Howard Woody

Thomas L. Johnson

Tom Johnson

From the 1890s through the 1920s, the postcard was an extraordinarily popular means of communication, and many of the postcards produced during this "golden age" can today be considered works of art. Postcard photographers traveled the length and breadth of the nation snapping photographs of busy street scenes, documenting local landmarks, and assembling crowds of local children only too happy to pose for a picture. These images, printed as postcards and sold in general stores across the country, survive as telling reminders of an important era in America's history.

West Central Carolina Aiken to Saluda

South Carolina Postcards

Phillip C. Dunn

A True Likeness showcases the extraordinary photography of Richard Samuel Roberts (1880–1935), who operated a studio in Columbia, South Carolina, from 1920 to 1935. He was one of the few major African American commercial photographers working in the region during the first half of the twentieth century, and his images reveal the social, economic, and cultural realities of the black South and document the rise of a small but significant southern black middle class. The nearly two hundred photographs in A True Likeness were selected from three thousand glass plates that had been stored for decades in a crawl space under the Roberts home. The collection includes "true likenesses" of teachers, preachers, undertakers, carpenters, brick masons, dressmakers, chauffeurs, entertainers, and athletes, as well as the poor, with dignity and respect and an eye for character and beauty. Thomas L. Johnson and Phillip C. Dunn received a 1987 Lillian Smith Book Award for their work on this book. This new edition of A True Likeness features a new foreword by Elaine Nichols, the supervisory curator of culture at the Smithsonian National Museum of African American History and Culture in Washington, D.C. A new afterword is provided by Thomas L. Johnson.

The Black South of Richard Samuel Roberts, 1920–1936

A True Likeness

Nina J. Root

A collection of pictures of African Americans taken around Columbi.

Julian Dimock's South

Camera Man's Journey

Eberhard Michael Iba

The German Fairy Tale Landscape

Eberhard M. Iba

The Storied World of the Brothers Grimm

From the 1890s through the 1920s, the postcard was an extraordinarily popular means of communication, and many of the postcards produced during this agolden agea can today be considered works of art. Postcard photographers traveled the length and breadth of the nation snapping photographs of busy street scenes, documenting local landmarks, and assembling crowds of local children only too happy to pose for a picture. These images, printed as postcards and sold in general stores across the country, survive as telling reminders of an important era in Americaas history. This fascinating new history of Southern CarolinaaAllendale, Bamburg, Barnwell, Beaufort, Colleton, Hampton, and Jaspera showcases more than two hundred of the best vintage postcards available from 1900 to the 1930s.

Southern Carolina: Beaufort to Barnwell

Thomas L. Johnson

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