Ben Shneiderman

Steven Jacobs

Catherine Plaisant

Maxine Cohen

The much-anticipated fifth edition of Designing the User Interface provides a comprehensive, authoritative introduction to the dynamic field of human-computer interaction (HCI). Students and professionals learn practical principles and guidelines needed to develop high quality interface designs-ones that users can understand, predict, and control. It covers theoretical foundations, and design processes such as expert reviews and usability testing. Numerous examples of direct manipulation, menu selection, and form fill-in give readers an understanding of excellence in design The new edition provides updates on current HCI topics with balanced emphasis on mobile devices, Web, and desktop platforms. It addresses the profound changes brought by user-generated content of text, photo, music, and video and the raised expectations for compelling user experiences.

Strategies for Effective Human-Computer Interaction

Designing the User Interface: Pearson New International Edition

Film and the Visual Arts

Framing Pictures

"... The Dark Galleries deals with American (and some British) films of the 1940s and 1950s, in which a painted portrait plays an important part in the plot or the mise-en-scène. Particularly noir crime thrillers, gothic melodramas, and ghost stories feature painted portraits that seem to hold magical power over their beholders. In addition to an extensive introductory essay, this museum guide presents about one hundred entries on the artistic and cinematic aspects of noir and gothic painted portraits."--Page 4 of cover.

a museum guide to painted portraits in film noir, gothic melodramas and ghost stories of the 1940s and 1950s

Dark galleries

The Island of the Colorblind

The Architecture of Alfred Hitchcock

The Wrong House

This book examines key sculptural motifs and cinematic sculpture in film history through a series of case studies and through an extensive reference gallery of 150 different films.

Sculpture in Film

Screening Statues

From 20 October 2013 to 23 February 2014, the Museum voor Moderne Kunst Arnhem (MMKA) exhibits "The Melancholy Metropolis: Cityscapes between Magic and Realism, 1925-1950". Magic realist painting, an important component of the MMKA's collection, is displayed alongside photography and film of the same era that visualizes the metropolis as a place of stillness, loneliness, and melancholy. Cityscapes by Dutch magic realists such as Carel Willink, Joop Moesman and Pyke Koch are accompanied by urban landscapes by painters who show an affinity with them, such as Mario Sironi and surrealists like Paul Delvaux. The exhibition also features works by artists of the German neue Sachlichkeit (New Objectivity) movement, including Max Radler, Oskar Nerlinger and Karl Völker. In addition, the exhibition also includes contemporaneous cityscapes created in the context of French and Belgian photography and cinema. The exhibition thus situates magic realism in a European context. Exhibition: Museum voor Moderne Kunst, Arnhem, The Netherlands (20.10.2013-23.02.2014).

Stadsbeelden tussen magie en realisme, 1925-1950

De melancholieke metropool

Through the feature films and documentaries of directors including Emmer, Erice, Godard, Hitchcock, Pasolini, Resnais, Rossellini and Storck, Jacobs examines the way films 'animate' artworks by means of cinematic techniques, such as camera movements and editing, or by integrating them into a narrative.He explores how this 'mobilization' of the artwork is brought into play in art documentaries and artist biopics, as well as in feature films containing key scenes situated in museums. The tension between stasis and movement is also discussed in relation to modernist cinema, which often includes tableaux vivants combining pictorial, sculptural and theatrical elements. This tension also marks the aesthetics of the film still, which have inspired prominent art photographers such as Cindy Sherman and Jeff Wall.Illustrated throughout, Jacobs' study of the presence of art in film, alongside the omnipresence of the filmic image in today's art museums, is an engaging work for students and scholars of film and art alike.

From the early efforts that emerged in the struggle against Nazism, and over the past half century, the field of genocide studies has grown in reach to include five genocide centers across the globe and well over one hundred Holocaust centers. This work enables a new generation of scholars, researchers, and policymakers to assess the major foci of the field, develop ways and means to intervene and prevent future genocides, and review the successes and failures of the past.The contributors to Pioneers of Genocide Studies approach the questions of greatest relevance in a personal way, crafting a statement that reveals one's individual voice, persuasions, literary style, scholarly perspectives, and relevant details of one's life. The book epitomizes scholarly autobiographical writing at its best. The book also includes the most important works by each author on the issue of genocide.Among the contributors are experts in the Armenian, Bosnian, and Cambodian genocides, as well as the Holocaust against the Jewish people. The contributors are Rouben Adalian, M. Cherif Bassiouni, Israel W. Charney, Vahakn Dadrian, Helen Fein, Barbara Harff, David Hawk, Herbert Hirsch, Irving Louis Horowitz, Richard Hovannisian, Henry Huttenbach, Leo Kuper, Raphael Lemkin, James E. Mace, Eric Markusen, Robert Melson, R.J. Rummel, Roger W. Smith, Gregory H. Stanton, Ervin Staub, Colin Tatz, Yves Ternan, and the co-editors. The work represents a high watermark in the reflections and self-reflections on the comparative study of genocide.

Pioneers of Genocide Studies

This is the eBook of the printed book and may not include any media, website access codes, or print supplements that may come packaged with the bound book. The much-anticipated fifth edition of Designing the User Interface provides a comprehensive, authoritative introduction to the dynamic field of human-computer interaction (HCI). Students and professionals learn practical principles and guidelines needed to develop high quality interface designs—ones that users can understand, predict, and control. It covers theoretical foundations, and design processes such as expert reviews and usability testing. Numerous examples of direct manipulation, menu selection, and form fill-in give readers an understanding of excellence in design The new edition provides updates on current HCI topics with balanced emphasis on mobile devices, Web, and desktop platforms. It addresses the profound changes brought by user-generated content of text, photo, music, and video and the raised expectations for compelling user experiences. Provides a broad survey of designing, implementing, managing, maintaining, training, and refining the user interface of interactive systems. Describes practical techniques and research-supported design guidelines for effective interface designs Covers both professional applications (e.g. CAD/CAM, air traffic control) and consumer examples (e.g. web services, e-government, mobile devices, cell phones, digital cameras, games, MP3 players) Delivers informative introductions to development methodologies, evaluation techniques, and user-interface building tools. Supported by an extensive array of current examples and figures illustrating good design principles and practices. Includes dynamic, full-color presentation throughout. Guides students who might be starting their first HCI design project Accompanied by a Companion Website with additional practice opportunities and informational resources for both students and professors.

Designing the User Interface

Nicholas Diakopoulos

Niklas Elmqvist

For courses in Human-Computer Interaction The Sixth Edition of Designing the User Interface provides a comprehensive, authoritative, and up-to-date introduction to the dynamic field of human-computer interaction (HCI) and user experience (UX) design. This classic book has defined and charted the astonishing evolution of user interfaces for three decades. Students and professionals learn practical principles and guidelines needed to develop high quality interface designs that users can understand, predict, and control. The book covers theoretical foundations and design processes such as expert reviews and usability testing. By presenting current research and innovations in human-computer interaction, the authors strive to inspire students, guide designers, and provoke researchers to seek solutions that improve the experiences of novice and expert users, while achieving universal usability. The authors also provide balanced presentations on controversial topics such as augmented and virtual reality, voice and natural language interfaces, and information visualization. Updates include current HCI design methods, new design examples, and totally revamped coverage of social media, search and voice interaction. Major revisions were made to EVERY chapter, changing almost every figure (170 new color figures) and substantially updating the references.

Paul Robbrecht

Hilde Daem

Artwork by Paul Robbrecht. Edited by Steven Jacobs. Contributions by Hilde Daem, Farshid Moussavi.

Works in Architecture, Paul Robbrecht & Hilde Daem

Steven Jacobs' book provides a unique critical intervention into a relatively new area of scholarship - the multidisciplinary topic of film and the visual arts.

For courses in Human-Computer Interaction The Sixth Edition of Designing the User Interface provides a comprehensive, authoritative, and up-to-date introduction to the dynamic field of human-computer interaction (HCI) and user experience (UX) design. This classic book has defined and charted the astonishing evolution of user interfaces for three decades. Students and professionals learn practical principles and guidelines needed to develop high quality interface designs that users can understand, predict, and control. The book covers theoretical foundations and design processes such as expert reviews and usability testing. By presenting current research and innovations in human-computer interaction, the authors strive to inspire students, guide designers, and provoke researchers to seek solutions that improve the experiences of novice and expert users, while achieving universal usability. The authors also provide balanced presentations on controversial topics such as augmented and virtual reality, voice and natural language interfaces, and information visualisation. Updates include current HCI design methods, new design examples, and totally revamped coverage of social media, search and voice interaction. Major revisions were made to EVERY chapter, changing almost every figure (170 new colour figures) and substantially updating the references.

The much-anticipated fifth edition of Designing the User Interface provides a comprehensive, authoritative introduction to the dynamic field of human-computer interaction (HCI). Students and professionals learn practical principles and guidelines needed to develop high quality interface designs–ones that users can understand, predict, and control. It covers theoretical foundations, and design processes such as expert reviews and usability testing. Numerous examples of direct manipulation, menu selection, and form fill-in give readers an understanding of excellence in design The new edition provides updates on current HCI topics with balanced emphasis on mobile devices, Web, and desktop platforms. It addresses the profound changes brought by user-generated content of text, photo, music, and video and the raised expectations for compelling user experiences.

Eva Hielscher

Anthony Kinik

The 1920s and 1930s saw the rise of the city symphony, an experimental film form that presented the city as protagonist instead of mere decor. Combining experimental, documentary, and narrative practices, these films were marked by a high level of abstraction reminiscent of high-modernist experiments in painting and photography. Moreover, interwar city symphonies presented a highly fragmented, oftentimes kaleidoscopic sense of modern life, and they organized their urban-industrial images through rhythmic and associative montage that evoke musical structures. In this comprehensive volume, contributors consider the full 80 film corpus, from Manhatta and Berlin: Die Sinfonie der Grosstadt to lesser-known cinematic explorations.

Cinema, Art, and Urban Modernity Between the Wars

The City Symphony Phenomenon

A dynamic, scholarly engagement with Susanne Bier's work

Birgit Cleppe

Dimitrios Latsis

Introduction: The Mid-Century Celluloid Museum / Steven Jacobs and Dimitrios Latsis -- The Institutional Breeding Grounds of the Postwar Film on Art / Birgit Cleppe -- American Art Comes of Age: Documentaries and the Nation at the Dawn of the Cold War / Dimitrios Latsis -- Art History with a Camera: Rubens (1948) and Paul Haesaerts's Concept of Cinéma Critique / Steven Jacobs and Joséphine-Charlotte Vandekerckhove -- Carlo Ludovico Ragghianti's Critolfims and Beyond: From Cinema to Information Technology / Emanuele Pellegrini -- André Bazin's Art Documentary in Saintonge / Angela Dalle Vacche -- Projecting Cultural Diplomacy: Cold War Politics, Films on Art, and Willard Van Dyke's The Photographer / Natasha Ritsma -- Henry Moore and A Sculptor's Landscape: Modernity, the Land and the Bomb in Two Television Films by John Read / John Wyver -- Creative Process, Material Inscription and Dudley Shaw Ashton's Figures in a Landscape (1953) / Lucy Reynolds -- Neoplasticism and Cinema: Ilya Bolotowsky's Experimental Films on Art / Henning Engelke.

Steven Jacobs

Books

Your next favorite book is out there