Stuart Brock

“I want Paula or her body—I don’t care which.” This was the command of her wealthy, ruthless father. But Abel Cain, who undertook the search, found that he had been presented with only one side of the ugly truth. There were others looking for the hidden heiress too, and among them were the forces of jealousy, greed, and murderous vengeance. When and island orgy held by Paula’s friends backfired and the two-faced revelers uncovered a surprise coffin, Cain found the key to his puzzle, one that pointed to something terribly simple and utterly evil. This new novel, an ACE Original, presents some saucy humor, stalking females, and a bevy of up-to-no-good sophisticates thrown against background of fast action and awesome terror. It will keep you guessing and breathless all the way.

Bring Back Her Body

Anthony Everett

Discusses a range of philosophical questions about fictional characters and fictional objects, with implications for metaphysics, the philosophy of mind, and the philosophy of language.

Fictional Objects

Edwin David Mares

Stuart Brock and Edwin Mares offer a clear introduction to different realist and anti-realist positions and arguments in five key domains - science, ethics, mathematics, modality, and fictional objects. Realism and Anti-Realism focuses on the core concept of realism, taking the perspective that, for each domain considered, there are facts or entities distinctive to that domain whose existence and nature is in some important sense objective and mind-independent. For each of the five areas the authors examine the various styles of argument in support of and against realism and anti-realism, showing how different positions and arguments arise, evaluating their success, and drawing some general conclusions about the assorted strategies. They provide in-depth explorations of error theory, fictionalism, non-cognitivism, relativism, and response-dependence, which they consider to be the most important positions in opposition to realism.

Realism and Anti-realism

Eleven original essays discuss a range of puzzling philosophical questions about fictional characters, and more generally about fictional objects. For example, they ask questions like the following: Do they really exist? What would fictional objects be like if they existed? Do they exist eternally? Are they created? Who by? When and how? Can they be destroyed? If so, how? Are they abstract or concrete? Are they actual? Are they complete objects? Are they possible objects? How many fictional objects are there? What are their identity conditions? What kinds of attitudes can we have towards them? This volume will be a landmark in the philosophical debate about fictional objects, and will influence higher-level debates within metaphysics, the philosophy of mind, and the philosophy of language.

Killer's Choice

Edwin Mares

There are a bewildering variety of ways the terms "realism" and "anti-realism" have been used in philosophy and furthermore the different uses of these terms are only loosely connected with one another. Rather than give a piecemeal map of this very diverse landscape, the authors focus on what they see as the core concept: realism about a particular domain is the view that there are facts or entities distinctive of that domain, and their existence and nature is in some important sense objective and mind-independent. The authors carefully set out and explain the different realist and anti-realist positions and arguments that occur in five key domains: science, ethics, mathematics, modality and fictional objects. For each area the authors examine the various styles of argument in support of and against realism and anti-realism, show how these different positions and arguments arise in very different domains, evaluate their success within these fields, and draw general conclusions about these assorted strategies. Error theory, fictionalism, non-cognitivism, relativism and response-dependence are taken as the most important positions in opposition to the realist and these are explored in depth. Suitable for advanced level undergraduates, the book offers readers a clear introduction to a subject central to much contemporary work in metaphysics, epistemology and philosophy of language.

Stuart Brock

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