W. M. Ormrod

This book explores the dimensions of political society and the major preoccupations of English politics between the later years of Edward I's reign and the outbreak of the Wars of the Roses.

Political Life in Medieval England, 1300-1450

Nicola McDonald

A wide variety of texts (from chronicles to Chaucer) studied for evidence of medieval attitudes towards the processes of change as they affected individuals at all points of their lives.

Cultures of Transition in the Fourteenth Century

Rites of Passage

Edward III (1312-1377) was the most successful European ruler of his age. Reigning for over fifty years, he achieved spectacular military triumphs and overcame grave threats to his authority, from parliamentary revolt to the Black Death. Revered by his subjects as a chivalric dynamo, he initiated the Hundred Years' War and gloriously led his men into battle against the Scots and the French.In this illuminating biography, W. Mark Ormrod takes a deeper look at Edward to reveal the man beneath the military muscle. What emerges is Edward's clear sense of his duty to rebuild the prestige of the Crown, and through military gains and shifting diplomacy, to secure a legacy for posterity. New details of the splendor of Edward's court, lavish national celebrations, and innovative use of imagery establish the king's instinctive understanding of the bond between ruler and people. With fresh emphasis on how Edward's rule was affected by his family relationships--including his roles as traumatized son, loving husband, and dutiful father--Ormrod gives a valuable new dimension to our understanding of this remarkable warrior king.

Edward III

Proceedings of the 1989 Harlaxton Symposium

England in the Thirteenth Century

Phillip Lindley

The Black Death in England

Beowulf, the primary epic of the English language, is a powerful heroic poem eloquently expressive of the Anglo-Saxon culture that produced it. In this beautiful book a designer, a poet, and a specialist in Anglo-Saxon literature recreate Beowulf for a modern audience. Interweaving evocative images, a new interpretation in verse, and a running commentary that helps clarify the action and setting of the poem as well as the imagery, the book brings new life to this ancient masterpiece. Randolph Swearer's oblique and allusive images create an archaic, mysterious atmosphere by depicting in forms and shadows the world of Germanic antiquity--Scandinavian and Anglo-Saxon art, artifacts, and scenery. At the same time, Raymond Oliver gives Beowulf a world in which to live, filling in the cultural gaps not with a thick matrix of footnotes but with poetry itself. Unlike many translations of Beowulf in existence, Oliver's retelling of the epic uses modern verse forms for poetic effect and includes a wealth of historically authentic descriptions, characterizations, and explanations necessary for modern readers. Marijane Osborn completes the process of restoring context to the poem by supplying a commentary to clarify the historical and geographical dimensions of the story as well as the imagery that accompanies it. All three work together to bring a likeness of an old and elusive tale to today's reader. "The book's design and the commentary on it provide a unique visual complement to Oliver's poem... A strange and moving story, compellingly told and seriously interesting to any serious reader of books."--Fred C. Robinson, from the Introduction

W. M. Ormrod

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