Thordis Arrhenius

Ellen Braae

Guttorm Ruud

Architecture was fundamental to the realization of welfare state policy in the Nordic countries, translating democratic ideals into concrete spatial materializations. An inclusive notion of “welfare for all” was embraced by a generation of architects, landscape architects, and planners, who labored to give physical form to ideas of equality, collectivity, and democracy, producing a vast architectural output in Scandinavia during the postwar years. Today, however, the architectural legacy of this era is contested. Welfare for all no longer enjoys the social or political consensus it once did. This publication critically engages with this contested architectural legacy and provides a nuanced portrait of postwar welfare architecture coming to terms with a contentious past and facing an uncertain future With newly commissioned photographic work by contemporary Nordic artists Based on an interdisciplinary research project by KTH Stockholm, Oslo School of Architecture, University of Copenhagen Internationally renown contributors shed light on aspects of the relationship between architecture and welfare

Scandinavian Perspectives

Architecture and Welfare

Mari Lending

Wallis Miller

Jérémie McGowan

Seemingly immobile and durable, architecture remains a challenge in the modern world of collecting and exhibiting. From the late eighteenth century onward, divergent conventions of display have been conflated with urgent discussions of how material culture is handed down, distributed, appropriated, and evaluated. Place and Displacement: Exhibiting Architecture investigates historical and con temporary practices of displaying architecture, whether in full scale or as fragments, models, or two-dimensional representations. Exploring questions of circulation and temporality, issues of institution and canon, and the discourse and politics of architectural spaces on exhibit, the book's essays discuss the ambiguous status of architecture as an object of display. Contributions from leading scholars in the new research field of architectural exhibitions reveal the centrality of the exhibition in defining and redefining the notion of architecture and its history.

Place and Displacement Exhibiting Architecture

Jorge Otero-Pailos

Erik Fenstad Langdalen

Old things, historic things, smelly dirty things, all the things that were considered the very opposite of "contemporary," have suddenly irrupted forcefully into architecture and art, blurring their boundaries. This book takes stock of the emerging generation behind this turn, and examines their experimental engagements with the preservation of culturally charged objects. Structured around a series of interdisciplinary dialogues among practitioners and thinkers, and illustrated with recent projects, the book provides a window into the unfolding intellectual frameworks, aesthetic modes, cultural ambitions, and political commitments that are the basis of experimental preservation.

Experimental Preservation

Thordis Arrhenius

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