Willa Cather

My Antonia

A Lost Lady is the portrait of a frontier woman who reflects the conventions of her age even as she defies them. To the people of Sweet Water, a fading railroad town on the Western plains, Mrs. Forrester is the resident aristocrat, at once gracious and comfortably remote. To her aging husband she is a treasure whose value increases as his powers fail. To Niel Herbert, who falls in love with her as a boy and becomes her confidant as a man, Mrs. Forrester is by turns steadfast and faithless, dazzling and pathetic: a woman whose charm is intertwined with a terrifying vulnerability.

A Lost Lady

My Ántonia

A gentle, hard-working farmer's zest for life touches all who know him.

Neighbour Rosicky

O pioneers!

Willa Cather's best known novel is an epic—almost mythic—story of a single human life lived simply in the silence of the southwestern desert. In 1851 Father Jean Marie Latour comes to serve as the Apostolic Vicar to New Mexico. What he finds is a vast territory of red hills and tortuous arroyos, American by law but Mexican and Indian in custom and belief. In the almost forty years that follow, Latour spreads his faith in the only way he knows--gently, all the while contending with an unforgiving landscape, derelict and sometimes openly rebellious priests, and his own loneliness. Out of these events, Cather gives us an indelible vision of life unfolding in a place where time itself seems suspended. BONUS: The edition includes an excerpt from The Selected Letters of Willa Cather.

Death Comes for the Archbishop

Coming, Aphrodite

Driven by talent and ambition, Thea Kronborg leaves behind everyone and everything to fulfill her dreams of becoming an opera singer. Yet even as she achieves ever greater heights of success, Thea’s ambition drives her still further—to her eventual debut at the Metropolitan Opera House in New York, where she finally makes peace with what, and who, she has sacrificed for her career. The Song of the Lark is the second novel in Willa Cather’s Great Plains trilogy, which also includes O Pioneers! and My Antonia. Originally published in 1915, The Song of the Lark was adapted for the screen by PBS in 2001. HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.

Prairie Trilogy Volume 2

The Song Of The Lark

In the late 19th century, orphaned Jim Burden is sent to the wilderness in Nebraska to live with his grandparents. He arrives at the same time as the Shimerda family, including the eldest daughter Ántonia, who becomes his closest neighbors. Life in the American West is tough, especially for the impoverished Shimerda family, and pioneers must struggle for survival. A friendship blossoms between Jim and Ántonia as they explore nature and have adventures together, a friendship that will last a lifetime. My Ántonia became an immediate success when first published and is today considered Willa Cather's first masterpiece. It is praised for its depiction of the American West and its ability to highlight the aspirations of ordinary, poor people in a time when it was customary to write about the elite. WILLA CATHER [1873-1947] was an American author. After studying at the University of Nebraska, she worked as a teacher and journalist. Cather's novels often focus on settlers in the USA with a particular emphasis on female pioneers. In 1923, she was awarded the Pulitzer Prize for the novel One of Ours, and in 1943, she was elected to the American Academy of Arts and Sciences.

A Lost Lady (Virago Modern Classics)

The most complete collection available of Willa Cather's remarkable short fiction, Collected Stories brings together all the stories published in book form during her lifetime along with two additional volumes compiled after her death. These nineteen stories resonate with all the great themes that Cather staked out like tracts of fertile land: the plight of people hungry for beauty in a country that has no room for it; the mysterious arc of human lives; and the ways the American frontier transformed the strangers who came to it, turning them imperceptibly into Americans. In these fictions, Cather displays her vast moral vision, her unerring sense of place, and her ability to find the one detail or episode that makes a closed life open wide in a single exhilarating moment.

Collected Stories of Willa Cather

Owen Wister

Zane Grey

Max Brand [pseudonym]

Classic Westerns

On the Gulls' Road is a short story by Willa Cather. It was first published in McClure's in December 1908. Another painter visits the narrator and he is mesmerised by his painting of Alexandra Ebbling. The narrator then thinks back to how he met her, on a ship from Genoa to the New York City, after living in Rome for work for two years. They start talking, stop in Naples for a day, then sail by Sardinia. He moves on to doing a portrait of her, and he gives her a bunch of magnolias he got in Gibraltar and she talks about her ailment for the first time. Two days later when he sees her husband neglects her just before going to a concert on the ship, he goes and tells her they should run away together because they love each other. She explains she can't because she is ill. She gives him a box that he shall only open sometime later, when she tells him to by letter. She then takes a ship back to her father's in Norway without her husband. The following March, he receives a letter from him saying she has died. There is also a letter from her, telling him he can open the box now. Inside, there is a magnolia, strands of her hair, and two pink shells. Willa Sibert Cather (December 7, 1873 - April 24, 1947) was an American author who achieved recognition for her novels of frontier life on the Great Plains, in works such as O Pioneers , My Antonia, and The Song of the Lark. In 1923 she was awarded the Pulitzer Prize for One of Ours (1922), a novel set during World War I. Cather grew up in Nebraska and graduated from the University of Nebraska. She lived and worked in Pittsburgh for ten years, then at the age of 33 she moved to New York, where she lived for the rest of her life."

On the Gull's Road

Best known for the distinctive portraits of the people and land of the American West in her prairie novels, Willa Cather is one of the greatest American writers of this century. The fourteen short stories in this richly diverse collection, along with an exemplary introduction by author Cynthia Griffin Wolff, allow for a more complex view of Cather. As a writer she was intrigued by nature's ruthlessness and mankind's limitless potential for brutality and had a passion for the beauty of art. Ranging from the simplicity of Cather's first published story, "Peter" (1892), to the extraordinary eroticism of "Coming, Aphrodite!" (1920), this Twentieth-Century Classics collection is an engaging and triumphant testament to the genius of an American literary icon. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Coming, Aphrodite!

When Willa Cather was writing 'My Antonia, ' she visited her friend, the journalist and war correspondent Elizabeth Sergeant, grabbed an old apothecary jar filled with flowers, set it in the center of an antique table, and explained: 'I want my new heroine to be like this--like a rare object in the middle of a table, which one may examine from all sides. . . . I want her to stand out--like this--like this--because she is the story.' This anecdote (recounted in James Woodress's biography of Cather) sums up almost exactly the technique that makes her novel both unique and unusual. Instead of writing the story from her heroine's point of view, or from the point of view of an omniscient narrator, Cather instead creates a bystander, the likeable and somewhat innocent Jim Burden, who has written down a series of memories where his and Antonia's lives intersect; 'My Antonia' is a biography through the mask of autobiography. While this is Jim's story as much as it is Antonia's (she is barely mentioned at all in Book III), we are ultimately studying a much-loved thing of beauty from 'all sides'--from the distance separating it and the observer. Although 'My Antonia' relates a number of exciting, sentimental, horrifying, and even scandalous incidents (none of which will be divulged here), Cather very deliberately chose to write a character novel rather than an action story. Many of the book's pivotal 'events' happen offstage; we learn what has happened only when Jim hears about Antonia or runs into her at a gathering or stops by her home. Such a detached approach is a departure from that used by many of the American naturalists (e.g., Dreiser, Lewis) writing during this period, yet her book is surely a model of realism. As Jim writes when he notes his reluctance to visit Antonia when they are both grown, 'Some memories are realities, and are better than anything that can ever happen to one again.' As with all of Cather's novels, the prairie town of Black Hawk (which, is of course, Cather's hometown of Red Cloud), is populated with a variety of hirelings and homesteaders, dreamers and pretenders, romantics and scoundrels. (Cather seldom sketched a character as downright wicked as the would-be rapist Wick Cutter.) But none of the townsfolk outshine either the affectionate, if platonic, rapport between Jim and Antonia or the unforgettable portrayal of Antonia herself.

My Antonia - The Original Classic Edition

My Ántonia (first published 1918) is considered the greatest novel by American writer Willa Cather. My Ántonia - pronounced with the accent on the first syllable of "Ántonia" - is the final book of the "prairie trilogy" of novels by Cather, a list that also includes O Pioneers! and The Song of the Lark.My Ántonia tells the stories of several immigrant families who move out to rural Nebraska to start new lives in America, with a particular focus on a Bohemian family, the Shimerdas, whose eldest daughter is named Ántonia.

My Antonia.Willa Cather.After the death of his parents, Jim is sent to live with his grandparents on the Nebraska plains. By chance on that same train is a bright-eyed girl, Antonia, who will become his neighbor and lifelong friend. Her family has emigrated from Bohemia to start a new life farming but soon lose their money and must work hard just to survive. Through it all, Antonia retains her natural pride and free spirit. Jim's grandparents have a large and tidy farm. They are kind to him, but conventional. Later Jim becomes a scholar and Antonia becomes a 'hired girl' in town. She blossoms in the new freedom that town life offers. Jim can only taste this life vicariously through her recounting of town gossip and of the 'dance tent'. Antonia's strong will, spirit, and honesty allow her to thrive in the midst of hardship. Cather paints a rich picture of life on the prairie at the beginning of the twentieth century and depicts some of the many cultures that came to comprise the United States.

Large Print

When Willa Cather was writing My Antonia, she visited her friend, the journalist and war correspondent Elizabeth Sergeant, grabbed an old apothecary jar filled with flowers, set it in the center of an antique table, and explained: I want my new heroine to be like this--like a rare object in the middle of a table, which one may examine from all sides. . . . I want her to stand out--like this--like this--because she is the story. This anecdote (recounted in James Woodresss biography of Cather) sums up almost exactly the technique that makes her novel both unique and unusual. Instead of writing the story from her heroines point of view, or from the point of view of an omniscient narrator, Cather instead creates a bystander, the likeable and somewhat innocent Jim Burden, who has written down a series of memories where his and Antonias lives intersect; My Antonia is a biography through the mask of autobiography. While this is Jims story as much as it is Antonias (she is barely mentioned at all in Book III), we are ultimately studying a much-loved thing of beauty from all sides--from the distance separating it and the observer. Although My Antonia relates a number of exciting, sentimental, horrifying, and even scandalous incidents (none of which will be divulged here), Cather very deliberately chose to write a character novel rather than an action story. Many of the books pivotal events happen offstage; we learn what has happened only when Jim hears about Antonia or runs into her at a gathering or stops by her home. Such a detached approach is a departure from that used by many of the American naturalists (e.g., Dreiser, Lewis) writing during this period, yet her book is surely a model of realism. As Jim writes when he notes his reluctance to visit Antonia when they are both grown, Some memories are realities, and are better than anything that can ever happen to one again. As with all of Cathers novels, the prairie town of Black Hawk (which, is of course, Cathers hometown of Red Cloud), is populated with a variety of hirelings and homesteaders, dreamers and pretenders, romantics and scoundrels. (Cather seldom sketched a character as downright wicked as the would-be rapist Wick Cutter.) But none of the townsfolk outshine either the affectionate, if platonic, rapport between Jim and Antonia or the unforgettable portrayal of Antonia herself.

This is an annotated version of the book1. contains an updated biography of the author at the end of the book for a better understanding of the text.2. This book has been checked and corrected for spelling errorsLAST summer I happened to be crossing the plains of Iowa in a seasonof intense heat, and it was my good fortune to have for a travelingcompanion James Quayle Burden--Jim Burden, as we still call him in theWest. He and I are old friends--we grew up together in the same Nebraskatown--and we had much to say to each other. While the train flashedthrough never-ending miles of ripe wheat, by country towns andbright-flowered pastures and oak groves wilting in the sun, we sat inthe observation car, where the woodwork was hot to the touch and reddust lay deep over everything. The dust and heat, the burning wind,reminded us of many things. We were talking about what it is like tospend one's childhood in little towns like these, buried in wheat andcorn, under stimulating extremes of climate: burning summers when theworld lies green and billowy beneath a brilliant sky, when one is fairlystifled in vegetation, in the color and smell of strong weeds and heavyharvests; blustery winters with little snow, when the whole country isstripped bare and gray as sheet-iron. We agreed that no one who had notgrown up in a little prairie town could know anything about it. It was akind of freemasonry, we said.Although Jim Burden and I both live in New York, and are old friends, Ido not see much of him there. He is legal counsel for one of the greatWestern railways, and is sometimes away from his New York office forweeks together. That is one reason why we do not often meet. Another isthat I do not like his wife.When Jim was still an obscure young lawyer, struggling to make his wayin New York, his career was suddenly advanced by a brilliant marriage.Genevieve Whitney was the only daughter of a distinguished man. Hermarriage with young Burden was the subject of sharp comment at the time.It was said she had been brutally jilted by her cousin, Rutland Whitney,and that she married this unknown man from the West out of bravado. Shewas a restless, headstrong girl, even then, who liked to astonishher friends. Later, when I knew her, she was always doing somethingunexpected. She gave one of her town houses for a Suffrage headquarters,produced one of her own plays at the Princess Theater, was arrestedfor picketing during a garment-makers' strike, etc. I am never able tobelieve that she has much feeling for the causes to which she lends hername and her fleeting interest. She is handsome, energetic, executive,but to me she seems unimpressionable and temperamentally incapable ofenthusiasm. Her husband's quiet tastes irritate her, I think, and shefinds it worth while to play the patroness to a group of young poets andpainters of advanced ideas and mediocre ability. She has her own fortuneand lives her own life. For some reason, she wishes to remain Mrs. JamesBurden.As for Jim, no disappointments have been severe enough to chill hisnaturally romantic and ardent disposition. This disposition, though itoften made him seem very funny when he was a boy, has been one of thestrongest elements in his success. He loves with a personal passion thegreat country through which his railway runs and branches. His faithin it and his knowledge of it have played an important part in itsdevelopment. He is always able to raise capital for new enterprises inWyoming or Montana, and has helped young men out there to do remarkablethings in mines and timber and oil. If a young man with an idea can onceget Jim Burden's attention, can manage to accompany him when he goes offinto the wilds hunting for lost parks or exploring new canyons, then themoney which means action is usually forthcoming. Jim is still able tolose himself in those big Western dreams.

Willa Cather

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