Rembrandt Harmenszoon van Rijn

Van Gogh Museum, Amsterdam

Rijksmuseum (Netherlands)

Duncan Bull

Rembrandt - Caravaggio highlights the two geniuses of baroque painting: Rembrandt, the pre-eminent artist of the Dutch Golden Age, and his Italian counterpart Michelangelo Merisi (also known as Il Caravaggio). Both artists are considered revolutionary innovators in Northern and Southern European art, respectively. With their origins in different painting traditions, each developed an original and striking visual language. The juxtaposition in pairs of paintings by the two artists intensifies the comparison of their work. Although they never met - Caravaggio (1571-1610) died four years after the birth of Rembrandt van Rijn (1606-1669) - many parallels can be drawn between the two master painters and their oeuvres. This is the first publication to comprehensively compare the works of Rembrandt with those of Caravaggio. Exploring the use of contrasting colors and chiaroscuro, both artists achieved unexpected realistic detail. Unsettling to their contemporaries, the realism of the works of Rembrandt and Caravaggio remains exceptionally compelling to this day. Both painters scrutinized humanity in their own way, amplifying the power and enigmatic qualities of major human themes, such as love, religion, sexuality and violence. Rembrandt and Caravaggio changed not only the course of painting, but also our perception of the world.

Rembrandt, Caravaggio

Clément Chéroux

A fascinating look at how snapshots by seven Post-Impressionist artists influenced their work and the history of photography The advent of the Kodak camera in 1888 made photography accessible to amateurs as well as to professionals. Artists were not immune to its allure, and many began experimenting with the camera as a means of observing the world and capturing their own images of it. Snapshot investigates seven Post-Impressionist painters and printmakers: Pierre Bonnard, George Hendrik Breitner, Maurice Denis, Henri Evenepoel, Henri Rivière, Félix Vallotton, and Edouard Vuillard. Although celebrated for their works on canvas and paper, these artists also made many personal and informal snapshots. Depicting interiors, city streets, nudes, and portraits, these photographs were kept private and never exhibited. As a result, most have never been seen by the public. Juxtaposing personal photographs with related paintings and prints by these Post-Impressionist artists, Snapshot offers a new perspective on early photography and on the synthesis of painting, printmaking, and photography at the end of the 19th century. Published in association with the Phillips Collection, the Van Gogh Museum, and the Indianapolis Museum of Art Exhibition Schedule: The Van Gogh Museum 10/14/11-01/08/12 The Phillips Collection 02/04/12-05/06/12 The Indianapolis Museum of Art 06/08/12-09/02/12

Painters and Photography, Bonnard to Vuillard

Snapshot

Metropolitan Museum of Art (New York, N.Y.)

Susan Alyson Stein

Grand Palais (Paris, France)

Anne Distel

The fascinating story of Dr. Paul Gachet's collection of works of art by artists such as Cezanne, Van Gogh, and Monet.

Van Gogh Museum, Amsterdam

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