Tim Hollis

There was a time when rural comedians drew most of their humor from tales of farmers' daughters, hogs, hens, and hill country high jinks. Lum and Abner and Ma and Pa Kettle might not have toured happily under the "Redneck" marquee, but they were its precursors. In Ain't That a Knee-Slapper: Rural Comedy in the Twentieth Century, author Tim Hollis traces the evolution of this classic American form of humor in the mass media, beginning with the golden age of radio, when such comedians as Bob Burns, Judy Canova, and Lum and Abner kept listeners laughing. The book then moves into the motion pictures of the 1930s, 1940s, and 1950s, when the established radio stars enjoyed second careers on the silver screen and were joined by live-action renditions of the comic strip characters Li'l Abner and Snuffy Smith, along with the much-loved Ma and Pa Kettle series of films. Hollis explores such rural sitcoms as The Real McCoys in the late 1950s and from the 1960s, The Andy Griffith Show, The Beverly Hillbillies, Green Acres, Hee Haw, and many others. Along the way, readers are taken on side trips into the world of animated cartoons and television commercials that succeeded through a distinctly rural sense of fun. While rural comedy fell out of vogue and networks sacked shows in the early 1970s, the emergence of such hits as The Dukes of Hazzard brought the genre whooping back to the mainstream. Hollis concludes with a brief look at the current state of rural humor, which manifests itself in a more suburban, redneck brand of standup comedy.

Rural Comedy in the Twentieth Century

Ain't That a Knee-Slapper

Greg Ehrbar

Around the world there are grandparents, parents, and children who can still sing ditties by Tigger or Baloo the Bear or the Seven Dwarves. This staying power and global reach is in large part a testimony to the pizzazz of performers, songwriters, and other creative artists who worked with Walt Disney Records. Mouse Tracks: The Story of Walt Disney Records chronicles for the first time the fifty-year history of the Disney recording companies launched by Walt Disney and Roy Disney in the mid-1950s, when Disneyland Park, Davy Crockett, and the Mickey Mouse Club were taking the world by storm. The book provides a perspective on all-time Disney favorites and features anecdotes, reminiscences, and biographies of the artists who brought Disney magic to audio. Authors Tim Hollis and Greg Ehrbar go behind the scenes at the Walt Disney Studios and discover that in the early days Walt Disney and Roy Disney resisted going into the record business before the success of "The Ballad of Davy Crockett" ignited the in-house label. Along the way, the book traces the recording adventures of such Disney favorites as Mickey Mouse, Donald Duck, Cinderella, Bambi, Jiminy Cricket, Winnie the Pooh, and even Walt Disney himself. Mouse Tracks reveals the struggles, major successes, and occasional misfires. Included are impressions and details of teen-pop princesses Annette Funicello and Hayley Mills, the Mary Poppins phenomenon, a Disney-style "British Invasion," and a low period when sagging sales forced Walt Disney to suggest closing the division down. Complementing each chapter are brief performer biographies, reproductions of album covers and art, and facsimiles of related promotional material. Mouse Tracks is a collector's bonanza of information on this little-analyzed side of the Disney empire. Learn more about the book and the authors at www.mousetracksonline.com.

The Story of Walt Disney Records

Mouse Tracks

From the 1890s to the 1970s, the thriving area of Birmingham between Eighteenth and Twenty-first Streets along First, Second, and Third Avenues was the bustling heart of this quickly growing city. Before the age of the shopping mall, the downtown was the center of retail and entertainment in Birmingham. Along these streets, entrepreneurial immigrants built department stores--including Pizitz and Loveman, Joseph, and Loeb--while the marquees of the Alabama, Ritz, and Lyric theaters, among others, shined over the busy downtown sidewalks.

Birmingham's Theater and Retail District

A hee-hawing history of comedic performers from the golden age of radio through The Dukes of Hazzard

Ain't that a Knee-slapper

Hollis tracks down the story of every known local children's TV show from markets across the U.S. The book includes a capsule history of kids programming from its earliest days to the end of the heyday in the 70s. 150 illustrations.

Hi There, Boys and Girls! America's Local Children's TV Programs

In an era when local department stores still thrived, Birmingham shoppers had different stores from which to choose. But when customers sought more than bargain prices, when they demanded unparalleled quality and outright luxury, they chose Loveman's. The first store opened in Birmingham in 1887, and the chain eventually grew to include locations in Huntsville and Montgomery, embracing those from throughout the state who valued an upscale shopping experience. Weathering the Great Depression, a devastating fire that destroyed the original location in 1934 and historic civil rights protests in the early 1960s, Loveman's proved to be an enduring name through many eras of change until finally closing its doors in 1980. Now, Birmingham historian Tim Hollis chronicles the sterling history of this celebrated store's commitment to excellence.

Meet Me Under the Clock

Loveman's

For decades, the Christmas season in Birmingham was not complete without the sights and sounds of the retail district. During the season, the Magic City made magic with elaborate light displays and the Living Christmas Tree in Woodrow Wilson Park. Many remember the battling Santas of Loveman's and Pizitz, each vying for the hearts of the community. The elaborate Enchanted Forest dazzled shoppers on the sixth floor at Pizitz. In the 1940s, more than 200,000 people lined the streets each year to make merry for the Christmas Carnival parade. Author and local historian Tim Hollis celebrates the happy history of Birmingham's holiday season, reviving the traditions and festivities, the food and shopping of days gone by.

Christmas in Birmingham

A nostalgic look at Christmas in the mid-twentieth century.

A Catalog of Vintage Holiday Treats and Treasures

Christmas Wishes

The first book to give considered focus to children's television at the local level

America's Local Children's TV Shows

Hi There, Boys and Girls!

Quintessential roadside book recounts how Florida's natural wonders were first developed as tourist attractions.

Florida's Tourist Springs

Glass Bottom Boats & Mermaid Tails

Every living American adult likely prized one childhood toy that featured the happy image of an animated cartoon or comic strip character. There is an ever-growing market for these collectibles, and stacks of books pose as pricing guides. Yet Tim Hollis is the first to examine the entire story of character licensing and merchandising from a historical view. Toons in Toyland focuses mainly on the post–World War II years, circa 1946–1980, when the last baby boomers were in high school. During those years, the mass merchandising of cartoon characters peaked. However, the concept of licensing cartoon characters for toys, trinkets, and other merchandise dates back to the very first newspaper comics character, the Yellow Kid, who debuted in 1896 and was soon appearing on a variety of items. Eventually, cartoon producers and comic strip artists counted on merchandising as a major part of their revenue stream. It still plays a tremendous role in the success of the Walt Disney Company and many others today. Chapters examine storybooks (such as Little Golden Books), comic books, records, board games, jigsaw puzzles, optical toys (including View-Master and Kenner’s Give-a-Show Projector), and holiday paraphernalia. Extending even beyond toys, food companies licensed characters galore—remember the Peanuts characters plugging bread and Dolly Madison snacks? And roadside attractions, amusement parks, campgrounds, and restaurants—think Yogi Bear and Jellystone Park Campgrounds—all bought a bit of cartoon magic to lure the green waves of tourists’ dollars.

The Story of Cartoon Character Merchandise

Toons in Toyland

Florida's Miracle Strip

Birmingham, Alabama, has enjoyed a long and distinguished broadcasting history. The citys first radio station aired in 1922, and television arrived in 1949. Both media produced personalities who became household names in the city. Audiences came to know Joe Rumore, Tommy Charles, Country Boy Eddy, Cousin Cliff Holman, Rosemary, Pat Gray, Tom York, and many others as if they were members of their own families. Even the commercials became as memorable as the news, entertainment, talk, and childrens shows they interrupted. Birmingham, Alabama, has enjoyed a long and distinguished broadcasting history. The citys first radio station aired in 1922, and television arrived in 1949. Both media produced personalities who became household names in the city. Audiences came to know Joe Rumore, Tommy Charles, Country Boy Eddy, Cousin Cliff Holman, Rosemary, Pat Gray, Tom York, and many others as if they were members of their own families. Even the commercials became as memorable as the news, entertainment, talk, and childrens shows they interrupted.

Birmingham Broadcasting

From the 1890s to the 1970s, the thriving area of Birmingham between Eighteenth and Twenty-first Streets along First, Second, and Third Avenues was the bustling heart of this quickly growing city. Before the age of the shopping mall, the downtown was the center of retail and entertainment in Birmingham. Along these streets, entrepreneurial immigrants built department stores—including Pizitz and Loveman, Joseph, and Loeb—while the marquees of the Alabama, Ritz, and Lyric theaters, among others, shined over the busy downtown sidewalks.

Whatever happened to Bozo the Clown, to Aunt Norma, to Solomon C. Whiskers, those television celebrities who hammed it up between cartoons and contests during local kidsʼ shows? In Hi There, Boys and Girls! Americaʼs Local Childrenʼs TV Programs, Tim Holllis tracks down the story of every known local childrenʼs TV show from markets across the United States There have been many books about childrenʼs television on the networks, and such shows as Captain Kangaroo, Howdy Doody and Sesame Street are legends in broadcasting. For every performer on the scale of a Captain Kangaroo or a Buffalo Bob, there were five or six local personalities who were just as beloved by their viewers - and sometimes even more so - since these local stars could be counted on for appearances at stores, childrenʼs hospitals, and shopping centers, where kids could meet them face-to-face. Hi, There, Boys and Girls! Includes a capsule history of this programming from the earliest days of radio to the early 1970s, when a combination of social changes and broadcast regulations sent most of the hosts into retirement. Walt Disney observed that while there is very little adult in a child, there is a lot of child in every adult. This book will bring back a flood of long-submerged memories for anyone who was a child during this golden era. Includes Uncle Walt (Sickles), Miss Nancy (Stillwell), Flippo the Clown, etc.

A look at the origin and evolution of breakfast cereal advertising and its associated cartoon mascots.

Tim Hollis

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