Sue Roe

"First published in Great Britain by Fig Tree, an imprint of Penguin Books Ltd."--Title page verso.

Picasso, Matisse and Modernism in Paris, 1900-1910

In Montmartre

Manet, Monet, Pissarro, Cézanne, Renoir, Degas, Sisley, Berthe Morisot and Mary Cassatt. Though they were often ridiculed or ignored by their contemporaries, today astonishing sums are paid for the works of these artists, whose paintings are celebrated for their ability to capture the moment, not only in the fleeting lights of a landscape but in scenes of daily life. Their dazzling pictures are familiar—but how well does the world know the Impressionists as people? The Private Lives of the Impressionists tells their story. It is the first book to offer an intimate and lively biography of the world's most popular group of artists. In a vivid and moving narrative, biographer Sue Roe shows the Impressionists in the studios of Paris, rural lanes of Montmartre and rowdy riverside bars as Paris underwent Baron Haussmann's spectacular transformation. For more than twenty years they lived and worked together as a group, struggling to rebuild their lives after the Franco-Prussian War and supporting one another through shocked public reactions to unfamiliar canvases depicting laundresses, dancers, spring blossoms and boating scenes. This intimate, colorful, superbly researched account takes us into their homes and studios, and describes their unconventional, volatile and precarious lives, as well as the stories behind the paintings.

The Private Lives of the Impressionists

The Emergence of Surrealism in Paris, from Duchamp to Dalí

In Montparnasse

Susan Sellers

Sellers Susan

Sue Roe, Dpa

Comprehensive study by leading scholars of Virginia Woolf and her novels, letters, diaries and essays.

The Cambridge Companion to Virginia Woolf

Women Reading Women's Writing

Judith A. Barter

This monograph of American artist Mary Cassatt’s work celebrates fifty stunning portraits of mothers with their children in everyday life. Mary Cassatt’s tender and profound paintings redefined portraiture and broke down barriers for women in art—both as artists and as subjects. This collection focuses on Cassatt’s insightful portrayal of women and children living their everyday lives. Fifty magnificent images cover the scope of Cassatt’s work, from her early interest in Japanese woodblocks all the way to her exploration of Modernist techniques. Two essays contextualize her as a pioneering female artist and as the American face of Impressionist painting. • Captures the love between mothers and children • A luminous, robust, and timely celebration of an artist with a unique legacy Fans of The Private Lives of the Impressionists, In Montmartre, and Mary Cassatt: An American Impressionist in Paris will love this book./

Mothers and Children

Cassatt

A Novel

Estella, Her Expectations

In 1942, at the height of his fame, Augustus John predicted that 'fifty years from now I shall be known as the brother of Gwen John'. Gwen John (1876 - 1939) is indeed now recognised as a great artistic innovator, yet for years her life remained shrouded in the myth of the solitary recluse. Born in Pembrokeshire, Gwen followed her brother to the Slade. Her future was bound up with Augustus, his women and his coteries, yet she was also daring and highly original, living determinedly in her own way. Defiant yet shy, she painted and modelled amid the Bohemian circles of early twentieth-century Paris and embarked on a long, intense love affair with France's most legendary artistic figure, the sculptor Rodin. A friend of Symbolist poets and post-Impressionist painters, later she turned increasingly to religion, achieving a deep serenity which masked her inner turbulence, creating her haunting paintings - delicate, austere, restrained and still. Based on her lively and passionate unpublished letters and copiously illustrated, this vivid new biography challenges our prejudices about the ways we evaluate women artists and finally uncovers the life of this ardent and complicated personality, one of the finest artists of her day. Important Notice: The digital edition of this book is missing some of the images or content found in the physical edition.

Gwen John

New York Times Bestseller “Anyone who has ever lost themselves in Monet’s color-saturated gardens or swooned over Degas’s dancers will enjoy this revealing group portrait of the artists who founded the Impressionist movement. . . . For the armchair dilettante, as well as the art-history student, this is lively, required reading.” — People The first book to offer an intimate and lively biography of the world’s most popular group of artists, including Manet, Monet, Pissarro, Cézanne, Renoir, Degas, Sisley, Berthe Morisot, and Mary Cassatt. Though they were often ridiculed or ignored by their contemporaries, today astonishing sums are paid for their paintings. Their dazzling works are familiar to even the most casual art lovers—but how well does the world know the Impressionists as people? Sue Roe's colorful, lively, poignant, and superbly researched biography, The Private Lives of the Impressionists, follows an extraordinary group of artists into their Paris studios, down the rural lanes of Montmartre, and into the rowdy riverside bars of a city undergoing monumental change. Vivid and unforgettable, it casts a brilliant, revealing light on this unparalleled society of genius colleagues who lived and worked together for twenty years and transformed the art world forever with their breathtaking depictions of ordinary life.

"Describes with plenty of colour how surrealism, from Rene Magritte's bowler hats to Salvador Dali's watches, was born and developed." - The Times (UK) As she did for the Modernists In Montmartre, noted art historian and biographer Sue Roe now tells the story of the Surrealists in Montparnasse. In Montparnasse begins on the eve of the First World War and ends with the 1936 unveiling of Dalí’s Lobster Telephone. As those extraordinary years unfolded, the Surrealists found ever more innovative ways of exploring the interior life, and asking new questions about how to define art. In Montparnasse recounts how this artistic revolution came to be amidst the salons and cafés of that vibrant neighborhood. Sue Roe is both an incisive art critic of these pieces and a beguiling biographer with a fingertip feel for this compelling world. Beginning with Duchamp, Roe then takes us through the rise of the Dada movement, the birth of Surrealist photography with Man Ray, the creation of key works by Ernst, Cocteau, and others, through the arrival of Dalí. On canvas and in their readymades and other works these artists juxtaposed objects never before seen together to make the viewer marvel at the ordinary—and at the workings of the subconscious. We see both how this art came to be and how the artists of Montparnasse lived. Roe puts us with Gertrude Stein in her box seat at the opening of The Rite of Spring; with Duchamp as he installs his famous urinal; at a Cocteau theatrical with Picasso and Coco Chanel; with Breton at a session with Freud; and with Man Ray as he romances Kiki de Montparnasse. Stein said it best when she noted that the Surrealists still saw in the common ways of the 19th century, but they complicated things with the bold new vision of the 20th. Their words mark an enormously important watershed in the history of art—and they forever changed the way we all see the world.

'She vividly charts the birth of surrealism . . . a tale rich in absurdity and outlandish characters, from Cocteau and Max Ernst to Dali and Picasso' Sunday Times In this entertaining and informative biography, Sue Roe illustrates how surrealism emerged in Paris amidst an artistic ambience of lively experimentation. Before surrealism made its startling impact, artists including Marcel Duchamp and Giorgio De Chirico had already begun to shift the focus of the art scene in Montparnasse. Beginning with Duchamp, Roe tells the story of the wonderfully eccentric and avant-garde Dada movement, the birth of Surrealist photography with Man Ray and his muse Kiki de Montparnasse, the love triangle between writer Paul Éluard, his wife Gala and the artist Max Ernst, until the arrival of Salvador Dalí in 1929. In Montparnasse recounts the extraordinary, revolutionary work these artists undertook as much as the salons, café life, friendships, rows and love affairs that were their background. 'Highly colourful . . . they're all here, the big names of the time - behaving badly, and, at times, quite madly too' Observer 'Brings together some of the chief protagonists in one of the 20th century's most inventive art movements. A vivid read' Radio Times

Sue Roe

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