William Collins Donahue

Georg Mein

Rolf Parr

andererseits seeks to provide a forum for unique and exciting research and reflections on topics related to the German-speaking world and the field of German Studies. Works presented in the publication come from a wide variety of genres including book reviews, poetry, essays, editorials, forum discussions, academic notes, lectures, and traditional peer-reviewed academic articles. In addition, contributions by journalists, librarians, archivists, and other commentators interested in German Studies broadly conceived. By publishing such a diverse array of material, we hope to demonstrate the extraordinary value of the humanities in general, and German Studies in particular, on a variety of intellectual and cultural levels. Contributors to this volume: Yvonne Delhey, Andreas Erb, Bernhard Fischer, Rüdiger Görner, Spencer Hawkins, Steffen Kaup, Selim Özdogan, Hugh Ridley, Gertrud Maria Rösch, Peter Stamm, Wim Wenders, and others.

Vol. 7/8, 2018/19

andererseits – Yearbook of Transatlantic German Studies

Nobel laureate Elias Canetti wrote his novel Auto-da-F©(Die Blendung) when he and the twentieth century were still quite young. Rooted in the cultural crises of the Weimar period, Auto-da-F© first received critical acclaim abroad--in

Elias Canetti's Auto-da-fâe

The End of Modernism[

Richard S. Levy

Norman A. Stillman

Kevin Madigan

Dean Phillip Bell

Amy Hill Shevitz

Jonathan Morse

Written by top scholars in an accessible manner, this unique encyclopedia offers worldwide coverage of the origins, forms, practitioners, and effects of antisemitism, leading to the Holocaust and surviving to the present day. The word "antisemite" was first used to describe a politically motivated enemy of the Jews in 1879. The subject of antisemitism has often been focused on the Holocaust; however, current events and history have much to add to this discussion. For example, in 1995 a Japanese pseudo-Buddhist religious cult, imagining itself to be under attack by Jews, released sarin gas on the Tokyo subway, killing 12. From 1881 to 1900 there were 128 public accusations of Jewish "ritual murder" allegedly involving the killing of Christian children to use their blood for religious purposes. Entries in this encyclopedia span the period from ancient Egypt to the modern era. Key theoreticians of Jew-hatred and their written works, its permeation of Christianity and modern Islam, and its political, artistic, and economic manifestations are covered. This is the first comprehensive work that deals with the entire history of ideas and practices that engendered the Holocaust.

A Historical Encyclopedia of Prejudice and Persecution [2 volumes]

Antisemitism [2 volumes]

andererseits provides a forum for research, commentary, and creative work on topics related to the German-speaking world and the field of German Studies. Works presented in the publication come from a wide variety of genres including book reviews, poetry, essays, editorials, forum discussions, academic notes, lectures, and traditional peer-reviewed academic articles. In addition, we welcome contributions by journalists, librarians, archivists, and other commentators interested in German Studies broadly conceived. As a specifically transatlantic endeavor, we also highlight select topics in American Studies that impact German Studies. By publishing such a diverse array of material, we hope to demonstrate the extraordinary value of the humanities in general, and German Studies in particular, on a variety of intellectual and cultural levels. This issue features sections about German Studies approaches to media literacy, Stephen Dowden's book »Modernism and Mimesis« and the poetics of ambiguous memory.

Vol. 11/12, 2022/23

andererseits - Yearbook of Transatlantic German Studies

Martha B. Helfer

Second volume of the biennial publication of the Duke German Jewish Studies Workshop, making available important new research and considering the definition and development of the field of German Jewish Studies.

Essays in German Jewish Studies

Nexus

Julian Preece

Though he died in the last decade of the twentieth century, the satirist, social thinker, memoirist, and dramatist Elias Canetti lives on into the present. Testifying to the author's undeniable cultural afterlife, the essays gathered together here represent a wide swath of the latest Canetti scholarship. Contributors examine Canetti's Jewish identity; the Marxist politics of his youth; his influence on writers as diverse as Bachmann, Jelinek, and Sebald; the undiscovered poetry of his literary testament (Nachlass); his status as a self-cancelling satirist; and his complex and sometimes ambivalent citation of Chinese and French cultural icons. In addition, this volume presents a treatment of Canetti as philosopher; as contributor to the great debate on the genesis of violence; as a chronicler of the WWII exile experience; as well as a personal reminiscence by one of the great Canetti scholars of our time, Gerald Stieg. The Worlds of Elias Canetti challenges conventional wisdom about this Nobel laureate and opens up new areas to scholarly investigation. The Worlds of Elias Canetti convenes diverse disciplinary perspectives on one of the most enigmatic and ambidextrous authors of the twentieth century. An internationally renowned team of scholars places Canetti's social thought and literary oeuvre within intriguing new contexts, highlighting as yet underexplored connections within areas such as philosophy, Jewish Studies, cultural anthropology, literary intertextuality, and beyond. Compellingly, this volume introduces us to a Canetti we have not yet known, and one who equally belongs to the twenty-first century. In its scope and originality, The Worlds of Elias Canetti sets a new standard-and not just for Canetti scholarship. Jochen Vogt, Professor of German Literature, University of Essen

Centenary Essays

The Worlds of Elias Canetti

Biennial volume of new and innovative essays on German Jewish Studies, featuring forum sections on Heinrich Heine and Karl Kraus.

Nexus 3

Though he died in the last decade of the twentieth century, the satirist, social thinker, memoirist, and dramatist Elias Canetti lives on into the present. Testifying to the author’s undeniable cultural “afterlife,” the essays gathered together here represent a wide swath of the latest Canetti scholarship. Contributors examine Canetti’s Jewish identity; the Marxist politics of his youth; his influence on writers as diverse as Bachmann, Jelinek, and Sebald; the undiscovered “poetry” of his literary testament (Nachlass); his status as a self-cancelling satirist; and his complex and sometimes ambivalent citation of Chinese and French cultural icons. In addition, this volume presents a treatment of Canetti as philosopher; as contributor to the great debate on the genesis of violence; as a chronicler of the WWII exile experience; as well as a personal reminiscence by one of the great Canetti scholars of our time, Gerald Stieg. The Worlds of Elias Canetti challenges conventional wisdom about this Nobel laureate and opens up new areas to scholarly investigation. “The Worlds of Elias Canetti convenes diverse disciplinary perspectives on one of the most enigmatic and ambidextrous authors of the twentieth century. An internationally renowned team of scholars places Canetti’s social thought and literary oeuvre within intriguing new contexts, highlighting as yet underexplored connections within areas such as philosophy, Jewish Studies, cultural anthropology, literary intertextuality, and beyond. Compellingly, this volume introduces us to a Canetti we have not yet known, and one who equally belongs to the twenty-first century. In its scope and originality, The Worlds of Elias Canetti sets a new standard—and not just for Canetti scholarship.” Jochen Vogt, Professor of German Literature, University of Essen

Nobel laureate Elias Canetti wrote his novel Auto-da-Fe (Die Blendung) when he and the twentieth century were still quite young. Rooted in the cultural crises of the Weimar period, Auto-da-Fe first received critical acclaim abroad--in England, France, and the United States--where it continues to fascinate readers of subsequent generations. The End of Modernism places this work in its cultural and philosophical contexts, situating the novel not only in relation to Canetti's considerable body of social thought, but also within larger debates on Freud and Freudianism, misogyny and modernism's "fragmented subject," anti-Semitism and the failure of humanism, contemporary philosophy and philosophical fads, and traditionalist notions of literature and escapist conceptions of history. The End of Modernism portrays Auto-da-Fe as an exemplum of "analytic modernism," and in this sense a crucial endpoint in the progression of postwar conceptions of literary modernism.

William Collins Donahue

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