Pelle Ehn

Thomas Binder

Giulio Jacucci

Per Linde

Ina Wagner

Design Things

Mette Gislev Kjaersgaard

Joachim Halse

Rachel Charlotte Smith

Ton Otto

Kasper Tang Vangkilde

Introduction : Design Anthropological Futures / Mette Gislev Kjaersgaard, Joachim Halse, Rachel Charlotte Smith, Kasper Tang Vangkilde, Thomas Binder, and Ton Otto -- Cultures of the Future : Emergence and Intervention in Design Anthropology / Rachel Charlotte Smith and Ton Otto -- Design and the Future : Temporal Politics of "Making a Difference" / Ramia Mazé -- Different Presents in the Making / Mike Anusas and Rachel Harkness -- The New Design Ethnographers, 1968-1974 : Towards a Critical Historiography of Design Anthropology / Alison J. Clarke -- Design Interventions as a Form of Inquiry / Joachim Halse and Laura Boffi -- Jostling Ethnography Between Design and Participatory Art Practices and the Collaborative Relations it Engenders / George E. Marcus -- Conversation Dispositifs : Towards a Transdisciplinary Design Anthropological Approach / Zoy Anastassakis and Barbara Szaniecki -- The Irony of Drones for Foraging : Exploring the Work of Speculative Interventions / Carl DiSalvo -- Para-ethnography 2.0. : an Experiment in Design Anthropological Collaboration / Kaspar Tang Gangilde and Morten Hulvey Rod -- Design Anthropology On the Fly : Performative Spontaneity in Commercial Ethnographic Research / Brendon Clark and Melissa L. Caldwell -- Politics of Inviting : Co-Articulations of Issues in Designerly Public Engagement / Kristina Lindstrom and Sa Stuhl -- Collaborative Cleaning, Archiving and Curating the Heritage of the Future / Adam Drazin, Robert Knowles, Isabel Brendenbroker and Anais Bloch -- Design Anthropological Frictions : Mundane Practices meet Speculative Critique / Mette Kjaersgaard and Laurens Boer -- Things as Co-ethnographers Implications of a Thing Perspective for Design and Anthropology / Elisa Giaccardi, Chris Speed, Nazli Cila and Melissa L. Caldwell -- Design Anthropology as Ontological Exploration and Inter-Species Engagement / Tau Ulv Lenskjold and Sissel Olander -- The Things We Do : Encountering the Possible / Thomas Binder.

Design Anthropological Futures

Jonas Löwgren

Lone Malmborg

The intent of this chapter is to outline a distinctive way of thinking about issues of technology and society that has characterized many Nordic approaches to the topic. One of the characteristics of this approach has been the recognition of the worth of human labour. Technology is not seen as an alien force, but something which is itself a product of human labour, and it can be designed and utilized in ways which augment human skills and expertise, rather than degrading them. What is particularly striking, at least to this author, in this approach is that we are presented not simply with a vision of how things could be better in our society, but with concrete exemplars of how we can build such a better world. It is in recognition of this fact that I have chosen the title of this chapter, as it emphasizes that, while the tradition of Utopian literature is the - lineation of a supposedly idea world which exists no-place (u-topos, in Greek), these visions can be an inspiration for quite practical activities on the ground, as steps towards their realization. As Wilde notes (in the quote above) this is a never-ending quest, as with each achievement, we recognize that there are further bridges to cross and places to be visited.

(Re)Searching the Digital Bauhaus

Jutta Valent

Reinhard Fabian

Ulf Höfer

IbÖp 1991/1992

International Bibliography of Austrian Philosophy / Internationale Bibliographie Zur österreichischen Philosophie

Johan Redstrom

John Zimmerman

Ilpo Koskinen

Stephan Wensveen

Design Research Through Practice: From the Lab, Field, and Showroom focuses on one type of contemporary design research known as constructive design research. It looks at three approaches to constructive design research: Lab, Field, and Showroom. The book shows how theory, research practice, and the social environment create commonalities between these approaches. It illustrates how one can successfully integrate design and research based on work carried out in industrial design and interaction design. The book begins with an overview of the rise of constructive design research, as well as constructive research programs and methodologies. It then describes the logic of studying design in the laboratory, design ethnography and field work, and the origins of the Showroom and its foundation on art and design rather than on science or the social sciences. It also discusses the theoretical background of constructive design research, along with modeling and prototyping of design items. Finally, it considers recent work in Lab that focuses on action and the body instead of thinking and knowing. Many kinds of designers and people interested in design will find this book extremely helpful. Gathers design research experts from traditional lab science, social science, art, industrial design, UX and HCI to lend tested practices and how they can be used in a variety of design projects Provides a multidisciplinary story of the whole design process, with proven and teachable techniques that can solve both academic and practical problems Presents key examples illustrating how research is applied and vignettes summarizing the key how-to details of specific projects

From the Lab, Field, and Showroom

Design Research Through Practice

Franz Brentano (1838–1917) gilt als einer der einflussreichsten Philosophen an der Wende vom 19. zum 20. Jahrhundert. Dennoch sind die Philosophiehistoriker noch zu keinem endgültigen Urteil über seine Bedeutung gelangt. Der Grund hierfür ist vor allem darin zu suchen, dass Brentanos Werk bis heute nur unzureichend zugänglich ist, was vor allem daran liegt, dass der größte Teil davon nur in handschriftlicher Form existiert: Nach seinem unvollendet gebliebenen Hauptwerk, der Psychologie vom empirischen Standpunkt, hat Brentano keine größere Arbeit mehr veröffentlicht. Im ersten Teil analysiert Binder die Gründe für Brentanos zurückhaltende Publikationstätigkeit, wobei einerseits der konfliktbehaftete biographische Hintergrund und die komplexe Persönlichkeit des Philosophen, andererseits theoretische Probleme, eine psychologische Einheitswissenschaft zu formulieren, die ihn an der Fertigstellung seines Hauptwerks scheitern ließen, im Vordergrund stehen. Im zweiten Teil verfolgt der Autor die wechselhafte Geschichte von Brentanos philosophischem Nachlass, die ihrerseits die Rezeption seiner philosophischen Theorien stark behindert hat.

Franz Brentano und sein philosophischer Nachlass

International Bibliography of Austrian Philosophy/internationale Bibliographie Zur Sterreichischen Philosophie

Helmut Werba

1982-83

International Bibliography of Austrian Philosophy / Internationale Bibliographie Zur Sterreichischen Philosophie

***Angaben zur beteiligten Person Binder: Dr. Thomas Binder, Diplom-Psychologe, Supervisor (DGSv, SG) und Wirtschaftsmediator (BM®), ist Partner der Consulting Group Berlin.

Ich-Entwicklung für effektives Beraten

"Das Blut der Auserwählten" ist eine dreiteilige Romanreihe über das Leben des fiktiven Protagonisten Kurt Powell. * Teil 1: Lähmende Begegnungen auf der Flucht * Kurt Powell wächst als ganz normaler Junge im Amerika der 1950er auf – denkt er zumindest. Er ist der Prügelknabe der Schule, sein jüngerer Bruder Paul führt einen psychologischen Krieg gegen ihn und er verliert seinen Vater schon sehr früh in einem traumatischen Vorfall. Und das ist erst der Beginn der kathartischen Reise durch Schmerz, Verlust und neuer Selbstfindung, zu der sich Kurt Powells Leben zu formen beginnt. * Teil 2: Die Begleichung alter Wunden * Nachdem der 23jährige Kurt aus Geldgier heraus das erniedrigende Angebot seines Chefs Bob trotz seines Ekels davor angenommen hatte und gleich darauf die Hälfte davon an den korrupten Polizisten Brown abgeben durfte, entschloss sich Kurt dazu, einen Schlussstrich unter allem zu ziehen und ein neues Leben anzufangen. In Sydney lebend, verdient er haufenweise Geld mit einer Arbeit, die er zutiefst verabscheut und schleppt sich weiter eskapistisch durch sein Leben auf der Suche nach Vergebung, Verständnis und einem großen Sinn hinter all seinem Leid. Doch diesmal sollen seine Wünsche zum ersten Mal in seinem Leben wirklich in Erfüllung gehen, wenn auch ganz anders, als Kurt sich in seinen Träumen vorgestellt hatte. Währenddessen lauert jene mysteriöse Persönlichkeit, die ihn schon sein ganzes Leben lang verfolgt, immer einen Schritt hinter ihm in der Dunkelheit... * Teil 3: Übersinnliche Abrechnungen * Durch eine zufällige Begegnung beginnt alles Blut an Kurts Händen mit einem Mal, sichtbar zu werden und die Hoffnung auf einen tieferen Sinn hinter seinem traumatisierten Leben zerbirst in Millionen Scherben. Nun steht Kurt in den Medien als Sündenbock der gesamten Nation, oder sogar der ganzen Welt, vor Gericht. Derweil verblasst Sarahs Image als Heldin, die die Polizei zu ihrem neuen Judas geführt hatte, nur allzu schnell und hinterlässt nichts als ein tiefes Loch und die nagende Gewissheit, dass sie den wohl bedauerlichsten Fehler ihres Lebens gemacht hat. Hier nimmt Kurts Reise den Anfang ihres Endes: in einem geheimen Hochsicherheitsgefängnis irgendwo zwischen New York und New Jersey.

Das Blut der Auserwählten

A major contribution to the field, this ground-breaking book explores design anthropology’s focus on futures and future-making. Examining what design anthropology is and what it is becoming, the authors push the frontiers of the discipline and reveal both the challenges for and the potential of this rapidly growing transdisciplinary field.Divided into four sections – Ethnographies of the Possible, Interventionist Speculation, Collaborative Formation of Issues, and Engaging Things – the book develops readers’ understanding of the central theoretical and methodological aspects of future knowledge production in design anthropology. Bringing together renowned scholars such as George Marcus and Alison Clarke with young experimental design anthropologists from countries such as Denmark, Sweden, Austria, Brazil, the UK, and the United States, the sixteen chapters offer an unparalleled breadth of theoretical reflections and rich empirical case studies.Written by those at the forefront of the field, Design Anthropological Futures is destined to become a defining text for this growing discipline. A unique resource for students, scholars, and practitioners in design anthropology, design, architecture, material culture studies, and related fields.

Giorgio De Michelis

ATELIER (Project)

A new perspective on design thinking and design practice: beyond products and projects, toward participatory design things. Design Things offers an innovative view of design thinking and design practice, envisioning ways to combine creative design with a participatory approach encompassing aesthetic and democratic practices and values. The authors of Design Things look at design practice as a mode of inquiry that involves people, space, artifacts, materials, and aesthetic experience, following the process of transformation from a design concept to a thing. Design Things, which grew out of the Atelier (Architecture and Technology for Inspirational Living) research project, goes beyond the making of a single object to view design projects as sociomaterial assemblies of humans and artifacts--"design things." The book offers both theoretical and practical perspectives, providing empirical support for the authors' conceptual framework with field projects, case studies, and examples from professional practice. The authors examine the dynamics of the design process; the multiple transformations of the object of design; metamorphing, performing, and taking place as design strategies; the concept of the design space as "emerging landscapes"; the relation between design and use; and the design of controversial things.

A new perspective on design thinking and design practice: beyond products and projects, toward participatory design things. Design Things offers an innovative view of design thinking and design practice, envisioning ways to combine creative design with a participatory approach encompassing aesthetic and democratic practices and values. The authors of Design Things look at design practice as a mode of inquiry that involves people, space, artifacts, materials, and aesthetic experience, following the process of transformation from a design concept to a thing. Design Things, which grew out of the Atelier (Architecture and Technology for Inspirational Living) research project, goes beyond the making of a single object to view design projects as sociomaterial assemblies of humans and artifacts—“design things.” The book offers both theoretical and practical perspectives, providing empirical support for the authors' conceptual framework with field projects, case studies, and examples from professional practice. The authors examine the dynamics of the design process; the multiple transformations of the object of design; metamorphing, performing, and taking place as design strategies; the concept of the design space as “emerging landscapes”; the relation between design and use; and the design of controversial things.

Thomas Binder

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