Tirtha Prasad Mukhopadhyay

Alan Philip Garfinkel

Uto-Aztecan iconic practices are primarily conditioned by the consciousness of the snake as a death-dealing power, and as such, an animal that displays the deepest fears and anxieties of the individual. The attempt to study a snake simulacrum thus constitutes the basic objective of this volume. A long, all-embracing iconicity of snakes and related snake motifs are evident in different cultural expressions ranging from rock art templates to other cultural artifacts like basketry, pottery, temple architecture and sculptural motifs. Uto-Aztecan iconography demonstrates a symbolic memorial order of emotional valences, as well as the negotiations with death and a belief in rebirth, just as the skin-shedding snake reptile manifests in its life cycle.

Snake Anthropomorphy in the Great Basin, the American Southwest and Mesoamerica

Iconicity of the Uto-Aztecans

Tarun Tapas Mukherjee

Contemporary poetry, almost all over the world, faces extinction chiefly because people have lost their earlier reading habits. Human culture has undergone a massive transformation. Considered stochastically the print media might be actually receding; normal custom of reading books at bed-time tends to get replaced by the more relaxed activity of watching television. There is also some issue with form, more noticeable among others being the surreal obscurity of verse, the veneer of disjointed post-modernism, the lack of metre. It is however encouraging to note that there are poets who belong to the archaic and ever vanishing community of ritual man. Judith Wright, Frederick Turner, Mary Freeman, Cynthia Zarin have contributed to English poetry even in times as ours. I shall excerpt a few poems and let them speak for a slice of life. But they symbolize the spirit of a millennium that hosts human grief, joy, fear, or self-exhorcising creation in its lines.

Tirtha Prasad Mukhopadhyay

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