Victoria Aarons

Examining through text and image what it means to be a woman, a Jew, and an artist. This comprehensive collection considers Jewish women graphic novelists and the richly figured ways in which Jewish identity is complicated by gender, memory, generation, and place: the spaces—emotional, geographical, psychological—that women inhabit. Through the intersections and juxtapositions of word and image, authors capture the complexities and anxieties of gender and Jewishness in navigating memory, identity, and embodied self-expression. Jewish women graphic novelists are preoccupied often with embodied memory, memories of loss, memories of personal and collective histories, and memories of transformative moments of self-reinvention. Here, memory materializes in the drawn shape of the body as an expression of the weight of personal and collective histories. The innovative and fluid conventions of graphic narrative panels, gutters, spaces of separation, bleeds, and juxtapositions of text and image embody the self. The diverse forms and structures of graphic narratives discussed in this volume by a range of international scholars demonstrate the ways in which Jewish women's graphic narratives reach into the past by way of stories and histories, both individual and collective, that provide a touchstone for the shape of identity.

Jewish Women and Embodied Selfhood in Graphic Narratives

The Story's Not Over

Jewish identity, memory, and place deftly revealed through the lens of Jewish women's graphic narratives.

Visualizing Identity in Jewish Women's Graphic Narratives

Memory Spaces

Master storyteller and literary stylist Bernard Malamud is considered one of the top three most influential postwar American Jewish writers, having established a voice and a presence for other authors in the literary canon. Along with Philip Roth and Saul Bellow, Malamud brought to life a decidedly American Jewish protagonist and a newly emergent voice that came to define American letters and that has continued to influence writers for over half a century. This collection is a tribute to Malamud in honor of the hundredth anniversary of his birth. Literary critic Harold Bloom suggests that “Malamud is perhaps the purest storyteller since Leskov,” the nineteenth-century Russian novelist and satirist. Novelist Cynthia Ozick, in a tribute to Malamud, described him as “the very writer who had brought into being a new American idiom of his own idiosyncratic invention.” Unlike other collections devoted to Malamud, this collection is international in scope, compiling diverse essays from the United States, France, Germany, Greece, and Spain, and demonstrating the wide range of scholarship and approaches to Bernard Malamud’s fiction. The essays show the breadth and depth of this masterful craftsman and explore through his short fiction and his novels such topics as the Malamudian protagonist’s relation to the urban/natural space; Malamud’s approach to death; race and ethnicity; the Malamudian hero as modern schlemiel; and the role of fantasy in Malamud’s fiction. Bernard Malamud is a comprehensive collection that celebrates a voice that helped to shape the last fifty years of literary works. Readers of American literary criticism and Jewish studies alike will appreciate this collection.

A Centennial Tribute

Bernard Malamud

O R & Eva Mitchell Distinguished Professor of Literature Trinity University Victoria Aarons

What Happened to Abraham? Reinventing the Covenant in American Jewish Fiction examines the ways in which contemporary American Jewish writers reinvent and reconfigure stories of the Hebraic covenant as a way of conceiving, negotiating, and redefining Jewish identity in America. In attempting to locate a place for Jewish identity at the end of the twentieth century and the beginning of the twenty-first, American Jewish writers look to an imaginary memory to reengage a defining, central Jewish history that has, post-World War II, become diluted in American culture.

Reinventing the Covenant in American Jewish Fiction

What Happened to Abraham?

This collection introduces the reader to third-generation Holocaust narratives, exploring the unique perspective of third-generation writers and demonstrating the ways in which Holocaust memory and trauma extend into the future.

Memory in Memoir and Fiction

Third-Generation Holocaust Narratives

Alan L. Berger

Victoria Aarons and Alan L. Berger show that Holocaust literary representation has continued to flourish well into the twenty-first century--gaining increased momentum even as its perspective shifts, as a third generation adds its voice to the chorus of post-Holocaust writers. In negotiating the complex thematic imperatives and narrative conceits of the literature of third-generation writers, this bold new work examines those structures, tropes, patterns, ironies, disjunctions, and overall tensions that produce a literature that laments unrecoverable loss for a generation removed spatially and temporally from the extended trauma of the Holocaust. Aarons and Berger address evolving notions of "postmemory"; the intergenerational and ongoing transmission of trauma; issues of Jewish cultural identity; inherited memory; the psychological tensions of post-Holocaust Jewish identity; the characteristic tropes of memory and the personalized narrative voice; issues of generational dislocation and anxiety; the recurrent antagonisms of assimilation and historical alienation; the imaginative re-creation and reconstruction of the past; and the future of Holocaust memory and representation.

Trauma, History, and Memory

Third-Generation Holocaust Representation

Introduces readers to the new perspectives, approaches and interpretive possibilities in Jewish American literature that emerged in the twenty-first Century.

The New Jewish American Literary Studies

Phyllis Lassner

The Palgrave Handbook of Holocaust Literature and Culture reflects current approaches to Holocaust literature that open up future thinking on Holocaust representation. The chapters consider diverse generational perspectives—survivor writing, second and third generation—and genres—memoirs, poetry, novels, graphic narratives, films, video-testimonies, and other forms of literary and cultural expression. In turn, these perspectives create interactions among generations, genres, temporalities, and cultural contexts. The volume also participates in the ongoing project of responding to and talking through moments of rupture and incompletion that represent an opportunity to contribute to the making of meaning through the continuation of narratives of the past. As such, the chapters in this volume pose options for reading Holocaust texts, offering openings for further discussion and exploration. The inquiring body of interpretive scholarship responding to the Shoah becomes itself a story, a narrative that materially extends our inquiry into that history.

The Palgrave Handbook of Holocaust Literature and Culture

This book demonstrates the complexity of Bellow's work by emphasizing the ways in which it reflects the changing conditions of American identity.

The Cambridge Companion to Saul Bellow

The Edward Lewis Wallant Award was founded by the family of Dr. Irving and Fran Waltman in 1963 and is supported by the University of Hartford’s Maurice Greenberg Center for Judaic Studies. It is given annually to an American writer, preferably early in his or her career, whose fiction is considered significant for American Jews. In The New Diaspora: The Changing Landscape of American Jewish Fiction, editors Victoria Aarons, Avinoam J. Patt, and Mark Shechner, who have all served as judges for the award, present vital, original, and wide-ranging fiction by writers whose work has been considered or selected for the award. The resulting collection highlights the exemplary place of the Wallant Award in Jewish literature. With a mix of stories and novel chapters, The New Diaspora reprints selections of short fiction from such well-known writers as Rebecca Goldstein, Nathan Englander, Jonathan Safran Foer, Dara Horn, Julie Orringer, and Nicole Krauss. The first half of the anthology presents pieces by winners of the Wallant award, focusing on the best work of recent winners. The New Diaspora’s second half reflects the evolving landscape of American Jewish fiction over the last fifty years, as many authors working in America are not American by birth, and their fiction has become more experimental in nature. Pieces in this section represent authors with roots all over the world—including Russia (Maxim Shrayer, Nadia Kalman, and Lara Vapnyar), Latvia (David Bezmozgis), South Africa (Tony Eprile), Canada (Robert Majzels), and Israel (Avner Mandelman, who now lives in Canada). This collection offers an expanded canon of Jewish writing in North America and foregrounds a vision of its variety, its uniqueness, its cosmopolitanism, and its evolving perspectives on Jewish life. It celebrates the continuing vitality and fresh visions of contemporary Jewish writing, even as it highlights its debt to history and embrace of collective memory. Readers of contemporary American fiction and Jewish cultural history will find The New Diaspora enlightening and deeply engaging.

Victoria Aarons

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