Thadious M. Davis

In this innovative approach to southern literary cultures, Thadious Davis analyzes how black southern writers use their spatial location to articulate the vexed connections between society and environment, particularly under segregation and its legacies. Basing her analysis on texts by Ernest Gaines, Richard Wright, Alice Walker, Natasha Trethewey, Olympia Vernon, Brenda Marie Osbey, Sybil Kein, and others, Davis reveals how these writers reconstitute racial exclusion as creative black space, rather than a site of trauma and resistance. Utilizing the social and political separation epitomized by segregation to forge a spatial and racial vantage point, Davis argues, allows these writers to imagine and represent their own subject matter and aesthetic concerns. Focusing particularly on Louisiana and Mississippi, Davis deploys new geographical discourses of space to expand analyses of black writers' relationship to the South and to consider the informing aspects of spatial narratives on their literary production. She argues that African American writers not only are central to the production of southern literature and new southern studies, but also are crucial to understanding the shift from modernism to postmodernism in southern letters. A paradigm-shifting work, Southscapes restores African American writers to their rightful place in the regional imagination, while calling for a more inclusive conception of region.

Geographies of Race, Region, and Literature

Southscapes

A Woman's Life Unveiled

Hurricanes of the Gulf of Mexico

Understanding Alice Walker serves both as an introduction to the Pulitzer Prize and National Book Award winner's large body of work and as a critical analysis of her multifaceted canon. Thadious M. Davis begins with Walker's biography and her formative experiences in the South and then presents ways of accessing and reading Walker's complex, interconnected, and sociopolitically invested career in writing fiction, poetry, critical essays, and meditations. Although best known for her novel The Color Purple and her landmark essays In Search of Our Mothers' Gardens: Womanist Prose, Walker began her career with Once: Poems, The Third Life of Grange Copeland, and In Love and Trouble: Stories of Black Women. She has remained committed not merely to writing in multiple genres but also to conveying narratives of the hope and transformation possible within the human condition and as visualized through the lens of race and gender. Davis traces Walker's literary voice as it emerges from the civil rights and feminist movements to encourage an individual and collective search for justice and joy and then evolves into forceful advocacy for world peace, spiritual liberation, and environmental conservancy. Her writing, a rich amalgamation of the cutting-edge and popular, the new-age and difficult, continues to be paradigm shifting and among the most important produced in the last half of the twentieth century and among the most consistently prophetic in the first part of the twenty-first century.

Understanding Alice Walker

Examines the life of the enigmatic figure of the Harlem Renaissance, including details of her secretive personal life and the influence of her works on modern readers.

Nella Larsen, Novelist of the Harlem Renaissance

DIVUsing Faulkner's Go Down Moses as a point of departure, this book explores the conflicting nature of property relations that have slavery in the U.S. at their base and have affected the conceptualizations of rights and representations of African A/div

Law, Race, Gender, and Faulkner's Go Down, Moses

Games of Property

In this innovative approach to southern literary cultures, Thadious Davis analyzes how black southern writers use their spatial location to articulate the vexed connections between society and environment, particularly under segregation and its legacies.<

Geographies of Race, Region, & Literature

James S. Leonard

Thomas Tenney

Though one of America’s best known and loved novels, Mark Twain’s Adventures of Huckleberry Finn has often been the object of fierce controversy because of its racist language and reliance on racial stereotypes. This collection of fifteen essays by prominent African American scholars and critics examines the novel’s racist elements and assesses the degree to which Twain’s ironies succeed or fail to turn those elements into a satirical attack on racism. Ranging from the laudatory to the openly hostile, these essays include personal impressions of Huckleberry Finn, descriptions of classroom experience with the book, evaluations of its ironic and allegorical aspects, explorations of its nineteenth-century context, and appraisal of its effects on twentieth-century African American writers. Among the issues the authors contend with are Twain’s pervasive use of the word “nigger,” his portrayal of the slave Jim according to the conventions of the minstrel show “darky,” and the thematic chaos created by the “evasion” depicted in the novel’s final chapters. Sure to provoke thought and stir debate, Satire or Evasion? provides a variety of new perspectives on one of this country’s most troubling classics. Contributors. Richard K. Barksdale, Bernard W. Bell, Mary Kemp Davis, Peaches M. Henry, Betty Harris Jones, Rhett S. Jones, Julius Lester, Donnarae MacCann, Charles H. Nichols, Charles H. Nilon, Arnold Rampersad, David L. Smith, Carmen Dubryan, John H. Wallace, Kenny Jackson Williams, Fredrick Woodard

Black Perspectives on Huckleberry Finn

Satire or Evasion?

Trudier Harris

Contains thirty-five alphabetically arranged essays that provide career biographies of African-American dramatists and prose writers active since 1955; each with a list of principal works and a bibliography. Includes additional articles that discuss specific aspects of the African-American theater.

Dramatists and Prose Writers

Afro-American Writers After 1955

Essays examine the racist elements of Huckleberry Finn and the extent to which they are able to turn the novel into a satirical attack on racism

Thadious M. Davis

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