Wendy Xu

Tidesong

In this gorgeous graphic novel by Wendy Xu, co-creator of the award-winning Mooncakes, a young inventor falls for a lifelike AI and confronts questions of freedom and autonomy. Clementine Chang moves from Earth to Mars for a new start and is lucky enough to land her dream job with Dr. Marcella Lin, an Artificial Intelligence pioneer. On her first day of work, Clem meets Dr. Lin's assistant, a humanoid AI named Kye. Clem is no stranger to robots--she built herself a cute moth-shaped companion named SENA. Still, there's something about Kye that feels almost too human. When Clem and Kye begin to collaborate, their chemistry sets off sparks. The only downside? Dr. Lin is enraged by Kye's growing independence and won't allow him more freedom. Plus, their relationship throws into question everything Clem thought she knew about AI. After all, if Kye is sentient enough to have feelings, shouldn't he be able to control his own actions? Where is the line between AI and human? As her past and Kye's future weigh down on her, Clem becomes determined to help him break free--even if it means risking everything she came to Mars for.

The Infinity Particle

The poems in Wendy Xu's third collection, The Past, fantasize uneasily about becoming a palatable lyric record of their namesake, while ultimately working to disrupt this Westernized desire. Who is "the past" for, after all, and what does it allow? Both sorrow and joy are found in these poems, knit into the silences and slippery untrustworthinesses of the English language. Born in Shandong, China, in 1987, Wendy Xu immigrated to the United States in 1989, three days ahead of the events of Tian'anmen Square on June 4th—the poems of The Past partly concern the emotional reverberations of this annual double-anniversary, the place at which "the past" forked, over thirty years ago, putting the author on a path to the United States. The Past probes the multi-generational binds of family, displacement, the illness and passing of the author's uncle and maternal grandfather in 2018, and immigration as an ongoing psychic experience without end. Moving spontaneously between lyric, fragment, prose, and subversions in "traditional" Chinese forms, the book culminates in a centerpiece series of "Tian'anmen Square sonnets" (and their subsequent erasures), an original form built from iterations of 6 and 4 in order to evade algorithmic censorship of references to June 4, 1989. Using form as inquiry, The Past conjures up the irrepressible past and ultimately imagines a new kind of poem: at once code and confession.

The Past

You Are Not Dead

In this gorgeous graphic novel by Wendy Xu, co-creator of the award-winning Mooncakes, a young inventor falls for a lifelike AI and confronts questions of freedom and autonomy. Clementine Chang moves from Earth to Mars for a new start and is lucky enough to land her dream job with Dr. Marcella Lin, an Artificial Intelligence pioneer. On her first day of work, Clem meets Dr. Lin’s assistant, a humanoid AI named Kye. Clem is no stranger to robots—she built herself a cute moth-shaped companion named SENA. Still, there’s something about Kye that feels almost too human. When Clem and Kye begin to collaborate, their chemistry sets off sparks. The only downside? Dr. Lin is enraged by Kye’s growing independence and won’t allow him more freedom. Plus, their relationship throws into question everything Clem thought she knew about AI. After all, if Kye is sentient enough to have feelings, shouldn’t he be able to control his own actions? Where is the line between AI and human? As her past and Kye’s future weigh down on her, Clem becomes determined to help him break free—even if it means risking everything she came to Mars for.

Suzanne Walker

A story of love and demons, family and witchcraft.Nova Huang knows more about magic than your average teen witch. She works at her grandmothers' bookshop, where she helps them loan out spell books and investigate any supernatural occurrences in their New England town. One fateful night, she follows reports of a white wolf into the woods, and she comes across the unexpected: her childhood crush, Tam Lang, battling a horse demon in the woods. As a werewolf, Tam has been wandering from place to place for years, unable to call any town home. Pursued by dark forces eager to claim the magic of wolves and out of options, Tam turns to Nova for help. Their latent feelings are rekindled against the backdrop of witchcraft, untested magic, occult rituals, and family ties both new and old in this enchanting tale of self-discovery.

Mooncakes

The Hero Poems

Naturalism

Ryan Maniulit

"Much Abird About Nothing." It’s college reunion time! Who’d have thought that it's already been fifteen years since Keg-Stand Craig and the new Dad on the block went to college? This one’s like a buddy cop comedy, only there are no cops and more avoiding old flames while trying to stifle an existential breakdown, bro.

Dream Daddy #1

Moving freely between essay, close-reading, ekphrasis, memoir, travelogue, lecture notes, poetry, and even monologue, Your Historical Loveliness Knows No Bounds presents a series of “thinking-throughs” of formally innovative and politically oriented poets pushing the boundaries of what poetry can hold. Tracing a personal family history of immigration amidst larger concerns of diaspora, “unsayability,” and absence, Wendy Xu reads the work of poets including Layli Long Soldier, Inger Christensen, Ocean Vuong, Liu Xia, giovanni singleton, Bei Dao, Diana Khoi Nguyen, and others. She explores existential and pedagogical questions in poetry from the point of view of a reader and a teacher. Why write? and why invite the paradoxes of a documentary approach into that writing? Not an overview or primer, least of all the final word, this free-ranging exploration of contemporary poetry considers larger questions of belonging, diaspora, the violence of language, the allure of the past, genre, witness, and form. It returns to memorable touchstone texts in the author’s life with renewed curiosity about their inner workings. Essays move with restless curiosity across topics, bringing them into conversation with poetry, from considering depictions of Christ in Pier Paolo Pasolini’s The Gospel According to St. Matthew, to the ecstatic illegible texts of Henri Michaux, discomfiting likenesses of agoraphobia and political imprisonment, and the epistolary trouble of fan-mail. Xu is drawn to poetry works of radical hybridity alongside personal experiences of formal intensity, as an immigrant daughter, a parentified child, an occasional agoraphobe, and a writer. Your Historical Loveliness Knows No Bounds is a tour of poetic influences and the futures they’ve made possible.

Form, Futurity, and Documentary Desire

Your Historical Loveliness Knows No Bounds

Poetry. Asian American Studies. "In YOU ARE NOT DEAD Wendy Xu breaks all the old rules that have never done us any favors anyway. She writes beautifully, noticing who we are, and letting us see ourselves with a little more humanity, a little more humor, a little more humility. I'm happy to have read this book." James Tate "There's a wild and wondrous poet plundering-through our lives, collecting the oddest and most significant things, turning our thoughts toward things we couldn't have known before she turned us toward them. YOU ARE NOT DEAD is precisely how this book can get you to feel and that is an almost otherworldly power. The poet who imagines and builds these poems is irresistible." Dara Wier "That fluctuating space between the temporary and the infinite is an erogenous zone made all the more enticing when articulated so eloquently. 'We have a lifespan and O how we live it out.' Wendy Xu's poems posit for us a future, a presence, a body resistant to the ravages of time. Mortality is a far planet. Here in Xu's work, we are passionately, and gratefully, alive." D. A. Powell"

You are Not Dead

The poems in Wendy Xu's third collection, The Past, fantasize uneasily about becoming a palatable lyric record of their namesake, while ultimately working to disrupt this Westernized desire. Born in Shandong, China, in 1987, Wendy Xu immigrated to the United States in 1989, three days ahead of the events of Tian'anmen Square. The Past probes the multi-generational binds of family, displacement, and immigration as an ongoing psychic experience without end. Moving spontaneously between lyric, fragment, prose, and subversions in "traditional" Chinese forms, the book culminates in a centerpiece series of "Tian'anmen Square sonnets" (and their subsequent erasures), to conjure up the irrepressible past, and ultimately imagine a new kind of poem: at once code and confession. "Tian'anmen Sonnet" (dead air in air... ) Dead air in air The anniversary of language holds you back against bucolic dreaming, down stream from here is running a miraculous color, elegy bursts like a ribbon in air Thinking again of the Square today Bold sky, passing episodes of cloud Vegetation mutters in the Far West A column of ghosts going violet over time Familiar song looping overhead Lines pressed in air

This second collection by Wendy Xu develops her lyricisma seraphic, extractive poeticsin the serenely personalized landscape of Brooklyn."

Wendy Xu

Books

Your next favorite book is out there