Willemijn de Jong

John Clammer

Eriko Aoki

'Arts in the Margins of World Encounters' presents original contributions that deal with artworks of differently marginalized people—such as ethnic minorities, refugees, immigrants, disabled people, and descendants of slaves—, a wide variety of art forms—like clay figures, textile, paintings, poems, museum exhibits and theatre performances—, and original data based on committed, long-term fieldwork and/or archival research in Brazil, Martinique, Rwanda, India, Indonesia, Japan, Australia, and New Zealand. The volume develops theoretical approaches inspired by innovative theorists and is based on currently debated analytical categories including the ethnographic turn in contemporary art, polycentric aesthetics, and aesthetic cannibalization, among others. This collection also incorporates fascinating and intriguing contemporary cases, but with solid theoretical arguments and grounds. 'Arts in the Margins of World Encounters' will appeal to students at all levels, scholars, and practitioners in arts, aesthetics, anthropology, social inequality, and discrimination, as well as researchers in other fields, including post-colonialism and cultural organizations.

Arts in the Margins of World Encounters

Richard Kunz

The present publication takes readers on a journey to a handicraft that causes not only experts to prick up their ears but laypeople as well, capturing their imagination with each new chapter. At the same time, ethnologists and art historians aid in becoming familiar with the object of research from various directions. Ikat, the technology and art form of creating complex patterns on hand-woven textiles that is practiced primarily in Indonesia, India, and Central and South America, has continuously developed over the course of centuries. Foreign influences were absorbed and creatively integrated into local patterns. The main objects of research are works by female master weavers from eastern Indonesia and Timor-Leste. Their fabrics reflect not only fashion and modernity but also aspects of globalization. (German edition ISBN 978-3-7757-4186-6)Exhibition: Museum der Kulturen Basel 21.10.2016-26.3.2017

Global Traces in Local Ikat Fashion

Striking Patterns

Claudia Roth†

Manfred Perlik

Noemi Steuer

Claudia Roth's work on Bobo-Dioulasso, a city of half a million residents in Burkina Faso, provides uniquely detailed insight into the evolving life-world of a West African urban population in one of the poorest countries in the world. Closely documenting the livelihood strategies of members of various neighbourhoods, Roth's work calls into question established notions of "the African family" as a solidary network, documents changing marriage and kinship relations under the impact of a persistent economic crisis, and explores the increasingly precarious social status of young women and men.

Transformations of Family Life in Burkina Faso

Urban Dreams

Willemijn de Jong

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