Tod A. Marder

Mark Wilson Jones

"The Pantheon is one of the most important architectural monuments of all time. Thought to have been built by Emperor Hadrian in approximately AD 125 on the site of an earlier, Agrippan-era monument, it brilliantly displays the spatial pyrotechnics emblematic of Roman architecture and engineering. The Pantheon gives an up-to-date account of recent research on the best preserved building in the corpus of ancient Roman architecture from the time of its construction to the twenty-first century. Each chapter addresses a specific fundamental issue or period pertaining to the building; together, the essays in this volume shed light on all aspects of the Pantheon's creation, and establish the importance of the history of the building to an understanding of its ancient fabric and heritage, its present state, and its special role in the survival and evolution of ancient architecture in modern Rome"--

From Antiquity to the Present

The Pantheon

The Pantheon is one of the most important architectural monuments of all time. Thought to have been built by Emperor Hadrian in approximately AD 125 on the site of an earlier, Agrippan-era monument, it brilliantly displays the spatial pyrotechnics emblematic of Roman architecture and engineering. The Pantheon gives an up-to-date account of recent research on the best preserved building in the corpus of ancient Roman architecture from the time of its construction to the twenty-first century. Each chapter addresses a specific fundamental issue or period pertaining to the building; together, the essays in this volume shed light on all aspects of the Pantheon's creation, and establish the importance of the history of the building to an understanding of its ancient fabric and heritage, its present state, and its special role in the survival and evolution of ancient architecture in modern Rome.

Gian Lorenzo Bernini

Joseph Martin

The work of Gian Lorenzo Bernini (1598-1680) has virtually defined the Baroque style in the visual arts. Bernini's famous Square of St. Peter's and Scala Regia at the Vatican transformed the forecourt of the basilica and the vestibule of the Papal Palace into breathtaking theatrical sets. While Bernini is famous for his masterly integration of painting, sculpture, and architecture in one site -- in the Chapel of St. Teresa, for example -- most specialists tended to focus exclusively on his sculpture. T.A. Marder is the first to create an extensive narrative considering all of Bernini's architectural achievements and his art at these sites, along with an interpretation of their meaning. Full-color photography specially commissioned for this project shows the sites as they were meant to be seen in the 17th century; these pictures are complemented by relevant drawings and photos of related buildings by other architects. Professor Marder's lively text discusses the political and personal causes that shaped each commission, well as problems of construction, questions of interpretation, and consideration of the sculpture programs in each commission.

Tod A. Marder

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