Urs Stahel

A. D. Coleman

Joerg Bader

Catherine Leutenegger

Kodak City

Hans Danuser

Frost

Martin Hochleitner

Gregory Crewdson

Giorgio Wolfensberger was born in 1945 in Zürich, grew up in Winterthur and died in 2016 in Umbria, which he?d made his adoptive geographical and political home. He was not only an industrial photographer, filmmaker, slide-show specialist, expert on and writer for the Swiss modern dancer and dance teacher Suzanne Perrottet, sleuth extraordinaire for archival photographs; he was also a collector and photographer equipped with a seventh sense for the things of this world. He seems to have been a magnet for the peculiarities of everyday life, departures from the norm, the play of objects, the humorous and the grotesque, as though his eyes, nose and fingers were probes immersed in physical reality. Whether on assignment for an exhibition project or a book, roaming freely on the prowl in the city or driving around the countryside, he always discovered something unusual in the commonplace, something of his own in the general, something rich in the poor, something strange in the norm. This book brings together his artistic freelance photography for the first time, to form a cabinet of curiosities, a variegated cabaret of things. Beginning with the black-and-white documentary photography of his first years in Italy, he gradually developed a rich, humorous, colorful photo povera, an enchanting, pensive dance of ?poor? plain things. - Urs Stahel.

Foto Povera

Andrea Kunard

Sophie Hackett

"A catalogue to accompany the exhibition Anthropocene, a collaboration by the artists and filmmakers Jennifer Baichwal, Edward Burtynsky, and Nicholas de Pencier, including film, photography, virtual reality, and augmented reality. Anthropocene is organized by the Art Gallery of Ontario and the Canadian Photography Institute of the National Gallery of Canada, in partnership with Manifattura di Arti, Sperimentazione e Tecnologia (Fondazione MAST)."--

Burtynsky, Baichwal, de Pencier

Anthropocene

Pietro Mattioli

Winfried Heininger

Two Thousand Light Years From Home

Pernilla Zetterman

Helene Boström

Edited by Helene Bostrom. Text by Urs Stahel.

Behave

Roni Horn

Barbara Kruger

To enter Roni Horn's realm requires courage. But you only become aware of this after the fact, when it's already too late to back away, to erase the ever-repeating images from your mind. Attracted by the endless pictures of water or blurring images of clouds and clowns, seduced by dozens of young girl faces and pairs of eyes, you enter her realm somewhat unsuspectingly. And then the lock clicks behind you, almost silently, and you are standing all alone in front of a work that upon closer inspection suddenly seems rather dry and reserved, perhaps even repetitive. But somehow you know it's not. In this volume Elisabeth Lebovici, Bell Hooks, Thierry de Duve, Urs Stahel, Paolo Herkenhoff and Barbara Kruger contribute essays on the elusive work of Roni Horn. Through their essays begins a dialogue with a work that at first seems eloquent because of its sequential polyphony, but grows increasingly complex with the realization that it breaks almost immediately with any suggested narratives. Essays by Thierry de Duve, bell hooks, Barbara Kruger, Urs Stahel, Paolo Herkenhoff and Elisabeth Lebovici.

If on a Winter's Night ... Roni Horn ...

Photography is present in all the pubic and private areas of our lives. It is also found in seclusion, where it is dark, where we shut ourselves off from society or where an act excludes society. Sexuality as eroticism, desire, fantasy and fetish is one of the central drives of mans thoughts, actions and feelings. Frequently though, sexuality is minimized, considered to be nothing more than lustful entertainment or dismal deviation. Body Pleasure / Body Pain shows photography as an important medium in the presentation of sexuality. Photography stylizes lust and passion, power, violence and voyeurism. Wish and desire enter into a pact with sexuality: sexual fantasies push to be presented, seek exposure and photography, with its own voyeuristic pull, uses the power of (photo) eroticism for its own purposes. Body Pleasure/Body Pain presents this photography and discusses it in numerous essays. Volume 2 will be published in 2009. It is devoted to the photography of violence and disesase, those other central powers that can influence body and soul.

Darkside: Fotografische Begierde und fotografierte Sexualität

Urs Stahel

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