Tony Tremblay

With The Moore House, Tony Tremblay takes us on a terrifying journey. Three excommunicated nuns, Nora, Agnes, and Celeste, join a paranormal unit sanctioned by the Catholic Church, in the hopes for redemption in God's eyes. As empaths, their jobs are to verify reports of demonic possession, and when their boss, Father MacLeod, is persuaded to investigate a house in a small New Hampshire town, the three women are chosen to assess these claims. Goffstown police files detail numerous extraordinary occurrences at the Moore house, including seven gruesome, unsolved killings. For this reason, the three empaths are instructed to not enter the dwelling, but to employ their abilities while circling outside the house. Nora, Agnes, and Celeste proclaim it free of supernatural forces, but they are wrong...dead wrong. The three women discover their presence is part of a larger plan. The Moore House is not only possessed, but it soon possesses them, forcing them to relive the sins that had resulted in their excommunications. Their belief in God and redemption dissolving, they become pawns in a demonic scheme, a means to an end, in which Father MacLeod is their only hope. But Father MacLeod has made his own deal with devil, and the devil is ready to collect. Described as Ghost Story meets The Exorcist, The Moore House will possess you, as well.

The Moore House

For many Canadians, the small province of New Brunswick on Canada's scenic east coast is "a nice place to visit but no place to live," plagued for generations by outmigration and economic stagnation. In The Fiddlehead Moment Tony Tremblay challenges this potent stereotype by showcasing the work of a group of literary modernists who set out to change the meaning of New Brunswick in the national lexicon. Alfred Bailey, Desmond Pacey, Fred Cogswell, and a formidable group of local poets and cultural workers - collectively, New Brunswick's Fiddlehead School - sought to restore New Brunswick's literary reputation by adapting avant-garde modernist practices to the contours of the province, opening it to the contemporary world while also encouraging writers to make it their subject. The result was a non-urban form of modernism that was as responsive to technical innovation as to the human geographies of New Brunswick. By placing New Brunswick writers and critics at the forefront of Canadian literature in the midcentury modernist project, Tremblay adds an important new chapter to our understanding of Canadian modernism. The Fiddlehead Moment is the first critical examination of this group's considerable influence. Whether through Bailey's ethnomethodology, Pacey's critical ordering, or Cogswell's editorial eclecticism in the Fiddlehead magazine and Fiddlehead Poetry Books, authors in New Brunswick, Tremblay argues, had a profound impact on writing in Canada.

Pioneering an Alternative Canadian Modernism in New Brunswick

The Fiddlehead Moment

Bracken MacLeod

Three excommunicated nuns, Nora, Agnes, and Celeste, join a paranormal unit sanctioned by the Catholic Church, in the hopes for redemption in God's eyes. As empaths, their jobs are to verify reports of demonic possession, and when their boss, Father MacLeod, is persuaded to investigate a house in a small New Hampshire town, the three women are chosen to assess these claims. Goffstown police files detail numerous extraordinary occurrences at the Moore house, including seven gruesome, unsolved killings.

Michael Anthony Tremblay

David Adams Richards is one of Canada's foremost writers. A writer of poetry, short fiction, screenplays, non-fiction, essays and polemics, Richards' most prodigious work thus far has been as a novelist. With fifteen books and all of the major Canadian literary prizes to his credit, Richards is still relatively unknown by the reading public. This collection, the first book-length study of Richards' work, is meant to remedy that situation. Richards' interviews with the editor and opening essay situate his own beginnings as a writer and his dogged persistence in staying the course.

Essays on His Works

David Adams Richards

Widely considered to be one of Canada's most important authors, David Adams Richards has been honoured with a Giller Prize and two Governor General's Literary Awards. Despite this, there has been a dearth of critical appraisal of his life and works. In David Adams Richards of the Miramichi, Tony Tremblay sheds light not only on Richards' art and achievements, but also on Canadian literary criticism in general. Tremblay maps out the early influences on Richards' thinking and writing by drawing on interviews, archival records, and cultural studies of New Brunswick. He argues that the author is a more sophisticated craftsman than his critical reception has assumed and makes the case for a more nuanced analysis of his works. Equal parts literary biography, literary criticism, and cultural study of New Brunswick, David Adams Richards of the Miramichi provides a rare glimpse into the struggles and triumphs of a New Brunswick artist in a national and provincial milieu.

Tony Tremblay

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