Susan Brantly

Shadows on the Grass, Winter's Tales, Last Tales, Anecdotes of Destiny, and Ehrengard, Brantly explores the clues, details, and subplots in texts that critics often describe as puzzles and labyrinths. Brantly reveals the thought and care that Dinesen devoted to the construction of her stories, her expansive knowledge of world literature, and the great pleasure awaiting readers as they unravel the mysteries embedded in her texts."--BOOK JACKET.

Understanding Isak Dinesen

Thomas Andrew DuBois

The Nordic Storyteller: Essays in Honour of Niels Ingwersen consists of a set of nineteen research essays plus an introduction, written by colleagues and admirers of Niels and Faith Ingwersen, leaders in the field of Scandinavian Studies in North America for some four decades. A first section of seven essays, entitled â oeSongs and Tales in Oral Tradition, â presents research in the area of folklore studies, including balladry, saintsâ (TM) lives, incantations, healing, legendry, and personal experience narrative. Articles take up such issues as classification, thematics, cultural and historical change, and the effects of technology on daily life. A closely related second section, â oeFrom Oral Tradition to Literatureâ includes three essays which examine the adaptation of oral tradition to literary forms, focusing on the works of P. Chr. AsbjÃ, rnsen, Esias TegnÃ(c)r, Elias Lönnrot, F. R. Kreutzwald, and the illustrations of Arthur Rackhamâ "all figures important in the rise of folklore as a key interest of Romantic nationalism. A further set of nine essays grouped under the title â oeTales in Literary Formâ examine aspects of the writings of some of the greatest storytellers of the nineteenth and twentieth centuries, including H. C. Andersen, Herman Bang, Henrik Ibsen, JÃ3hann MagnÃ°s Bjarnason, Charles Dickens, Thomas Mann, Isak Dinesen, Martin Andersen NexÃ,, Billy August, Hans Scherfig, Peter HÃ, eg, Klaus Rifbjerg, Leif Panduro, and Kjartan FlÃ, gstad. Articles address topics including autobiography, source criticism, symbolism, personal and national identities, and the representation of political ideals. Together the essays of this volume demonstrate the unflagging salience of narrativeâ "of storytellingâ "in the personal lives and social experiences of Scandinavians and their neighbors, past and present.

Essays in Honour of Niels Ingwersen

Nordic Storyteller

This volume explores the genre of the historical novel and the variety of ways in which writers choose to represent the past. How does an author’s nationality or gender impact their artistic choices? To what extent can historical novels appeal to a transnational audience? This study demonstrates how histories can communicate across national borders, often by invoking or deconstructing the very notion of nationhood. Furthermore, it traces how the concerns of the postmodern era, such as postmodern critiques of historiography, colonialism, identity, and the Enlightenment, have impacted the genre of the historical novel, and shows this impact has not been uniform throughout Western culture. Not all historical novels written during the postmodern era are postmodern. The historical novel as a genre occupies a problematic, yet significant space in Cold War literary currents, torn between claims of authenticity and the impossibility of accessing the past. Historical novels from England, America, Germany, and France are compared and contrasted with historical novels from Sweden, testing a variety of theoretical perspectives in the process. This pitting of a center against a periphery serves to highlight traits that historical novels from the West have in common, but also how they differ. The historical novel is not just a local, regional phenomenon, but has become, during the postmodern era, a transnational tool for exploring how we should think of nations and nationalism and what a society should, or should not, look like.

Presenting the Past

The Historical Novel, Transnationalism, and the Postmodern Era

Laura Marholm var gift med Ola Hansson. Hon var även själv författare, men har skrivit nästan enbart på tyska..Ur innehållet: Marriage, Friedrichshagen, and Strindberg (s. 64-100).

The Life and Writings of Laura Marholm

Thomas A. DuBois

The Nordic Storyteller: Essays in Honour of Niels Ingwersen consists of a set of nineteen research essays plus an introduction, written by colleagues and admirers of Niels and Faith Ingwersen, leaders in the field of Scandinavian Studies in North America for some four decades. A first section of seven essays, entitled “Songs and Tales in Oral Tradition,” presents research in the area of folklore studies, including balladry, saints’ lives, incantations, healing, legendry, and personal experience narrative. Articles take up such issues as classification, thematics, cultural and historical change, and the effects of technology on daily life. A closely related second section, “From Oral Tradition to Literature” includes three essays which examine the adaptation of oral tradition to literary forms, focusing on the works of P. Chr. Asbjørnsen, Esias Tegnér, Elias Lönnrot, F. R. Kreutzwald, and the illustrations of Arthur Rackham—all figures important in the rise of folklore as a key interest of Romantic nationalism. A further set of nine essays grouped under the title “Tales in Literary Form” examine aspects of the writings of some of the greatest storytellers of the nineteenth and twentieth centuries, including H. C. Andersen, Herman Bang, Henrik Ibsen, Jóhann Magnús Bjarnason, Charles Dickens, Thomas Mann, Isak Dinesen, Martin Andersen Nexø, Billy August, Hans Scherfig, Peter Høeg, Klaus Rifbjerg, Leif Panduro, and Kjartan Fløgstad. Articles address topics including autobiography, source criticism, symbolism, personal and national identities, and the representation of political ideals. Together the essays of this volume demonstrate the unflagging salience of narrative—of storytelling—in the personal lives and social experiences of Scandinavians and their neighbors, past and present.

Susan Brantly

Books

Your next favorite book is out there