Mark Lewis

Tanya Zack

A single image taken from a high-rise building in inner-city Johannesburg uncovers layers of history—from its premise and promise of gold to its current improvisations. It reveals the city as carcass and as crucible, where informal agents and processes spearhead its rapid reshaping and transformation. In Wake Up, This Is Joburg, writer Tanya Zack and photographer Mark Lewis offer a stunning portrait of Johannesburg and personal stories of some of the city’s ordinary, odd, and outrageous residents. Their photos and essays take readers into meat markets where butchers chop cow heads; the eclectic home of an outsider artist that features turrets and full of manikins; long-abandoned gold pits beneath the city, where people continue to mine informally; and lively markets, taxi depots, and residential high-rises. Sharing people’s private and work lives and the extraordinary spaces of the metropolis, Zack and Lewis show that Johannesburg’s urban transformation occurs not in a series of dramatic, wide-scale changes but in the everyday lives, actions, and dreams of individuals.

Wake Up, This Is Joburg

Photographer Mark Lewis and writer Tanya Zack offer a stunning portrait of Johannesburg and personal stories of its residents, showing how its urban transformation occurs not in a series of dramatic, widescale changes but in the everyday lives, actions, and dreams of individuals.

Véronique Tadjo

Devan Pillay

Pumla Dineo Gqola

Shireen Hassim

Tawana Kupe

Eric Worby

Alex Eliseev

Rolf Maruping

Daryl Glaser

Noor Nieftagodien

Stephen Gelb

Loren Landau

David Coplan

Julia Hornberger

Melinda Silverman

Anton Harber

Cathi Albertyn

Andile Mngxitama

The xenophobic attacks that started in Alexandra, Johannesburg in May 2008 before quickly spreading around the country caused an outcry across the world and raised many fundamental questions: Of what profound social malaise is xenophobia – and the violence that it inspires – a symptom? Have our economic and political choices created new forms of exclusion that fuel anger and distrust? What consequences does the emergence of xenophobia hold for the idea of an equal, non-racial society as symbolised by a democratic South Africa? On 28 May 2008 the Faculty of Humanities in the University of the Witwatersrand, Johannesburg convened an urgent colloquium that focused on searching for short and long-term solutions. Nearly twenty individuals – mostly Wits academics from a variety of disciplines, but also two student leaders, a journalist and a bishop – addressed the unfolding violence in ways that were conversant with the moment, yet rooted in scholarship and ongoing research. Go Home or Die Here emanates directly from the colloquium. It hopes to make sense of the nuances and trajectories of building a democratic society out of a deeply divided and conflictual past, in the conditions of global recession, heightening inequalities and future uncertainty. The authors hoped to pose questions that would lead both to research and to more informed, reflective forms of public action. With extensive photographs by award-winning photographer Alon Skuy, who covered the violence for The Times newspaper, the volume is passionate and engaged, and aims to stimulate reflection, debate and activism among concerned members of a broad public.

Violence, Xenophobia and the Reinvention of Difference in South Africa

Go Home or Die Here

Tanya Zack

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