Edward Burns

W. Speed Hill

Peter Shillingsburg

Volume 15 continues to offer international perspectives on textual scholarship, including contributions by Adrian Armstrong, Ronald Broude, Danielle Clarke, A.S.G. Edwards, Neil Fraistat and Steven E. Jones, David Leon Higdon, Chris Jones, John Jowett, Barbara Oberg, Daniel E. O'Sullivan, Manuel Portela, Damian Judge Rollison, Helen Smith, Dirk van Hulle, Andrew van der Vlies, and H.T.M. van Vliet, on topics ranging from the textuality of Thomas Jefferson to the gendering of the Early Modern British book trades. Items under review include The Piers Plowman Electronic Archive, Vol. 1, edited by Robert Adams, Hoyt N. Huggan, Eric Eliason, Ralph Hanna III, John Price-Wilkin, and Thorlac Turnville-Petre; Material Modernism, by George Bornstein; Textual Transgressions and Theories of the Text, by David Greetham; Electronic Texts in the Humanities, by Susan Hockey; Problems of Editing, edited by Christa Jansohn; From Author to Text, edited by Caroline Levine and Mark W. Turner; Text und Edition, edited by Rüdiger Nutt-Koforth, Bodo Plachta, H.T.M. van Vliet and Heermann Zwerschina; Thomas Hardy: A Textual Study of the Short Stories, by Martin Ray; The Piers Plowman Electronic Archive, Vol. 2, edited by Thorlac Turnville-Petre and Hoyt Duggan; and editions of Georg Büchner, Theodore Dreiser, Edmund Spenser, and Oscar Wilde. W. Speed Hill is Professor of English, Lehman College and The Graduate Center, City University of New York.

An Interdisciplinary Annual of Textual Studies

Text

Edward M. Burns

The newest volume in the distinguished annual

D. C. Greetham

The distinguished annual in interdisciplinary textual studies

Transactions of the Society for Textual Scholarship

TEXT 13continues to bring an international perspective on textual theory and practice to this scholarly journal. The contributions of Dutch scholars Annemarie Kets-Vree and H. T. M. van Vliet join Klaus Hurlebusch's essay in encouraging a more global approach to scholarly editing. Other highlights of this volume include: "Evidence for an Authorial Sequence in Donne's Elegies" by Gary A. Stringer, "Reading FinnegansWake Genetically" by Sam Slote, and "No Marriage in Heaven: Editorial Resurrection in Djuna Barnes's Nightwood" by Catherine Hollis. Review essays and book reviews in this volume examine James Grier's The Critical Editing of Music: History, Method, and Practice and recent textual scholarship on the work of William Wordsworth, Jonathan Swift, Mark Twain, and Mary Shelley, among others.

W. Speed Hill

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