Susan Ingram

It also shows how work with a connection to Vienna by international stars like David Bowie, Wes Anderson, and Christoph Schlingensief has absorbed the same principles.While the overwhelming scale of technological development and the ensuing problems and crises may not have been deliberately designed to induce resignation, passivity, and despair, those who benefit from the related hyperobjects of financialization and climate change must find it convenient that they do, as demoralization reduces resistance to their profit-making machinations. It is in this context that Red Vienna's proud tradition of social engagement and long tradition of resistance and radicality deserves to be better known. Susan Ingram is Professor in the Department of Humanities at York University, Toronto, where she coordinates the Graduate Diploma for Comparative Literature and is affiliated with the Canadian Centre for German and European Studies and the Research Group on Language and Culture Contact. .

The Feel Good Tactical Radicalism of Contemporary Culture in and Around Vienna

Siting Futurity

Markus Reisenleitner

Los Angeles is undergoing a makeover. Leaving behind its image as all freeways and suburbs, sunshine and noir, it is reinventing itself for the twenty-first century as a walkable, pedestrian friendly, ecologically healthy and global urban hotspot of fashion and style, while driving initiatives to rejuvenate its downtown core, public spaces and ethnic neighborhoods. By providing a locational history of Los Angeles fashion and style mythologies through the lens of institutions such as manufacturing, museums and designers and readings of contemporary film, literature and new media, L.A. Chic provides an in-depth analysis of the social changes, urban processes, desires and politics that inform how the good life is being re-imagined in Los Angeles. Throughout the book, Susan Ingram and Markus Reisenleitner dig up submerged and marginalized elements of the city’s cultural history but also tap into the global circuits of urban affect that are being mobilized for promoting L.A. as an example for the global, multi-ethnic city of the future. Engagingly written, highly visual and featuring numerous photographs throughout, L.A. Chic will appeal to any culturally inclined reader with an interest in Los Angeles, its cultural history and modern urban style.

A Locational History of Los Angeles Fashion

L.A. Chic

Vienna may not be synonymous with fashion like its metropolitan counterparts Paris and Milan, but it is a fashionable city, one that historically has been structured by changing fashions and fashionable appearances. Like the Litfaßsäule in Orson Welles’s 1949 urban noir masterpiece The Third Man, into which Harry Lime escapes in order to avoid capture and which hapless visitors today presume are merely surfaces for advertising, there are many overlooked aspects of Vienna’s distinct style and attitude. By focusing on fashion, Wiener Chic narrates Vienna’s history through an interpretation of the material dimensions of Viennese cultural life – from architecture to arts festivals to the urban fabric of street chic. The first book that connects Vienna and fashion with urban theory, Wiener Chic draws on material that is virtually unknown in an English-language context to give readers an insider’s vantage point on an under-appreciated European fashion capital.

A Locational History of Vienna Fashion

Wiener Chic

These six women all wrote the stories of their own lives, creating powerful narratives that channelled cultural forces at the same time as parrying them.

Women's Autobiography and the Shaping of Cultural History

Zarathustra's Sisters

Irene Sywenky

This timely volume takes stock of the discipline of comparative literature and its theory and practice from a Canadian perspective. It engages with the most pressing critical issues at the intersection of comparative literature and other areas of inquiry in the context of scholarship, pedagogy and academic publishing: bilingualism and multilingualism, Indigeneity, multiple canons (literary and other), the relationship between print culture and other media, the development of information studies, concerted efforts in digitization, and the future of the production and dissemination of knowledge. The authors offer an analysis of the current state of Canadian comparative literature, with a dual focus on the issues of multilingualism in Canada’s sociopolitical and cultural context and Canada’s geographical location within the Americas. It also discusses ways in which contemporary technology is influencing the way that Canadian literature is taught, produced, and disseminated, and how this affects its readings.

Contemporary Scholarship, Pedagogy, and Publishing in Review

Comparative Literature in Canada

Katrina Sark

Leen dHaenens

Since becoming the capital of reunited Germany, Berlin has had a dose of global money and international style added to its already impressive cultural veneer. Once home to emperors and dictators, peddlers and spies, it is now a fashion showplace that attracts the young and hip. This gripping history follows Berlin chic through a host of historical eras and events, including the Nazi eradication of the primarily Jewish ready-to-wear industry, the confusion surrounding the split and reunification of the East and West, an unsuccessful effort to launch a fashion museum, and the debut of Berlin Fashion Week in 2007. There are many fabulous stories to tell about Berlin fashion and Berliner Chic tells them all with verve and considerable expertise.

A Locational History of Berlin Fashion

Berliner Chic

One of the most dynamic capital cities of the twenty-first century, Berlin also has one of the most tumultuous modern histories. A city that came of age, in many senses, with the cinema, it has been captured on film during periods of exurberance, devastation, division, and reconstruction. World Film Locations: Berlin offers a broad overview of these varied cinematic representations.Covering an array of films that ranges from early classics to contemporary star vehicles, this volume features detailed analyses of forty-six key scenes from productions shot on location across the city as well as spotlight essays in which contributors with expertise in German studies, urban history, and film studies focus on issues central to understanding Berlin film, such as rubble, construction sites, and music, and controversial film personalities from Berlin, such as Marlene Dietrich and Leni Riefenstahl. With the help of full-color illustrations that include film stills and contemporary location shots, World Film Locations: Berlin cinematically maps the city’s long twentieth century, taking readers behind the scenes and shedding new light on the connections between many favorite and possibly soon-to-be-favorite films.

Susan Ingram

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