Beckett's poems, novels, plays and short stories through considerations of mortality and death. Chapters explore the theme of deathliness in relation to Beckett's work as a whole, through three main approaches. The first of these situates Beckett's thinking about death in his own writing and reading processes, particularly with respect to manuscript drafts and letters. The second on the death of the subject in Beckett links dominant 'poststructural' readings of Beckett's writing to the textual challenge exemplified by the The Unnamable. A final approach explores psychology and death, with emphasis on deathly states like catatonia and Cotard's Syndrome that recur in Beckett's work. Beckett and Death offers a range of cutting-edge approaches to the trope of mortality, and a unique insight into the relationship of this theme to all aspects of Beckett's literature.

Katharine Cox

"Philip Pullman's epic trilogy remains controversial for its negative depiction of religion. Scholars from various literary, philosophical, and theatrical fields address topics relevant to reading, studying, understanding the work, and its basis in Milton's Paradise Lost; the influence of science fiction on the series; issues of social class, religion, sexuality, and gender; and recent stage productions"--Provided by publisher.

Steven Barfield

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