Steven High

Entangled Histories of Race, Residence, and Class

Deindustrializing Montreal

Lachlan MacKinnon

Andrew Perchard

Since the 1970s, the closure of mines, mills, and factories has marked a rupture in working-class lives. The Deindustrialized World interrogates the process of industrial ruination, from the first impact of layoffs in metropolitan cities, suburban areas, and single-industry towns to the shock waves that rippled outward, affecting entire regions, countries, and beyond. Scholars from five nations share personal stories of ruin and ruination and ask others what it means to be working class in a postindustrial world. Together, they open a window on the lived experiences of people living at ground zero of deindustrialization, revealing its layered impacts and examining how workers, environmentalists, activists, and the state have responded to its challenges.

Confronting Ruination in Postindustrial Places

The Deindustrialized World

In January 1941, the hulking twenty-one thousand ton troopship Edmund B. Alexander docked in St John's harbor, carrying a thousand American soldiers sent to join the thousands of Canadian troops protecting Newfoundland against attack by Germany. France had fallen, Great Britain was fighting for its survival, and Newfoundland - then a dominion of Britain - was North America's first line of defence. Although the German invasion never came, St John's found itself occupied by both Allied Canadian and American forces.

A Social History of a City at War, 1939-1945

Occupied St John's

The stories and memories of those who lived through the Second World War in Newfoundland.

David K. Lewis

A Fascinating Investigation of Industry’s Modern Ruins and the "Deindustrial Sublime."

The Landscape and Memory of Deindustrialization

Corporate Wasteland

Edward Little

Thi Ry Duong

Remembering Mass Violence breaks new ground in oral history, new media, and performance studies by exploring what is at stake when we attempt to represent war, genocide, and other violations of human rights in a variety of creative works. A model of community-university collaboration, it includes contributions from scholars in a wide range of disciplines, survivors of mass violence, and performers and artists who have created works based on these events. This anthology is global in focus, with essays on Africa, Asia, Europe, Latin America, and North America. At its core is a productive tension between public and private memory, a dialogue between autobiography and biography, and between individual experience and societal transformation. Remembering Mass Violence will appeal to oral historians, digital practitioners and performance-based artists around the world, as well researchers and activists involved in human rights research, migration studies, and genocide studies.

Steven High

Books

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